Drawing Art

Medium: Pencil on paper Size: 7.75 inches (height) x 5 inches (width) Signed: Yes Condition: Good condition, slight age-related wear around the edges. Provenance: From the artist's estate Description: This expressive pencil drawing by K. B. White captures a vintage race car...

B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955) THE BRIDGE, 1906 Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number. Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.

Oliver ZLADKU (1952-) Fishermen in Cassis, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 28 x 38 cm Excellent con...

A dramatic and beautifully stylized charcoal lithograph on paper by Adolf Uzarski (1885–1970), this work belongs to the artist's rare series of illustrations inspired by the Tutinama...

Landscape is a beautiful black and white etching on paper, realized around the 80s by the Italian artist Fiorella Diamantini (Cingoli, 1931-2019). Signed in pencil on the lower right margin and with the abbreviation "P.d.a." in pencil on the lower left margin. Our original etching, an artist proof, confirms the artist's love for classic style in the wake of another great artist from the region Marche: Luigi Bartolini. The hills and the trees clearly emerge among the often rampant whites, but on closer inspection there is no sign that the view is not built, everything is defined by a fabric of lines that thickens for the contours, and it is made rarer for the shadows. She seems to draw her landscapes from absolute white, where the edges of the real irrepressible by a single line are defined by the hatching. A real skilled hand demonstrates a full mastery of the artistic technique and a real suggestive hatching that has something of the geometrical rigor. In very good conditions, except for a minor stain on the lower left margin and some imperceptible signs of time. Fiorella Diamantini was born in Cingoli in 1931 and graduated from the Book School of Urbino and the Academy of Fine Arts in Rome. She studied engraving with Leonardo Castellani in Urbino and Mino Maccari in Rome. Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi. From 1951, she lived in Rome. In 1980, she moved to Umbria, in Spello. She has been invited to the most important engraving reviews: the Venice Biennale (1956), the Venice Black and White Biennial, the Rome Quadrennial and the national and international exhibitions organized at the National Chalcography of Rome. His works have been presented at the Michel Gallery in Paris, at the Stockholm National Museum, at the National Chalcography of Rome, at the International Rossetti Library in Rome, at the Prandi Library in Reggio Emilia. Her works are present at the InClub Publishing House in Florence and the Galaverni Saletta in Reggio Emilia. The following wrote about Fiorella Diamantini: Mino Maccari, Italo Cremona, Valeria Vecchia, Arnoldo Ciarrocchi, Lorenza Trucchi, Alberto Manfredi...

383 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Hawk Size: 12 x 16 inch, (3...

Construction d’un temple – Plate n. 11  is a b/w original etching and dry-point  realized in 1973 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dime...

Bernard Buffet French Riviera : Saint Tropez Village, 1977 Original lithograph (Mourlot workshop) Unsigned On vellum 76 x 65 cm (c. 30 x 26 in) Authenticated with the blind stamp o...

This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

LUDWIG MEIDNER (1884-1966) Bernstadt 1884 - 1966 Darmstadt (German) Title: Street in Wilmersdorf, from: The Creators Straße in Wilmersdorf, von: Die Schaffenden...

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

A Timely and Prescient, 1940s WWII Era Political Cartoon / Illustration Ink Drawing by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Titled "USA No Admittance". A p...

Fina Miralles (Spain, 1950) 'Salten y ballen', N/A lithograph on paper 20.5 x 27.6 in. (52 x 70 cm.) ID: MIR1346-004-000 Hand-signed by author __________...

Andy Warhol Cologne Cathedral, FS II. 363 1985 Screenprint with Diamond Dust on Lenox Museum Board 39 3/8 x 31 1/2 in. 36/60 Pencil Signed and numbered Andy Warhol's Cologne Cat...

Al Hirschfeld, American (1903 - 2003) - Bobby Short, Year: 1988, Medium: Lithograph, signed and numbered in pencil, Edition: 42/100, Size: 25 x 20 in. (63.5 x 50.8 cm), Frame Siz...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 90. Very good condition.

A rare and striking 1933 lithograph by Arnold Ronnebeck, this evocative black-and-white composition depicts a Colorado mountain mine set within a quiet winter landscape. Blanketed in...

PAUL GAUGUIN (French 1848 - 1903) LA ORANA MARIA (HAIL MARY) 1894/5 (Mongan/Kornfield 27B:Guerin 51) Transfer zincograph on coarse-grained transfer paper, in...

