Texas - Art

Signed limited edition print of American professional boxer and activist Muhammad Ali during a training session at his training camp on 58 Sculps Hill Road, Deer Lake, Pennsylvania, ...

Signed limited editon print from acclaimed photographer, Jim Herrington of Dolly Parton taken in Joelton, Tennessee, 1997 "Love this one of Dolly. It's so striking and glamorous an...

A classic, stunning shot of the Red Hot Chili Peppers in 1985 by celebrated photographer, Ebet Roberts. Signed limited edition, hand printed silver gelatin print. Ebet Roberts bega...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home to New York, the celebrity chef ...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Willie Nelson, taken at the 4th July Picnic in 1979 in Austin Texas by photographer Scott Newton Signed limited edition print, printed on heavyweight cotton photo rag with a matte f...

Canvas Size: 29 x 24 in. Frame Size: 36.5 x 31 in. Signed, bottom leftt. In this mesmerizing portrait, Joaquín Torrents Lladó demonstrates the virtuoso brushwork and dramatic chiaro...

GJ Rogers Surreal Octopus 1959 Oil on Canvas 36"x24.5" Signed and dated in paint lower right George Jay Rogers was born in Yonkers, New York on June...

Harding Black (1912-2004) San Antonio Artist Image Size: 3 inches tall Frame Size: 10 1/2 inch diameter Medium: Art Pottery Ceramic Dated 1959 Mid Century Modern "Navy Blue Sgraffito Bowl...

Dimensions listed are for each individual hand and the price is for the pair. Artist Biography: Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, a...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a field of bluebonnets in full bloom accented by a few trees. Signed and dated in the fron...

W.R. Thrasher (1908 - 1997) Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas Signed "Bluebonnets" Biography W.R. Thrasher (1908 - 1997) The state of Texas, ...

Striking female nude in reclined back seated position on red blanket in ink and watercolor by English artist Esther Meyer, circa 1950. Original artwork on paper displayed on a whit...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 11 x 14 Frame Size: 16 x 20 Medium: Oil on Canvas "Bluebonnets" Biography Robert Harrison (Born 1949) Robert Harrison was b...

French watercolor of brightly-colored fishing boats at dusk, 1979. Signed lower right. Original artwork on paper displayed on a white mat with a gold b...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

Arturo Mercado (1938 -2016) Austin Artist Image Size: 6 x 7 Frame Size: 8.5 x 9.5 Medium: Acrylic "Quail in the Bush" signed Biography Arturo Mercado (1938 -2016) Arturo Mercado w...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a blue shirt and cowboy hat...

Oil on board Board Size: 16 x 20 in. Frame Size: 22 x 26.5 in. Signed, bottom right. In this oil painting Jose Vives-Atsara captures the rugged, sun-drenched essence of the Spanish ...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 60 x 40 Frame Size: 71 x 51 Medium: Oil on Canvas Signed 1980 "The Blowout" Woo...

Anthony Bourdain drinks a beer in a New York bar during a photoshoot with photographer Jake Chessum in 2008. The photo is printed on Fuji crystal archive paper Available in the foll...

French watercolor scene of day at the races, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978. Kate Bush has seen a huge resurgence...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Janet Downie 1854-1944 Austin,San Antonio Image Size: 6.5 x 10 Frame Size: 10 x 13.5 Medium: Oil "Bluebonnet Road" signed Biography Janet Downie 1854-1944 Downie, Janet. 1854-194...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home t...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 18 x 24 Frame Size: 29 x 35 Medium: Acrylic on Canvas "Crossing the Blanco" River Medium: Acrylic on Canvas Clea...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

from the Padoli Monotypes III

Collotype 10 x 8 in. Print date: 1994 Signed, titled, dated and numbered in pencil on print margin Ed. 1/1 From the series, El Sagarado Corazon Series statement: A College Arts Asso...

Don Warren (1935-2006) Austin Artist Image Size: 24 x 36 Frame Size: 31 x 43 Medium: Oil on Canvas Signed "Spring Is Here" Texas Landscape Biography Don Warren (1935-2006) Most of ...

French pen and ink surrealist drawing with female and avian elements, 1993. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a s...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in green, white, tan, and black set against a light background. Si...

Previously unpublished shot of Miles Davis working on an art piece at his New York home in 1969, by Don Hunstein. Available for the first time as a fine art print. Estate stamped li...

Bucolic watercolor landscape of a unpaved road rounding past hay fields, two rabbits graze nearby by artist Evelyn Coombe, 1906. Signed and dated lower left. Original one-of-a-kind ...

Ian Hamilton Finlay and Gary Hincks Les Femmes de la Revolution, After Anselm Kiefer, 1992 Offset Lithograph 27 1/2 x 32 in (69.9 x 81.3 cm) Edition of 250

Canvas Size: 20 x 30 in. Frame Size: 26 x 36 in. Signed, bottom right. Inscribed on verso, "January 20, 1972" This oil painting by Palmer Chrisman, is a masterclass in regional impr...

Early American Impressionist oil on canvas painting by New York born artist André Gisson. The work features a group of three women standing in an open field. The loose brushwork give...

Bronze & Steel Table

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Oil on Board 9 x 12 in. board 14 x 17 in. frame Signed, bottom left. In this intimate composition depicting a village scene in Catalonia, Jose Vives-Atsara captures the humble, sun-...

This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, on February 26th, 1976, at Maple Leaf Gar...

Signed limited edition fine art print of Willie Nelson by Charlyn Zlotnik, taken in Texas, 1979 Charlyn Zlotnik's prints are available in four sizes 11” x 14” - Open edition 17” x ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 12 x 16 Frame Size: 19 x 23 Hand Carved "Melvin" Frame Medium: Oil on Canvas Signed Lower Left 1959 "Red Barn Ranch" Texa...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

Pondering in a Field Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . Pondering is Realist, Light/ Shadow Oil Painting 20"x16" Landscape that is part of a ne...

Contemporary colorful target painting by Texas based artist Nick Stevenson. The work features a central neon red, green, and yellow target flanked by the text "Arrows & Cents." Signe...

William Ballantine Dorsey (1942-2019) California Artist Image Size: 16 x 20 Frame Size: 23.5 x 27.5 Medium: Oil on Canvas "California Landscape"

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a small lake surrounded by trees as the sun sets in the background. Signed in the front lo...

acrylic & pastel on paper

Signed limited edition print of John Lennon and Yoko Ono during the filming of a video to promote their new album, "Double Fantasy", New York City, November 26, 1980, taken by Allen Tannenbaum. Filming began in Central Park, then moved to a gallery on SoHo for scenes where they would arrive in a white bedroom, first in street clothes and later in kimonos, strip, and make love. Allan Tannenbaum is an esteemed photojournalist and fine art photographer. His documentation of New York art, music, and nightlife has become iconic, particularly his definitive coverage of the burgeoning 1970s punk...

Whimsical oil on paper painting of a tabby cat resting on a rug and backed by large abstract cat forms, circa 1940. Signed lower left. Original artwork on paper displayed on a whit...