Antique Clock Case

The clock case is surmounted by two reclining putti, both in patinated bronze.

The sides of the clock case with foliate scrollwork and drapery framing the dial.

The clock case is veneered in deep ebonized wood, lavishly inlaid with brass Boulle marquetry forming scrolling foliate and arabesque patterns across the façade and sides.

There is an ormolu pilaster at each corner of the clock, cast to display a trailing vine design. The clock case is enamelled all over its surface to show beautiful, intricate scrolli...

The clock case, carved from luminous pale onyx, displays elegant contours and warm translucency, beautifully contrasted by the rich gilt-bronze mounts.

Detailed intarsia work adorns the clock case, adding rich, textured designs, while the carmine-colored accents provide a striking contrast to the light mahogany, creating a visually ...

Vion was well known for his clock cases. Among his finest sculptural cases is one housing a movement by Lepaute a' Paris, representing the Three Graces (Muse´e du Louvre, Paris) made...

Decorative 19th century French mantel clock featuring a richly ornamented champlevé enamel clock case raised above a figural bronze support.

This feature is also known as blind man's clock. The clock case has a full carved column on each side of the front door.

The case is mounted onto pilasters, so it projects forward from the clock body.

The clock case is embedded to a cartouche made of scrolls alternated with shells which in turn is attached to a square malachite block.

The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves.

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt).

The sculpture sits on a malachite base, which forms the clock case. The circular central dial features ormolu hour indices, and is flanked by further ormolu mounts in the form of fol...

The lower part of the case is square in shape and is surmounted by a circular clock pediment.

The sculptural base is equally elaborate, featuring a finely carved duck in motion amidst lush foliage, reeds, and a frog, all executed with remarkable depth and naturalistic detail....

The clock's case is signed by Carl Ranch's efft. Copenhagen, indicating its association with the renowned Danish maker.

Claude Hémon became a Maître Horloger (master clockmaker) in 1770 and had a workshop in the Rue Saint Martin in Paris between 1812 and 1820. This clock case is undoubtedly the work ...

Between the legs, there is a drum clock case with a white enamel dial. This dial features deep blue Roman and Arabic Numerals.

A French Rococo chinoiserie style three-piece gilt bronze and porcelain clock garniture, circa 1900, comprising a gilt bronze mantel (fireplace) clock surmounted with turquoise glaze...

This tall case clock has a beautifully painted enamel face with a pair of turtle doves featured prominently at the center, indicating that this clock was probably a wedding or annive...

The movement is marked in the back "C.C.H" and Two six lights candelabras. The clock case and the candelabras are in very good condition with appropriate wear consistent with age.

The cherub is resting his hand on the square clock case while holding a pen and seemingly writing on a richly chased scroll.

This English, oak tall case clock has an elaborately painted face with both sides of the globe above a circular dial.

The clock case itself is architectural and dignified, framed with neoclassical ornamentation.

Fancy for a country clock, this particular tall case clock has an impressive dial and mahogany crossbanding and inlay that dress it up in formal wear suitable for a country estate.

The gilt bronze throughout is wrought in a decidedly Baroque manner, such as the putti like figures standing to the two front corners. The clock case is profusely adorned with champl...

This feature is also known as blind man's clock. The clock case has a full carved column on each side of the front door.

Late 19th century gilt bronze and turquoise Sèvres porcelain 'Jeweled' three-piece clock set The clock surmounted by a covered urn, the clock case flanked by lion masks, en suite ...

This is an elegant French Louis XVI-style garniture set, comprising a mantle clock and a pair of matching candelabra, crafted in gilt bronze (ormolu) and veined marble Bought from a ...

The sculptural composition features a finely cast peacock supporting the circular clock case on its back, executed in richly patinated and gilt bronze.

At either side of the doorway there are further trompe l'oeil panels depicting Biblical figures, made to look as if they are stained glass panels, and above there further painted win...

There are, for example, bunches of flowers and grapes shown at the sides of the clock case, with acanthus leaves, ribbons and laurel above.

The clock case is executed in lavish Louis XVI revival taste, with elaborate scrolling acanthus, anthemion ornament, and finely cast sculptural details throughout.

A cherub sits atop of the clock, playing a lyre, whilst to the centre of the clock case, are four cherubs, representing the Four seasons, with two doves between them.

The clock case is made of solid walnut wood with a rich walnut veneer, the grain of which adds a luxurious appearance to the clock.

The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii’ by Jacques-Louis David (Fran...

A Late 18th Century Ormolu Cartel Clock Signed Baltazar à Paris A fine eighteenth century wall clock, housed in a gilt bronze case of splendid architectural proportions, the circula...

The elaborate composition is further embellished throughout with finely cast and chased floral and foliate ormolu mounts. The Cupid and clock case are raised on a rectangular white ...

The cushion-shaped marble clock case, with dramatic reddish-brown veining, houses a brass and black dial with bold Arabic numerals, glass center, and original mechanical movement.

This clock case was potted in Josiah Wedgwood's own Etruria factory in the Potteries, Stoke-on-Trent, Staffordshire, England, around 1900.

The sculptural group is mounted above an elegant marble clock case featuring Carrara marble details and richly ornamented gilt-metal mounts.

The clock case is centred with a circular enamel dial surrounded by gilt bronze ribbons and swags.

The composition features a classical male figure in armor, confidently posed beside the clock case, reflecting the neoclassical taste inspired by Antiquity.

Popularised across France during the late nineteenth century, architectural clock cases of this substantial temple design were favoured centrepieces for grand residential interiors.

The clock case is set on a gilt bronze waisted plinth with a laurel leaf edge, and flanked by two gilt bronze acanthus leaf scrolls, which are draped with foliage swags.

The main clock case is of rectangular shape, decorated with classical architectural details, fruit garland mounts, laurel leaves and finials.

Original labels can be found inside the clock case. The clock mechanism has been professionally cleaned and in good working order.

A central lyre-shaped aperture reveals the pendulum, which concludes in a sunburst motif evocative of Apollo. The cuboid clock case features a circular dial with Arabic numerals sur...

This elegant antique Italian longcase clock is a refined decorative piece, distinguished by its richly detailed marquetry case and ornate bronze mounts.

Designed in the Neoclassical and Grecian Revival taste, the architectural clock case is constructed in pale alabaster and enriched with finely detailed gilt-metal mounts.

A magnificent Sèvres style gilt bronze and cobalt-blue 'Jeweled' painted porcelain clockset. The central clock case surmounted by a ruby and pearl 'jeweled' coupe flanked by bracket...

The mantel clock's case is crafted from grey dappled marble, with a spelter sculptural surmount, and gilt metal mounted feet and dial rim.

The clock case itself takes the form of a vase with a 'cercle tournant' enamel dial, mounted with gilt bronze garlands and surmounted by a gilt bronze finial.

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand decorated polychrome panels to...

English mahogany tall case clock with scrolled pediment, brass finials, Corinthian columns, and intricate inlaid motif.

The clock case is set on a gilt bronze waisted plinth with a laurel leaf edge, and flanked by two gilt bronze acanthus leaf scrolls, which are draped with foliage swags.

The bowed sides of the clock case are inset with porcelain panels painted with love and musical trophies within 'jewelled' gilt and bleu celeste borders.

The angled sides of the clock case and the sculptural shapes of the matching side ornaments give the set its distinctive Art Deco character.

In the architecture of the French clock cases, there is an underlined interiority, in contrast, for example, to the English ones, in which the emphasis was on demonstrating the funct...