Baroque Art

An exceptional model of a small, ornamental semicircular temple from the 18th century, carved from polychrome marbles—Broccatello from Spain, Siena Yellow, Statuary White, and Langue...

Attributed to Francesco Bassano the Younger or his close workshop (Bassano del Grappa 1549 - Venice 1592) - Orpheus Charming the Animals. 93 x 121 cm. Oil on canvas, in a gilded an...

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...

Angelo Basso (Italy, 1943 – 2011) Evolution Signed and marked IX / XXXIII Beauty & Mythology Collection Sculpture 23″ inches tall (Base 5″ Siren 18″) Box size 20″ x 17″ x 27″ ...

Marble sculpture depicting Triton, fragmentary, Italian Baroque, mid- XVIIth century. Coming almost certainly from a fountain, as evidenced by the presence of holes for the passage...

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...

White earthenware sculptural group - The Triumph of Bacchus and Ariadne - Capodimonte Manufactory, second half of the 19th century. 73 x 35 x h 55 cm. White earthenware sculptural ...

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

An important Florentine painting from the mid-17th century. This oil-on-canvas painting, attributed to the great Italian painter Vincenzo Dandini (1609–1675), depicts a refined alleg...

The Hunting Party German/ Italian School circle of Philipp Peter Roos (German 1655-1706) oil on canvas, unframed 19 x 31 inches provenance: private collection, France condition: good...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

On offer is an unsigned decorator piece of immense scale and substantial decorative value from the 1800s. This artwork is a European revival painting executed in the manner of Melchi...

This exceptional Circa 1700 Spanish Colonial oil on canvas is a quintessential masterpiece of the Cuzco School (Escuela Cuzqueña), capturing the distinct syncretic artistry of vicere...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Mattia Traverso (Genoa 1885 - Genoa 1956) - Large Banquet Scene with Putti and Nymphs. 102 x 161 cm (without frame) - 123 x 181 cm (with frame). Oil on canvas, in a carved and gild...

An early eighteenth-century, Italian baroque figural oil showing a group of cherubs or Amorini grouped together before red velvet drapes, one reclining on a wooden cross and wearing ...

Title: Virgin and Child - 18th Century Italian School (Circle of Jacopo Amigoni) Description: An important 18th-century Italian School oil on canvas depicting the classic iconograph...

This not signed very interesting oil painting on canvas dates back to the mid-17th century. It depicts the Virgin Mary kneeling and reading the Book of Hours. It is the work of an ...

Attributed to Alessandro Magnasco (Genoa 1667 - 1749) - Tavern scene with vendor and magpie. 74 x 59 cm (without frame) - 84 x 70 cm (with frame). Oil on canvas, in carved and gild...

Christian Ludwig Freiherr von Löwenstern (Darmstadt 1701 - Darmstadt 1754) - Battle between infantry troops with an explosion. 37,5 x 63,5 cm. Oil on canvas, unframed (not signed)....

A Roman sculptor (17th century) - Hercules and Cerberus. 18 x 9.5 x h 37 cm. Full figure carved in alabaster. Separate alabaster base (not signed). The sculpture depicts the clima...

Primo Tempo 2 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this misty forest landscape by Rosa Basurto, a tree that ha...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...

Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº1 + Year: 2021 + Edition Size: 20 + St...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

Outstanding still life Salami, Bread, Biscuits Glass and Glass Bottles, realized with the technique of Oil on Canvas and surrounded by a modern wooden frame. With its soft tones and...

Provenance: Marquis of Leganés, Diego Mexía de Guzmán y Dávila (1580–1655), inventory number 464, listed as “Portrait of the Maestre de Campo Juan de Castro dressed in a red garment,...

Melanie Sherman Vintage Moth X (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2025 S...

Exquisite sculpture of Saint Anthony of Padua, 18th century. Of exceptional craftsmanship, the iconography is typical of this saint. He is depicted as a young friar holding the Child...

Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...

Italian Madonna, early 18th Century, probably Genovese. Beautiful color palette. Not signed.

ARTIST - Northern Painter Active in Italy // PERIOD - First Half of the 17th Century // ORIGIN - Italy // MEDIUM - Oil on Wood Panel // STYLE - Flemish-Dutch Italianate Landscape, La...

An Italian devotional sculpture from the 1600s depicting the Infant Jesus with a Heart, carved from wood and lacquered in polychrome. The child is depicted standing, with his weight ...

Sir Godfrey Kneller (1646–1723) Portrait of Henry Arundell, 3rd Baron Arundell of Wardour (c.1608–1694), circa 1680 This important portrait by Sir Godfrey Kneller depicts Henry Arun...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Excellent condition. Cuzco School 18th Century oil on canvas of the Visitation. Unsigned.

By Martha Ochoa Oil on Canvas Canvas Size: 24" x 16" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

Johan Jacob HOCH Mainz, 1750 - Mainz, 1829 Pencil drawing on paper 34 x 22 cm (50 x 41 cm with frame) Signed and dated lower left "Johann Jacob Hoch / July 1778" Pitch pine frame wit...

ARTIST - Anonymous // PERIOD - Second half of the 17th century – early 18th century, before circa 1720 // ORIGIN - Northern or Central Europe // MEDIUM - Reverse-glass painting // ST...

The Poor Poet German School, early 20th century after the original painting by Carl Spitzweg (c.1839) inscribed verso oil on board, framed framed: 15.5 x 17.5 inches board: 12 x 15 i...

This evocative antique oil painting on canvas depicts a dramatic European genre scene centered on an encounter between a well-dressed young gentleman and two impoverished figures. Pr...

French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.

The Resurrection of Lazarus Flemish Old Master, 17th century (unsigned as is typical for the period) oil on canvas, framed framed: 30 x 38 inches canvas: 19 x 27 inches Provenance: ...

Blue tulips. Canvas, oil, 90x65 cm Arturs Amatnieks (Leon) (1974) Leon (real name: Artūrs Amatnieks) is a professional artist, working in realism t...

Giulio Carpioni (Venice 1613 - Vicenza 1678) - Madonna and Child with Saints Joseph, Francis, Dominic and Anthony of Padua. 61 x 37.5 cm. Oil on canvas, unframed (not signed). Bib...

This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...

Extraordinary carving of the crucified Christ, made in the 18th century. The work presents an outstanding quality, in terms of the anatomical study and the facial expression, of the ...

18th Century Spanish Old Master Oil Painting of the Madonna By Spanish School, 18th century, unsigned Medium: Oil on canvas Dimensions: 17 x 12.5 inches, canvas dimensions. Frame...

Muy interesante puerta de sagrario de madera tallada y policromada del siglo xvii. Es de comienzos del barroco, hay la representación del agnus dei con...

18 Century Cuzco School oil on canvas of the Annunciation. Good condition. Unsigned.

17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil On Panel. Signed Upper Right. Image size 31.1 inches x 24.4...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

Oil on canvase realized by Giovanni Francesco Romanelli, so called "Il Viterbese" (1610-1662). It depicts the famous abduction of Persephone, daughter of Zeus and Demeter, by Hades....

Giovanni Francesco Romanelli (born Viterbo 1612; died Viterbo 1662) St. John the Baptist pointing out (revealing) Christ, in the far distance, to Simon Peter and Andrew. Oil on can...

Lithograph with frame and glass Signed, artist unknown from the gallery