Colored lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 130. Hand signed and numbered in pencil. Very good condition. This expressive lithograph by Enri...

A Compelling, 1951 Mid-Century Modern Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is unframed, matted/...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Artist: Warhol, Andy Title: Mao (Wallpaper) Date: 1974 Medium: Screenprint on wallpaper Unframed Dimensions: 40.125" x 29.5" Framed Dimensions: 45.25" x 34.5" Signature: Unsig...

Anatomical studies  is an original artwork realized by Luigi Galli in the late 19th Century. Pencil drawing on paper. The artwork has the stamp of the provenance's collection "Amode...

"Storytime" (2023) by Allen Williams is an original graphite drawing on Strathmore medium weight drawing paper that depicts a young girl reading a book ...

Pencil on paper, realized in the early years of 20th Century. Not signed. Good condition.

James Stroudley 1906 -1985 Portrait of a Young Man Graphite on paper Image size: 18 x 16 inches James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...

Ménagerie Parisienne is an Original Lithograph realized by Gustave Doré (1832-1883). Very good condition included a white cardboard passpartout (50x62.5 ...

Landscape is an old master artwork realized in 19th Century after Alfred Sisley. The artwork was realized after an original painting by Alfred Sisley Black and white etching engrav...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...

Urbain HUCHET Paris : Concorde Square and American Embassy, c. 1970 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm (c...

'Horse No. 1, 2002' by John Goodman. The artwork is 18 x 48 inches and it is framed in a wooden frame. Signed and dated by artist. Excellent condition. From Andra Norris Gallery in C...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

In the 1950s and 60s Grambs worked on many commissions. The symmetrical nature of the drawing suggests it was for a book or magazine project with facing pages -- possibly a cookboo...

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 7 x 5.5 inches Provenance: private collection Condition: very good condition Ha...

Rare print numered by surrealist artist Leonor Fini, now rediscovered and inscreasingly esteemed with the movement of rediscovering art by women. It depicts a beautiful feminine figu...

 Sweet Melancholy is an artwork realized by the artist Renato Ranaldi in 1990s. Etching and aquatint on paper. Hand Signed in the right margin and titled in the middle. Numbered in ...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Charcoal and watercolor drawing realized by Mino Maccari in 1960s. Hand signed in pencil lower right. Good condition.

White pen on black paper, Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. A...

347 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Gray Bird Size: 12 x 16 inch...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of a Violinist, 1950. Charcoal on paper, sheet measures 13 x 19 inches. Signed lower left. A ...

A fine art giclee print from my original ink drawing of No1 Royal Crescent, Bath with hand applied shimmering 24ct gold leaf. The gold is slightly raised and catches the light beauti...

Wheeler Williams (American, 1897-1972) Untitled Study, 1944 (Polo Players) Pencil on paper 15 1/2 x 19 1/4 in. Signed lower right: Wheeler Williams, 1944 Artist studio label verso Inscribed on mat: Drawings for Proposed Murals: Polo Room, Hotel Plaza.... A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Jean Michel Mathieux-Marie Rialto Bridge, Venise Original drypoint etching Handsigned in pencil On vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch) Numbered /100 copies Excellent condition

A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...

Wonderful set of four original pencil drawings depicting vintage motor cars from the 1930's. They are an ideal gift or interior furnishing for any 'man cave' or 'boys room...

Contemporary figurative female nude crayon on paper drawing by Leszek 'Maestro' Zegalski. Artwork depicts a woman covering her face with hair and her private parts with hands. This d...

Published by The Print Subscribers Club in 2004, this original etching by Abraham LaCalle presents an energetic arrangement of biomorphic forms, patterned surfaces, and layered abstr...

This piece titled "Snap Back to Reality" is an original artwork made from acrylic paint and plastic filment on panel and glass by Lauren Rinaldi. This piece is shipped in the feature...

Drypoint etching with stencil on Rives paper, edited in 1971. Limited edition in 150 copies, numbered as EA (épreuve d'artiste) (artist's proof) in lower left corner. Hand-signed in ...

Etching on paper. Hand-signed and numbered by artist in pencil. Editions of 90 copies (11/90) Published in general catalog "Emilio Greco Incisioni e Litogrefie", by Maurizio Calve...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...