Hat Art

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

James Thomas Wheeler (1849 - 1888) Horse Carriage in the Yard Oil on canvas signed low right Old original frame gilded with leaves Canvas size : 55 X 65 cm Frame size : 85 X 95 cm

About the artist: Born and raised in Townsend, Massachusetts, Patrick has been drawing and sketching as far back as he can remember. Although always interested in art, it wasn't u...

Artist/ School: French School, circa 1900's, signed Title: Portrait of a Young Lady wearing a hat Medium: oil on canvas, framed Framed: 18 x 14.5 inches Painting: 16 x 13 inches ...

Vintage gelatin silver print. Image dimensions 7 3/4 x 9 1/2 in. (197 x 242 mm), printed to edge, bottom left corner stlightly bent Photographer's copyright stamp and credit sticker ...

This mid-century oil on canvas by the renowned Swedish modernist Henry Eldin (b. 1921) reveals an expressive harbour scene, where a young woman purchases fish against a backdrop of p...

Medium: serigraph. Printed in 1963 for the art revue Derrière le Miroir (issue number 137) and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 277 mm). There is a dif...

People walking against colorful construction wall at night, NYC. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unfra...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Edward Niemann A lovely countryside painting by the highly regarded Edward Niemann. These pretty scenes are not regularly seen on the art market. Often ...

This painting from Debbie Miller's new collection showcases children in swimsuits with various patterns and colors. The expressions and poses of the swimmers leave one wondering what...

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 1/4 x 10 in. Framed: 22 1/4 x 18 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Liberm...

original acrylic painting BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught i...

Igor Medvedev, Ukrainian/American (1931 - 2015) - Dolce, Year: 1987, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: Shop Proof, Size: 23 x 33.5 in. ...

Kelly Birkenruth's oil painting "Everyone's Favorite Game" depicts a rock, paper, and scissors. About the artist: Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved to southern California where she began a career as a fashion model. Her agency soon sent her abroad to Paris and Tokyo, where she spent the next several years modeling. When she wasn’t walking the runway, she spent endless hours in the great museums of the world, closely observing and studying the works of the Old Masters. “My time abroad, particularly in Paris, opened my eyes to the vast beauty and power of a great painting. After that I knew I wanted to dedicate my life to the pursuit of Fine Art” said Birkenruth. After returning to the States, Kelly studied at Otis College of Art in Los Angeles, CA. She then continued her studies through workshops and private study with renowned artists such as Daniel Sprick, Steven Assael and Jesus Emmanuel Villarreal. In the spring of 2019 Kelly...

Medium: Gouache on Board Signature: Signed Lower Left Sight Size 29.00" x 26.00;" Framed 38.50" x 35.00" Framed under glass. Original cover illustration for The Saturday Evening Po...

Artist Comments
A portrait of a woman glowing under the sun captures her quiet confidence. With expressive brushwork and saturated color, the figure feels both glamorous and el...

Peter Max, German/American (1937 - ) - If Series: If, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 10 x 14 in. (25.4 x 35.56 cm), Frame Size...

Painting of a Mexican woman in national dress with a child, Mexican colorful painting, Mexicans - original oil painting on stretched canvas by artist...

Snorkelling In The Shallows by Slim Aarons A group of people snorkelling off a small boat in Malta, 1959. (Photo by Slim Aarons) Limited edition estate stamped print 24 x 20" inche...

Conceptually, Kerstens' photographs play with the dialog between the mediums of painting and photography, with seriality, and time. On a more emotional level, they address everyday r...

Paris by Jozef Popczyk, Polish 1890 - 1971 signed oil on board, framed framed: 7 x 8.25 inches board: 5.5 x 7 inches Provenance: private collection, Paris Condition: very good condi...

Upper Glasses Royal Ascot By Arthur Steel Paper size: 34 x 26" / 86x66 cm Silver Gelatin Print 1970 (printed later) unframed hand signed limited edition of 50 note other print ...

Ben Allen Mickey Montana (Pink) (Pop Art, Street Art, Disney) 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 12.9 on...

The Flower Seller Oil on canvas, c. 1940-1960's Signed by the artist lower right: "Tanganelli" (see photo) Condition: Good, on small one inch tear (see photo) Canvas size: 36 x 28 in...

Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...

Taste of Eden by Dasha and Mari A warm embrace between to models in swimwear. Limited edition print (edition size 1/30) 40x40" inches / 101x101 cm paper size Unframed (framing opti...

Opium by Dasha and Mari Strike a pose, a fashion model poses with a white rose. Limited edition print (edition size 1/30) 40x40" inches / 101x101 cm p...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Fal...

