Fong Chow

A striped, ceramic vase with satin matte glaze stamped with Glidden's ram head mark and signed "4004".

Small vase with wonderful layered glaze. Marked on base with incised "4005" and ram's head stamp. Alfred, NY, circa 1950s.

Fong Chow design "Gulfstream" line for Glidden ceramics.

Having escaped occupied Holland, he spent some time in the UK serving in the RAF before moving to New York and taking up a career as a fashion designer. A friendship with Fong Chow, ...

After many years as a fashion designer in Zurich, London and New York, he discovered ceramics and learned the art of glazing from Fong Chow, who later became the curator of the Far E...

After many years as a fashion designer in Zurich, London and New York, he discovered ceramics and learned the art of glazing from Fong Chow, who later became the curator of the Far E...

He was not satisfied with his profession and a meeting with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York led to private ceramic studie...

After many years as a fashion designer in Zurich, London and New York, he discovered ceramics and learned the art of glazing from Fong Chow, who later became the curator of the Far E...

Glidden ceramic bowl by Fong Chow. Bowl measures 3.5" high and 11.5” diameter.

Fong Chow for Glidden Green Mesa large ceramic bowl.

Hand built piece by Glidden Pottery, Fong Chow Californian Artist. It is a dimpled or pinched vase.

Here is a lovely and rare covered box by Glidden Pottery and most likely designed by Fong Chow who worked for Glidden from 1953 to 1957.

Monumental mesa blue "Gulfstream Line" stoneware bowl by Fong Chow for Glidden Pottery, circa 1950s. This studio art piece is quite rare and difficult to find.

He made his way to New York where he studied under Fong Chow at the Metropolitan Museum of Art and learned the art of glazes and patinas.

He made his way to New York where he studied under Fong Chow at the Metropolitan Museum of Art and learned the art of glazes and patinas.

He made his way to New York where he studied under Fong Chow at the Metropolitan Museum of Art and learned the art of glazes and patinas.

He made his way to New York where he studied under Fong Chow at the Metropolitan Museum of Art and learned the art of glazes and patinas.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

Quistgaard for Dansk , 7.75 x 8.5 , f_16945062 , Price: $350 1960s Large Ceramic Mug by Bennington Potters , 4.75 x 6.75 x 5 , f_16946482 , Price: $175 1950s Swedish Clear Crystal ...

In fact, I’ve seen Bagni’s vases attributed to Fong Chow, so unless it’s marked “Glidden” I don’t think its safe to assume it is Chow’s work unless you are intimately familiar with h...

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

He studied Chinese glaze techniques for three years with Fong Chow, then curator of the Far Eastern Department of the Metropolitan Museum in New York.

Fong Chow's grandfather, who was one of the first Chinese to be educated in America, paved the way for Fong's schooling at the Boston Museum School.

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

He was not satisfied with his profession and a meeting with Fong Chow, the curator of the Far Eastern Department of the Metropolitan Museum in New York, led to private ceramic studie...

The reminiscence inspired him many years later to capture in his designs the animal's essence he felt as a child. escaped from Holland during the German occupation and through the Du...

Following the war, Loet become a fashion designer working in Zurich, London and New York, While living in New York, he met Fong Chow who was curator of the far Eastern department at ...

Following the war, Loet become a fashion designer working in Zurich, London and New York, while living in New York, he met fong chow who was curator of the far Eastern department at ...

Following the war, Loet become a fashion designer working in Zurich, London and New York, While living in New York, he met fong chow who was curator of the far Eastern department at ...

Beautiful piece of mid-century design. This is a ceramic ashtray in an elegant design and an interesting color combination. Deep dark reds in glaze finish are mixed with the brown an...

A wonderful and rare large work by Danish designer Arne Bang. Truly special. Beautifully glazed and signed with artist mark and number on the base. Would be a great addition to...

this is a espresso set for six some of pieces have some dents and shown on the photos but is still usable no cracks Franco Pozzi work and exhibit with Gio Ponti in Milano.

Blue glazed (Rimini Blu) ceramic large ashtray designed by Aldo Londi and manufactured by Bitossi. Italy, 1950-1960s. It was handcrafted in Italy with hand carved geometric design ...

Scandinavian Studio Pottery Bowl, c. 1960/70s. Wheel-thrown stoneware bowl with organic form. Interior decorated with radiating white and golden glaze pattern on a light brown base. ...

A vibrant ceramic service by Robert Picault, one of the leading figures of the Vallauris pottery movement in the 1950s. This ensemble includes a rare tripod-lidded soup tureen, six o...

A really nice mid-century modern Italian ceramic ashtray circa 1960s. The piece is in very good vintage condition with no chips, cracks or crazing. The ashtray has a gorgeous bright ...

Blenko crackled glass in the center signed by Robert Maxwell.