Head Art

American Heavyweight boxer Cassius Clay (later Muhammad Ali), training in his gym, 21st May 1965. (Photo by Harry Benson/Express/Hulton Archive/Getty Images) As an authorized Getty ...

Carlo Bononi (Ferrara, Italy, 1569 – 1632) Title: The triumph of David Medium: Oil on canvas Dimensions: without frame 41 x 28.5 cm – with frame 57 x 46 x 6 cm Not signed Provenance...

Artist: Roger Bezombes, French (1913 - 1994) Title: Liberte Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 225 Image Size: 25.5 x 17 inches Size: 30 x 21.5 in...

China ink drawing realized by Mino Maccari in 1920s. A Watercolor on rear. Not signed, ver good condition.

After Edgar Degas 1834-1917 (French) 'La Petite Danseuse de 14 Ans ' bronze sculpture by Fonderie Giastini, France Made from the original plasters of t...

19th century French School Amazonamachy: A Classical plaster figural frieze relief Amazonomachy represents the Greek ideal of civilization. The Amazons were portrayed as a savage an...

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and gar...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 18.75 inches Beautifully decorative, mid 20th century French ori...

David Bowie Smoking, Archival Pigment Print, Contemporary, 4/12 by Markus Klinko David Bowie staring at the horizon is from Klinko's photo session for the cover of Heathen, released...

Jules Joseph BOULANGER 1822 - after 1890 Cupid's Sleep Charcoal 45 x 65 cm Signed and dated and lower left "J. Boulanger / 1891"

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

The bearded one… in Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

Artist: Shahrokh Hatami Title: The Fab Four Year: 1962 / Printed: 2005 Medium: Archival Pigment Print on Watercolor paper, signed and numbered in pencil Editi...

18th-19th C. Portrait Painting After Petrus Staverenus depicting man with bottle Oil on canvas No visible signature Wax seal on verso 11" x 14"

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

Portrait of a man with glasses. 1960s. Paper, watercolor, 35.5x24.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947...

Andrew Turner “lady In Coat” oil on canvas. In good condition measures 26x14

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...

Taken at the Galleria Borghese, Rome. Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Artist: Marc Chagall (1887–1985) Title: The Lover's Heaven (Le paradis de l'amoureux) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x ...

Screenprint in colors on Essex Offset Kid Finish paper. Hand signed and numbered by the artist in pencil. Published by Dr. Frank Braun, Düsseldorf. From the edition of 61/250 (aside...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Robert Anderson, American (1945 - 2010) - Watching and Waiting, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP, Size: 20 in. x 28 in. (50.8 cm x ...

Edition 1 of 15 Charlotte Brunstein is a French photographer born in 1978 who lives & works in Paris, France. Her work unfolds within a sensitive space where the image seeks to ...

KEJ is a French artist born in 1959 who lives & works in Paris, France. He is considered to belong to the movement of Figuration Libre & Outsider Art. His works are referenced in the...

Architectural Details Catalog 7, paper/etching, 59/75,10x9 cm,1990

Daggi Wallace's "Not All That Glitters I" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany ...

Daggi Wallace's "Not All That Glitters II" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany...

Conditions : Very good overall conditions, original canvas with no minor retouching, except on the dress 12mm ( as seen on picture under UV light). The signature is dated 1852 or 53....

Archival pigment print Signed and numbered on label, verso 18 x 12 inches (Edition of 10) 35.5 x 24 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

This artwork titled "Montparnasse" 1990, is an original color serigraph on Coventry paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 14/200 in pencil...

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

This is an original painting by the Belgian artist Antoon Catrie. The work is signed and dated by the artist at the lower right part: "Ant.Catrie 1964". It was painted in 1964 Condi...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Graphite on museum board This work is offered by ClampArt in New York City.

Provenance: Private Collection, Argentina. A work of great delicacy and intimacy, this small painting on copper by Pietro Bardellino treats a subject which grew in popularity during the Baroque period: Saint Joseph and the Christ child...

MILES ALDRIDGE (*1964, Great Britain) Venus Smiles #5 2011 Chromogenic print Large: 101.5 × 152.5 cm (40 x 60 in.) Edition of 6, plus 2 AP's; 3/6 Medium: 67.5 × 101.5 cm (26 5/8 ...

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with ...

Felicia Forte's painting "Zenith" created in 2016 features a vintage tv with a neon yellow background. Felicia attended the Art Students League of New York in 2006, moving next to...

Artist: Ben Shahn, Lithuanian/American (1898 - 1969) Title: Skowhegan Year: 1965 Medium: Wood Engraving, signed in pencil Edition: 200 (unnumbered) Image Size: 9 x 8 inches Size: 16 ...

A whimsical depiction of a woman with Celine Sunglasses and a turquoise Chanel Purse sits outdoors at a cafe in Amsterdam. This piece captures the essence of fashion and Haute Coutur...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

‘Eternal Sleep’ presents a human skull, symbolizing the unyielding passage of time and the inevitability of mortality. This striking sculpture serves as a powerful statement, meticul...

Auguste Rodin, French (1840 - 1917) - Antonin Proust (State Six), Year: 1884-1888, Medium: Etching, Image Size: 4.5 x 3 inches, Size: 14.25 x 10.75 in. (36.2 x 27.31 cm), Reference:...

The Pirate Flag, 2010 Archival pigment print with video 24 x 43 inches Edition of 3

The significant size difference plays with the perception of the viewer, perhaps confused, one asks oneself the question, if what is shown much larger, is also much more important .....

Andrew Kent David Bowie, USSR, 1976, printed later Signed, titled, & numbered in ink on recto Gelatin Silver Print Paper 20 x 16 inches; Image 17 1/4 x 13 3/4 inches, framed 25 x...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 11.5x9.5in Annotated by hand on verso in pencil Ref.: 924802-1354 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

This beautiful Scottish Edwardian Impressionist portrait oil painting is attributed to noted Scottish artist Sir James Guthrie. Painted circa 1905 the composition is a seated portrai...

Babies Taking Care of Babies, "The Real" Watercolor on Arches paper, 2019 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower rig...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.25 x 20 Frame Size: 17 x 28 Medium: Pen, Pencil, Crayon, Marker "The First Time on Telephone" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

Gwathmey, Robert (American 1903-1988). MIGRANT. Screenprint, 1978. An Artist's Proof aside from the edition of 100. Signed in pencil and inscribed "A/P.". 27 3/4 x 18 3/4 inches (ima...

"The Court Jesters" includes two original color woodcuts by Andre Derain. This is from an edition of 200. It features two vignettes of brightly-clad j...

"Designer Homage: Mara Hoffman 2020 Collection", 2021, digital collage, print, matted and framed, figurative, Digital Print / Feminist Art and Contemporar...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

Lisa Jack Barack Obama, Occidental College, No. 34, 1980 Signed, dated, and numbered on the reverse Gelatin silver print 12 x 17 3/4 inches Edition 4/75 Provenance: M&B, Los Angeles...

Elegant, enigmatic, and deeply rooted in the classical tradition, this finely cast Italian bronze portrays a Peplophoros—a draped female figure inspired by the celebrated archaic Gre...