Antique Hoist

. protective acrylic. Condition: There is minor foxing and staining, particularly in the upper hoist end

pigment loss. There are some very minor tears and associated fabric loss along the hoist, where the flag

, hoist end corner which is original to the flag's manufacture and was used to strengthen the point of

threads along the hoist end near canton. No hoist. Flag has machine-stitched edges. Printing is consistent

. The flag's design is completed with 13 red and white alternating stripes. The cotton hoist has two

hoist, with two hand-made brass grommets. Grommets were first patented in 1847 and the original patent

treadle stitch. Along the hoist there is a series of seven pairs of ties, made from red wool tape. This

the blue pigment extends beyond the canton, down the hoist end, which adds visual interest and

37 star period. There is a cotton binding along the hoist with extended wool bunting from the canton

hoisted. Flown during both times of peace and war, the only time the pennant is not flown is if a flag

by moderate oxidation along the hoist end, where the flag was once affixed to a wooden staff. There

lengths of fabric. The rectangular patches at the top and bottom of the hoist end are original to the

hoist binding, purposely meant to be tacked to a staff as opposed to tied with rope or twine, which is

patriotic and utilitarian. They were hoisted at patriotic events, including Lafayette’s visit in 1824-25

were hoisted at patriotic events, including Lafayette’s visit in 1824-1825, the celebration of the

becomes commissioned when this pennant is hoisted. Flown during both times of peace and war, the only time

Philadelphia, a major military outfitter, the flag is signed along the hoist with a black stencil. The stars

a hole in the center of the hoist end and knotted. This too is in a tapered format like the pennant

carrying her standard." The bronze depicts Joan of Arc hoisting her swallowtailed flag above her head as

hoisted handles existing. Special feature: The silver bowl is based on FOUR FEET SHAPED AS LION'S PAWS

side of cup are painted in golden colour. The golden handle of volute type is hoisted / lifted. The cup

. Finally, there is a hoisted handle made of bone attached to pot. Weight: 598 grams 21.09 OZ 1.318

bunting stripes. The flag has period-pieced reinforced elements to each corner. The canvas hoist is

. Condition: There is moderate fabric loss in the 4th white stripe, adjacent to the hoist, accompanied by

. Note also how the design steps in three times along the hoist end before zigzagging back and forth. I

patriotic and utilitarian. They were hoisted at patriotic events, including Lafayette’s visit in 1824-25

floss. Instead of having a white binding along the hoist made of heavy cotton or canvas with brass

and authentication of its age. There is a canvas sailcloth binding along the hoist, with two brass

one-another. The stars in the outermost column, along the hoist end, all point upward, while those

and staining, particularly in the 1st, 2nd, 5th, 6th and 7th white stripes and in the upper, hoist-end

them at the hoist end of the canton. These roughly form two exaggerated “C’s”, a design that is seldom

." This particular 38 star flag is signed signed "F. Bros." along the reverse of the hoist binding with a

them at the hoist end of the canton. These roughly form two exaggerated “C’s”, a design that is seldom

hoist end, above the red bar, in the following manner: “N.S.G.W.; Stockton, Calif., Sept. 7,8,9 1912

scarlet red stripes, and a cotton sleeve along the hoist end. The 48 star flag represents

bowl's upper edge is of scalloped type / two hoisted handles existing. The Flower Bowl stands on four

and two brass grommets for hoisting. The number “6” stenciled along the hoist, in black ink, indicates

minor foxing and staining, slightly more significant along the hoist end, where the flag was affixed to

the large flag allow it to fit into the custom-built black and gold archival frame. The hoist has no

column of 4 stars along the hoist end. Entirely hand sewn, the stitching is expertly done and especially

is typical of this star count. There is a twill cotton binding along the hoist with two white metal

flown throughout our nation’s history for a variety of purposes. They were hoisted at patriotic events

. Flag has been re-sewn at the fly end for continued use where it was undoubtedly frayed. Hoist has been

." Ample white space is left along the hoist so that the flag could be affixed to a wooden staff. Along the

a zigzag machine stitch. There is a heavy, twill cotton binding along the hoist with two brass

regiments, including both infantry and artillery. While 72" on the hoist x 78" on the fly was standard

binding along the hoist, in the form of an open sleeve, along which a blue stencil reads: "STANDARD", to

34 STARS IN 4 ROWS WITH 2 STARS OFFSET AT THE HOIST END, LIKELY A UNION ARMY CAMP COLORS, ONE OF

made, the scale of these signals varied between 2.37 feet on the hoist x 4.5 on the fly, and 3.52 feet

cotton binding along the hoist, in the form of an open sleeve, also applied by hand-stitching. Near the

along the hoist binding that reads "Annin & Co. 99 & 101 FULTON ST NY". Annin is our nation's eldest

from the glazing, which is U.V. protective glass. Condition: There are minor holes along the hoist end

hand on the fly end and by treadle stitching along the lower edge. The hoist end of the stripe field is

bunting that has been joined with treadle stitching. The triangular patches in each corner of the hoist

. involvement 1941-45). There is a sailcloth canvas binding along the hoist, with two white metal grommets. A

with long hairs which are spun around at jug's part below. Finally, the hoisted handle is excellently

bulging lines of finest Art Nouveau style. There are two hoisted handles attached to bowl. Finally, there