Figurine Art

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Undoubtedly, Icarus has become a symbol of the longing for freedom, the desire to feel one’s wings – but also of danger and risk. This work is dedicated to teenagers, no longer child...

Caroline's Torso is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 15 × 15 cm (11.8 × 5.9 × 5.9 in). Total height of the sculpture with base and shaft: 5...

Jean-Baptiste Baujault (1828-1899). Portrait of a Bearded Man, ca. 1880's Cast bronze on bronze base. Measures 12.75 x 5.25 x 4.5 inches. Created by the Ferdinand Barbedienne foun...

Eliara embodies the moment of becoming — a fragile yet powerful transition between stillness and life. Emerging from an undefined mass, the form evokes a body in the process of awake...

This contemporary bronze figurative tabletop sculpture featuring animals riding a Vespa is by Gillie and Marc. Australia’s Gillie and Marc, the contemporary artist duo, continue to...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

Rare neoclassical white marble sculpture depicting an ephebe in the gesture of silence, also known as the gesture of Harpocrates, Rome, second half of the 18th century. Harpocrate...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Mimi Gross (American 1940-) Jewish Orthodox Scholar 1983 Aluminum and Paint Assemblage Hand signed, numbered 130/135 Dimensions: 24 X 12 X 9 inches From a great art collection of ...

Many cities and civilizations have been swallowed by the desert. The greatest structures of antiquity were eroded year after year by the desert wind, counting the grains of days and ...

The myth of Theseus and the Minotaur carries a profound philosophical narrative. It represents the struggle against the monster within – the battle with one's own dark side. Wanderin...

an italian white arble grand tour style of The Crouching Venus, an Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her...

Italian, Late 19th Century Finely Finished Bust of Renaissance Lady White marble, garment in veined buff colored marble on fitted green marble pedestal Bust: 22 x 18 x 9 inches Pedes...

When a child learns to ride a bike, it's challenging, sometimes frustrating, and a big milestone. The object transforms into a trusty steed, becomes part of play and imagination – th...

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

Bronze Figure of Crouching Venus, or The Naked Aphrodite, 19th Century Italian School Bronze raised on a marble base 21 in. h. x 10 in. w. x 7 in. d., overall 18 in. h. x 8.5 in. w....

19th Century Grand Tour after the Antique Figure of Sophocles Bronze with green patination Signed F. Barbidienne, Fondeur 25 x 8.5 x 6.5 inches Standing figure of the Greek poet, we...

A classical marble sculpture torso of a male figure, hand carved in a Greco-Roman style, showing detailed musculature with defined abdominal and...

Larry Moss has created his amazing air-filled art called “airigami” in 12 countries on four continents. Moss's work with latex balloons makes great art accessible to kids in a fun e...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

This bronze figurative tabletop sculpture by Roch Smith features a canoe. Canadian sculptor Roch Smith has turned his attention to a cherished national and historic pastime—canoeing...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

An artist and sculptor with a distinctive personal style, he is a member of the Belarusian Union of Artists. Andrei Ostashov is a professional sculptor and artist from Belarus. Worki...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Alexander Sokolov is one of the most prominent young-generation sculptors in Belarus. Born in Moscow in 1986, he received formal training in fine arts. He works with diverse materi...

KAWS, Clean Slate (Bronze) (Artist's Proof), 2022 Bronze Sculpture 14.5 x 7.1 x 7.4 cm (5.7 x 2.8 x 2.9 in) AP number 30/50 - aside from a main edition of 250 Signature and Date...

An important grand tour Antonio Canova Ebe (Aprés), carved in white marble by an Italian sculptor artist in the 19th century from a block of white marble. The work depicts the go...

Patinated bronze sculpture - Erotic scene. J. M. Lambeaux (1852-1908). 11 x 6 x h 8 cm. - Signed: "J. M. Lambeaux". Crafted in finely chiseled and patinated bronze. Depicting an e...

Small and fine lead sculpture from the Renaissance period, Italy, Florence, 16th century. It depicts a young woman, richly attired, with the palm of martyrdom and a hand over her he...

Feline IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 24 × 90 × 20 cm (9.4 × 35.4 × 7.9 in). The sculpture is signed and numbered, it is part o...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

Expressionist stoneware head sculpture featuring kintsugi gold repair, exploring material transformation, individuality and the expressive potential of ceramic form. Testa 6 is a un...

Auguste Moreau (French, 1834-1917) Swan Baby, 19th Century Bronze with reddish gold patination mounted on verdigris marble base Signed on base 6 x 9.5 x 5 inches Auguste Moreau was...

The image of a warrior centaur: he drinks from the river Lethe, the river of oblivion. He drinks from the helmet of his fallen foe, yet he can never quench his thirst – for what he d...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

Charles Valton (1851 - 1918) Deux chiens de chasse Bronze à patine brune H. : 26 cm ; L. : 34 cm ; P. : 17,2 cm Signé "C. VALTON" Fonte au sable, dernier quart du XIXe siècle Charle...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

Elegant hand-carved bicolor jade sculpture from the Oriental tradition, depicting two court ladies beneath a flowering tree. The figures are crafted in translucent light green jade, ...

Girl’s dream is a bronze sculpture by French contemporary artist Cécile Raynal, dimensions are 155 × 50 × 63 cm (61 × 19.7 × 24.8 in). Dimensions include white wood stand. The sculpt...

An art deco terracotta-painted plaster sculpture of a standing partly nude woman holding a tray, signed and dated "KA (19)15" by Swedish sculptor Knut Andersson (1884–1954). This pie...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Kaws x Disney Pinocchio & Jiminy Cricket, 2010 Pinocchio size: 26 x 12.7 x 11.4 cm. Jiminy Cricket size: 5.7 x 2.5 x 2.5 cm. Stamped Signature to the underside of the feet. Produced ...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

Sergey Oganov was born in 1974 in the family of the famous Belarusian sculptor Lev Oganov. Sergey began his first steps in the world of art while still being a schoolboy, helping hi...

Expressionist torso I (Torse expressionniste I) is a sculpture by French contemporary artist Yann Guillon. Dimensions: 13.8 × 9.4 × 5.1 in / 35 × 24 × 13 cm. Total height of the scul...

Loet Vanderveen, Dutch (1921 - 2015) - Thoroughbred, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 235/500, Size: 4.75 x 8 x 4 in. (12.07 x 20.3...

Bill Nebeker (b. 1942), Chasin' the Wind, Patinated Bronze. Measures 9x8. 30 made only

Carter’s work often morphs the human figure with animal, creating mythological creatures and extraordinary fictional compositions. Her work explores themes of duality, transformation...