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Audrey Hepburn Standing Next to Convertible, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn standing on the other side of a convertible. The convertible is in the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Standing Next to Convertible, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn standing on the other side of a convertible. The convertible is in the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Standing Next to Convertible, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn standing on the other side of a convertible. The convertible is in the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn "The Nun's Story"
By Leo L. Fuchs
Located in Austin, TX
Audrey Hepburn standing on what seems to be a wood branch bridge taking a portrait for the 1959
Category

1950s Contemporary Black and White Photography

Materials

Digital, Archival Ink, Archival Paper, Archival Pigment

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c11_9 -- Audrey Hepburn on the set of Sabrina. Out take of the photo essay for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c11_9 -- Audrey Hepburn on the set of Sabrina. Out take of the photo essay for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Inside Convertible, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c11_9 -- Audrey Hepburn on the set of Sabrina. Out take of the photo essay for the
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
increase as editions sell out. Standing between a carpeted room and a wooden-floor room, Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
increase as editions sell out. Standing between a carpeted room and a wooden-floor room, Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Doorway, 1953
By Mark Shaw
Located in New York, NY
increase as editions sell out. Standing between a carpeted room and a wooden-floor room, Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
of Audrey Hepburn waiting by her apartment gate. Audrey is wearing a jacket and pants. Standing in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
photograph of Audrey Hepburn waiting by her apartment gate. Audrey is wearing a jacket and pants. Standing in
Category

1950s Modern Photography

Materials

Giclée

Audrey Hepburn at Apartment Gate, 1953
By Mark Shaw
Located in New York, NY
of Audrey Hepburn waiting by her apartment gate. Audrey is wearing a jacket and pants. Standing in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Stands in Ballgown, c27_19 -- Audrey Hepburn during the filming of Sabrina. Image
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Stands in Ballgown, c27_19 -- Audrey Hepburn during the filming of Sabrina. Image
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Stands in Ballgown, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Stands in Ballgown, c27_19 -- Audrey Hepburn during the filming of Sabrina. Image
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Front, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Front, c8_13 – Photographed for Life in 1953, part of Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Front, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Front, c8_13 – Photographed for Life in 1953, part of Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Front, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Front, c8_13 – Photographed for Life in 1953, part of Audrey Hepburn
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Side, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Side, c8_12 – While working on the Paramount film Sabrina Fair, Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Under Tree, Close, r9_9 -- Audrey Hepburn on the set of Paramount's Sabrina Fair in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Under Tree, Close, r9_9 -- Audrey Hepburn on the set of Paramount's Sabrina Fair in
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Close, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Under Tree, Close, r9_9 -- Audrey Hepburn on the set of Paramount's Sabrina Fair in
Category

1950s Modern Photography

Materials

Giclée

Audrey Hepburn with Curlers, Side, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Side, c8_12 – While working on the Paramount film Sabrina Fair, Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Side, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Side, c8_12 – While working on the Paramount film Sabrina Fair, Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn, 54_0309a_d -- Audrey Hepburn was photographed for the June 1954 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn, 54_0309a_d -- Audrey Hepburn was photographed for the June 1954 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn, 54_0309a_d -- Audrey Hepburn was photographed for the June 1954 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Smoking, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Smoking, c8_9 – Photographed for Life in 1953, part of Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Smoking, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Smoking, c8_9 – Photographed for Life in 1953, part of Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn with Curlers, Smoking, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn with Curlers, Smoking, c8_9 – Photographed for Life in 1953, part of Audrey
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c1_28 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c1_28 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c1_28 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c9_10 -- Shot for Life in 1953, Audrey Hepburn is seen on the set of Sabrina with
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c9_10 -- Shot for Life in 1953, Audrey Hepburn is seen on the set of Sabrina with
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c9_10 -- Shot for Life in 1953, Audrey Hepburn is seen on the set of Sabrina with
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Getting Shampooed and Reading, 1953
By Mark Shaw
Located in New York, NY
a sink, another person is standing adjacent to her, rubbing her scalp with shampoo. Audrey Hepburn
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Getting Shampooed and Reading, 1953
By Mark Shaw
Located in New York, NY
a sink, another person is standing adjacent to her, rubbing her scalp with shampoo. Audrey Hepburn
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Getting Shampooed and Reading, 1953
By Mark Shaw
Located in New York, NY
a sink, another person is standing adjacent to her, rubbing her scalp with shampoo. Audrey Hepburn
Category

Mid-20th Century Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_8 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_7 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c14_35 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c14_35 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn on Set of Sabrina, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c14_35 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_7 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_8 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_7 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, c17_8 -- Audrey Hepburn studied ballet three nights a week
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, r10_3 -- Audrey Hepburn, Paramount's star of Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, r10_3 -- Audrey Hepburn, Paramount's star of Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in the Ballet Studio, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn in the Ballet Studio, r10_3 -- Audrey Hepburn, Paramount's star of Sabrina Fair
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c16_12 -- Audrey Hepburn in her dressing room. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c16_12 -- Audrey Hepburn in her dressing room. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn in Her Dressing Room, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn, c16_12 -- Audrey Hepburn in her dressing room. Out take from the photo essay shot
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn on the set of Sabrina -- Out take from the photo essay shot for the December 7, 1953
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn on the set of Sabrina -- Out take from the photo essay shot for the December 7, 1953
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Under Tree, Looks Back, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn on the set of Sabrina -- Out take from the photo essay shot for the December 7, 1953
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Consults with Costumer, Head Down, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Consults with Costumer, c26_26 -- Audrey Hepburn reviews sketches with Costumer
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Consults with Costumer, Head Down, 1953
By Mark Shaw
Located in New York, NY
Audrey Hepburn Consults with Costumer, c26_26 -- Audrey Hepburn reviews sketches with Costumer
Category

1950s Modern Black and White Photography

Materials

Giclée

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Audrey Hepburn Standing For Sale on 1stDibs

You are likely to find exactly the audrey hepburn standing you’re looking for on 1stDibs, as there is a broad range for sale. Find contemporary versions now, or shop for contemporary creations for a more modern example of these cherished works. Making the right choice when shopping for a audrey hepburn standing may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. On 1stDibs, the right audrey hepburn standing is waiting for you and the choices span a range of colors that includes gray, black, silver and purple. Artworks like these — often created in digital print, giclée print and inkjet print — can elevate any room of your home.

How Much is a Audrey Hepburn Standing?

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a audrey hepburn standing in our inventory may begin at $295 and can go as high as $96,000, while the average can fetch as much as $1,500.

A Close Look at modern Art

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.