Framed Photography

within photography. This installation comprises of 18 individually framed artworks each measuring 16"x16

board window mount and a choice of black or white box frame.

Image 61 x 91,4 cm (24 x 36 in.) Sheet 73,7 x 104,1 cm (29 x 41 in.) Frame 77,5 x 108 x 3,8 cm (30 1/2 x

Image 91,4 x 61 cm (36 x 24 in.) Sheet 104,1 x 73,7 cm (41 x 29 in.) Frame 108 x 77,5 x 3,8 cm (42 1/2 x

. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame

board window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass

board window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass

Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 152.4 cm (40 x 60 in.) Frame

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a

mount and a black box frame fitted with anti-reflective uv70% glass, it is signed and numbered on

: Standard Edition of 12 + 3 APs Image Size: 37" x 69" (94 x 175.3 cm) Framed Image: 52" x 84" (132.1 x 213.4

), a 25 x25cm Giclée Print on Hahnemühle paper in a 40 x 40 cm Passe-Partout, framed in a white wooden

"Mursi Boy" Photography 26.5" x 40" inch Edition 2/7 by Safaa Kagan Mursi Boy wearing yellow

dry-mounted to aluminium presented in a museum board white window mount and a black box frame fitted

dry-mounted to aluminium presented in a museum board white window mount and a black box frame fitted

to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76.2 x 101.6 cm (30 x 40 in

to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 152.4 x 101.6 cm (60 x 40 in

to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 152.4 cm (40 x 60 in

, presented in a museum board white window mount and a choice of black or white box frame fitted with anti

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

Wet Market, street photography from Richard Heeps series, The Streets of Hong Kong. Richard's aim

Market, Norfolk. Printed full frame in Richard's darkroom the print is bordered by the Kodak film rebate

. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

, presented in a museum board white window mount and a choice of black or white box frame fitted with anti

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 152.4 x 101.6 cm (60 x 40 in

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn

the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn

the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn

to aluminium, presented in a museum board white window mount and a choice of black or white box frame

, presented in a museum board white window mount and a choice of black or white box frame fitted with anti

AILA (Pink), from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their ...

tactile intrigue through both technique and concept. Rimel prints her original photography on repurposed

Richard's style of capturing vintage Americana. This listing is for two individually framed artworks each

eminent international art fixtures, some of which include the Pingyao International Photography Festival

black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse

museum board white window mount and a choice of black or white box frame fitted with anti-reflective uv70

. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame

. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame

. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame

"XVII 230 - Nyerere, Loingu, Lewangum, Lepokodu - Kaisut Desert - Kenya, 2010 The Samburu live in northern Kenya, where the Ndoto mountains give way towards the Chalbi desert. As ca...

"XXVI 16 Vaioa River, Atuona, Hiva Oa, Marquesas Having been fascinated by traditional bodily decoration for many years, it was no wonder that Jimmy would eventually end up photogra...

XXVI 1 Ua Pou, Marquesas Islands Having been fascinated by traditional bodily decoration for many years, it was no wonder that Jimmy would eventually end up photographing the Marque...

101.6 cm (120 x 40 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed to artist's specifications: mounted

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia

"Emulsion 8" Portrait Photography 40'x40' inch Edition of 10 by Giuliano Bekor Printed on fujiflex

the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn

the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn