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Ceramic Mirror By Mithe Espelt For Sale on 1stDibs
How Much is a Ceramic Mirror By Mithe Espelt?
Mithé Espelt for sale on 1stDibs
Marie-Thérèse Espelt, known better as Mithé Espelt, was a dominant force in mid-20th-century ceramics in France. Mithé is remembered for her modern ceramic wall mirrors, gilded and enameled ashtrays and other ornate objects and boxes, often featuring birds and lively colors. She preferred not to sign her pieces and, as a consequence, much of her work has been misattributed, including to French ceramist François Lembo.
Mithé grew up in the Camargue region of France. Her father’s extensive network included 1904 Nobel Prize winner Frédéric Mistral and Parisian painter and decorator Jean Hugo. Mithé’s early introduction to a community of artists inspired her to study sculpture and drawing at the Beaux-Arts School in Montpellier in 1939.
Mithé’s early work caught the attention of French ceramist Emilie Decanis and jewelry distributor Charles Démery. Mithé set up a ceramics workshop in the Hôtel de Bernis in Lunel, where she quickly garnered a reputation for her ceramic work and accessories, including mirrors, jewelry boxes and buttons. Démery founded the Souleiado boutique, which began distributing Mithé’s work, thus attracting a worldwide audience.
French author Antoine Candau wrote a retrospective book on Mithé’s career titled Mithé Espelt, the Discreet Luxury of the Every Day, which contributed to bringing her legacy to the forefront while shedding light on her anonymity. While Mithé was respected within her inner circle, the general public is only now beginning to understand the immense talent behind her over five-decade-long career.
Find Mithé Espelt mirrors, decorative objects, wall decorations and more for sale on 1stDibs.
Finding the Right Mirrors for You
The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.
In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space.
We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.
By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design.
Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.
Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.
On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.