Skip to main content

Barn Owl Lithograph

Recent Sales

Barn Owl; Plate 17
Barn Owl; Plate 17

After John James AudubonBarn Owl; Plate 17

Unavailable

H 15.5 in W 12.5 in

Barn Owl; Plate 17

By After John James Audubon

Located in Mount Vernon, NY

lithographs are after John James Audubon's (1785-1851) "Birds of America".

Category

1990s Naturalistic Animal Prints

Materials

Lithograph

People Also Browsed

Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"

Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Tro...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

By John Gould

Located in Alamo, CA

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-h...

Category

1840s Academic Animal Prints

Materials

Lithograph

Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould
Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould

Pair of 19th C. Hand-colored Lithographs of Ducks by John Gould

By John Gould

Located in Alamo, CA

A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...

Category

1860s Naturalistic Animal Prints

Materials

Lithograph

Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear
Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear

Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear

By Edward Lear

Located in Alamo, CA

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great ...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould

White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould

By John Gould

Located in Alamo, CA

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of th...

Category

1840s Naturalistic Animal Prints

Materials

Lithograph

Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould

Stork Family: A Framed Original 19th C. Hand-colored Lithograph by Gould

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Tawny or Brown Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
Tawny or Brown Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould

Tawny or Brown Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of Great Britain", published i...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould

Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Bri...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould
Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould

Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould
Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould

Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould

By John Gould and Henry Constantine Richter

Located in Alamo, CA

This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...

Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Get Updated with New Arrivals
Save "Barn Owl Lithograph", and we’ll notify you when there are new listings in this category.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.