Fortuny Scheherazade

Spanish fashion designer Mariano Fortuny was a true artist who worked with beautiful fabrics as his medium of choice. Although he showed talent in painting, sculpting, photography and architecture at an early age, fashion was where he really shined.

Fortuny was an innovator in the world of textile design, he drew on classical Greek tunics for his rich and interesting garments and worked with a revolutionary system for creating pleats. He designed a range of clothing for his couture house, and today, vintage Fortuny evening gowns, gemstone-colored day dresses, coats and accessories like drawstring bags are known for their fine craftsmanship and signature elegance.

Fortuny was born Mariano Fortuny y Madrazo in 1871 in Granada, into a family of artists. His father died when Fortuny was only three years old, and his mother moved the family to Paris. As a child, Fortuny was fond of experimenting and figuring out how things worked. He even dyed pieces of fabric from his family's textile collection, which had been amassed from shops around Europe.

In 1889, the family moved again, this time to Venice. Here, Fortuny found inspiration in the past, which would influence his future designs. Not long after, the young Fortuny set off to travel the continent. In 1897, he visited Paris and fell in love with a dressmaker named Henriette Negrin. She became his muse, his wife and his creative partner — Negrin worked with Fortuny on clothing designs and fabrics — and the two settled in the French capital.

A lifelong inventor, Fortuny began patenting his creations in 1901. By 1934, he had registered more than 20 patents. At the same time, his fashion career was taking off.

In 1907, he designed the Delphos gown with Negrin, which French novelist and essayist Marcel Proust described as "faithfully antique but markedly original." Fortuny had worked from his home until 1922 when increased demand required large-scale production. He opened a factory in Venice, where due to the scarcity of silk, he began experimenting with cotton. 

In 1927, New York interior designer Elsie McNeill traveled to Paris to meet Fortuny and became his exclusive American distributor. She returned to the United States and introduced Fortuny's designs to New World audiences. Shops opened in Paris, New York and London. Toward the end of the 1930s, Fortuny returned to painting and stepped away from the busy fashion industry.

After Fortuny passed away in 1949, McNeill took over the label and continued running it until 1988, when it was purchased by the Riad family, who remain at the helm of Fortuny today.

On 1stDibs, find vintage Fortuny clothing and accessories.

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.