André DEVAMBEZ (Paris, 1867 – Paris, 1944) Portrait of a Woman in a Bistro Oil on mahogany panel H. 22 cm; W. 16 cm Signed lower right Circa 1905–1910 Provenance: Galerie de la Scal...

Richard Avedon Les années 1940 (Stephanie Seymour: La Passante du Siecle), 1997 Gelatin silver print 15 1/2 x 19 in (39.4 x 48.3 cm) Edition of 4 JPHB 5683

Original Vintage 1976 "The Shootist" US One Sheet Movie, Richard Amsel artist. linen-backed. NSS: 76/165 This is the 1976 first-release American one-sheet (27 x 41 inches), produ...

This artwork "Woman with Bird" c.2000 is an original cast paper bas relief by noted Swedish/American artist Carlo Wahlbeck, b. 1933. It is hand signed a...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

WILD HORSES, 2016, subway train, curve, graffiti, street art, figurative, panel. Acrylic on wood panel.

Title: Impression I Medium: Oil on canvas Size: 36.25 x 24.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Artist: Alessandro Allori, Atelier Portrait of A Lady In A Black Velvet Hat. Oil on copper. Workshop of Alessandro Allori (1535-1607), Florentine School. Florence, ca. 1570-1580. Di...

Attributed to George Morland. 19th Century English Antique, Two Country farmers drinking beer in a landscape. Wonderful early 19th-century original oil on canvas. A classic 'Morland' composition as the painter was a big fan of English Pub scenes...

Evan Jones is a painter based in Atlanta, Georgia. He graduated with a bachelor of fine arts degree in painting from SCAD Atlanta and has exhibited throughout the United States. ...

This piece is unsigned but there are many half-erased writings on the back of the cardboard. In particular "Miss Ecard" and "Julie Sandoz" as well as the date. Interesting portrait a...

Jose Ortiz Echagüe's Vision: Spanish Heritage in Photogravure, circa 1930 from 1930 Photography by Jose Ortiz Echagüe Photogravure Framed in black lacquered wood Dimensions: 31.5 cm ...

Original WWI "Another Notch Chateau Thierry – U.S. Marines" Linen-Backed Poster by Adolph Treidler, 1918. Archival linen-backed, Grade A condition, no flaws, ready to frame. Adol...

Paul Newman, 1972 (Terry O'Neill - Black and White Photography) Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 and 10 APs per size. Di...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Vintage Photo. The Italian Actors Marcello Mastroianni and Sophia Loren on the set of "La Moglie del Prete" directed in 1971 by Dino Risi.

High Roller by Arthur Steel ALEXANDRA PALACE 1966. Mr Arthur Bird tries to get a return on his investment at the Casino. All prints are hand signed lim...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is a subject which Jewish American photographer Leonard Freed from Brooklyn widely co...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 16.5 x 9.25 inches Superbly decorative 1960's French portrait...

This powerful poster from around 1960 was created by Victor Koretsky, one of the most influential designers of Soviet propaganda graphics. The image celebrates solidarity with Cuba i...

The poster for Cirkelkaffe, designed by Adolf Harry Bernmark in 1955, is a vivid example of mid-20th-century commercial art. This piece effectively captures the essence of the brand while reflecting the advertising aesthetics of the time. The poster features a striking portrait of a man wearing a large, intricately detailed straw hat and a colorful poncho. His serious expression and the bold green...

Modern Interior Composition - Watercolor with Five Figures and Produce Vibrant figurative piece by an unknown artist. Five figures are visible in this colorful interior scene. In th...

Signed Lower Right by Artist Story Illustration for Hearst's International, January 1923.

The expressive minimalist paintings of Aron Hill find inspiration in organic natural forms. The Calgary artist’s compositions are often bold in colour—yellow, red, orange, bright pin...

A portrait of a Canadian Mountie and his horse are the subject of this unique 1970 print (edition 1 of 1) by Charles Pachter. The French titling of the work Noblesse Oblige...

The Upper Glasses by Arthur Steel Royal Ascot members enclosure 1977 Ascot Racecourse is a British racecourse, located in Ascot, Berkshire, England, which is used for thoroughbr...

This painting conveys the enthusiasm for freedom of self-expression regardless of the restriction to decide what you are and what you want to express by the way you dress and the way...

Figurative acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalistic and composed with synthetic shapes. Painting is vibrant- main col...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

This dreamer appears to come from a world of her own invention: the hat, the closed eyes, the calm poise, the earring as a quiet emblem of play. She constructs herself outside of imp...

A painting by Jae Kon Park. "Untitled" is a figurative painting, oil on canvas in blues and browns by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "...