Antique Clock Case

presence. The clock case is veneered in deep ebonized wood, lavishly inlaid with brass Boulle marquetry

, comprising a large clock and two side pieces; rising from winged claw feet, the breakfront clock case having

mantel clock features a white marble case profusely mounted with gilt bronze: the central circular enamel

ormolu pilaster at each corner of the clock, cast to display a trailing vine design. The clock case is

, the clock comes with its original travel, or display case, that has two swing arm doors and is wrapped

cone finials. The sides of the clock case with foliate scrollwork and drapery framing the dial

mahogany, giving it an elegant and timeless appearance. Detailed intarsia work adorns the clock case

quarter then nine times on the hour. This feature is also known as blind man's clock. The clock case has a

clock cases. Among his finest sculptural cases is one housing a movement by Lepaute a' Paris

to call individuals to prayer. From the clock case hangs a pendulum, which terminates in a sun

while another cupid is observing them. The clock case is embedded to a cartouche made of scrolls

, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest

naturalistic detail. The clock case rises in a dynamic, asymmetrical composition, showcasing the virtuosity of

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over

the clock case. The circular central dial features ormolu hour indices, and is flanked by further

Rue Saint Martin in Paris between 1812 and 1820. This clock case is undoubtedly the work of a

clock case while holding a pen and seemingly writing on a richly chased scroll.

in the 1850s. The case of this exquisite clock is designed in the Rococo Revival style, featuring an

gentle gesture toward an open book resting atop the clock case. She is no ordinary decorative flourish

in the back "C.C.H" and Two six lights candelabras. The clock case and the candelabras are in very

bronze wire stems over a cylindrical clock case with scrolled engraved decoration to the sides, hinged

. Between the legs, there is a drum clock case with a white enamel dial. This dial features deep blue Roman

times on the hour. This feature is also known as blind man's clock. The clock case has a full carved

-shaped clock case supported on four marble and gilt columns Three-piece garniture set: central mantel

the putti like figures standing to the two front corners. The clock case is profusely adorned with

–1880. The sculptural composition features a finely cast peacock supporting the circular clock case on

clock surmounted by a covered urn, the clock case flanked by lion masks, en suite with a pair of vases

richly sculpted mantel clock and a matched pair of candelabras. The clock case is executed in lavish

This tall case clock has a beautifully painted enamel face with a pair of turtle doves featured

sides of the clock case, with acanthus leaves, ribbons and laurel above. The clock is surmounted by a

This English, oak tall case clock has an elaborately painted face with both sides of the globe

Fancy for a country clock, this particular tall case clock has an impressive dial and mahogany

marble with a finely cast patinated spelter pheasant sculpture. The cushion-shaped marble clock case

This clock case was potted in Josiah Wedgwood's own Etruria factory in the Potteries, Stoke-on

This elegant Art Deco wall clock dates from the 1930s and bears the prestigious Carillon de France

. A cherub sits atop of the clock, playing a lyre, whilst to the centre of the clock case, are four

armor, confidently posed beside the clock case, reflecting the neoclassical taste inspired by Antiquity

candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most

The clock is designed in the Baroque style and in an architectural manner. The clock case is centred

richly detailed marquetry case and ornate bronze mounts. Unlike traditional tall grandfather clocks, this

concludes in a sunburst motif evocative of Apollo. The cuboid clock case features a circular dial with

. The clock case is adorned with intricate gold-plated bronze inlays depicting six turtles in a tropical

be found inside the clock case. The clock mechanism has been professionally cleaned and in good

detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned

bronze (ormolu) case, which is topped by classical cornucopias and a twin-handled vase. The clock case is

central clock case surmounted by a ruby and pearl 'jeweled' coupe flanked by bracket handles; the vasi

rectangular profile toupie feet. The main clock case is of rectangular shape, decorated with classical

. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze

mantel clock. The mantel clock's case is crafted from grey dappled marble, with a spelter sculptural

the centre of the clock case, there is a circular white enamel dial which features black Arabic

gilt bronze. The clock case itself takes the form of a vase with a 'cercle tournant' enamel dial

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and

The clock case modeled with two displayed eagle cresting, the platform supported by two winged

cornucopias and a twin-handled vase. The clock case is set on a gilt bronze waisted plinth with a laurel leaf

portrait miniature of an 18th century lady. The bowed sides of the clock case are inset with porcelain

clock cases, there is an underlined interiority, in contrast, for example, to the English ones, in which

central rosette and turned finials with a pair of turned acorn finials on either side. The clock case has