Gianfranco Ferre Coat

Remembered fondly with a nod to his architecture education as the “Frank Lloyd Wright of Italian Fashion” and the “Architect of Fashion,” Milanese designer Gianfranco Ferré spent a lifetime creating handbags, dresses, jackets and other garments and accessories that were defined by meticulous tailoring and crisp geometry. Designing the iconic Lady Dior handbag after being named artistic director at Dior during the late 1980s is only one of Ferré’s impressive achievements in the fashion industry.

Ferré was born in Legnano and was raised by his mother and two aunts. He studied architecture at Milan Polytechnic but had a love for fashion, and made belts and other items for female friends in his classes. He graduated in 1969.

Ferré’s accessories caught the eye of Rosy Biffi, who operated boutiques in Milan with her sister, Adele. He was encouraged by Biffi to create clothing, and soon began creating jewelry and accessories for Christiane Bailly and Walter Albini. The latter is an unsung hero of 20th-century fashion, while Bailly was part of a small group of prominent young stylistes who helped build a sterling reputation for French ready-to-wear fashion during the 1960s. Ferré’s work was photographed by Italian Vogue, and he secured commissions from the likes of Karl Lagerfeld and Elio Fiorucci.

Ferré appreciated other cultures and drew inspiration from his travels abroad. His most influential trip — a years-long stint in India — saw him bringing bright colors and patterns to his evening dresses and day dresses. While there he created a collection for the Genoa-based San Giorgio Impermeabili. Ferrè designed for brands such as Les Grenouilles and Baila, and met with Italian businessman and clothing manufacturer Franco Mattioli, who would become an important collaborator. 

In 1978, Ferré and Mattioli became equal business partners in establishing Ferré’s own label, for which he designed women’s ready-to-wear and menswear collections in Milan. In 1983, he was named the first professor of fashion at the Domus Academy. 

While teaching, Ferré won the Occhio d’Oro — Italy’s award for best fashion designer — six times. In 1986, he introduced his first women’s fragrance, his first couture and fur collections, and a new line called Studio 00l. A few years later, Bernard Arnault, owner of Christian Dior, appointed him artistic director. 

It was unexpected for an Italian to be given the job at Dior — one of fashion’s most coveted roles — as that position traditionally went to French designers. There, as Marc Bohan’s successor, Ferré created luxurious and striking gowns that drew on his architecture studies in their sculptural forms while celebrating the long history of the legendary house. He revisited the nipped-waist silhouettes of Dior’s postwar years, and his work dazzled onlookers and exuded femininity. Ferré won the Dé d'Or prize in 1989 for his first collection at the label.

In the early 1990s, Ferré designed the Lady Dior handbag (prior to its 1995 debut, it was called the Chouchou). The boxy top-handled accessory soared to immense popularity after French first lady Bernadette Chirac gave a version in black leather to Diana, Princess of Wales. Each bag, which was eventually named for the Princess, is made from 130 pieces of leather and worked on by seven Dior craftsmen who spend at least eight hours perfecting it. 

On 1stDibs, find a collection of vintage Gianfranco Ferré clothing, accessories and handbags and purses.

There is a stylish garment for anywhere in the universe, and on 1stDibs, finding the right vintage and designer coats and outerwear doesn’t have to feel like a journey to the ends of the earth.

Outerwear includes many types of garments aside from the standard coat. From capes, gilets, jackets and cloaks to raincoats and kimonos, fashion designers have long been preparing us for the elements, and outerwear in general has changed and evolved significantly over time.

A lot of the coat styles in our closets, such as the durable Navy-inspired peacoat, were popularized by soldiers who battled aggressive climes in their regulation field jackets and parkas — indeed, keeping troopers comfortable guided the design of the military surplus garments that have often become buzzy fashion trends. Even today, owing to the likes of Burberry, a luxury fashion house that is among the originators of the trench coat worn by British officers during World War I, the trench remains a timeless style, now available in a range of colors that can be worn throughout the year.

While women in late 1700s England donned an adaptation of a men’s jacket called a spencer — the likeness of which could be spotted in Ralph Lauren’s ready-to-wear collections hundreds of years later — designers hadn’t widely been crafting outerwear specifically for women. Generally, the outerwear of choice for the fashionable, well-heeled lady prior to the 1800s usually consisted of capes, shawls and stoles. By the mid-1800s, women were wearing overcoats with multiple layered collars popularized by men (often called a Garrick coat in England), and as women entered the workforce during the 1920s, hemlines climbed, jewelry was prominent and fashion conventions were broken across the board.

Thankfully, the 20th century’s tradition of challenging the norm continues steadfast in today’s outerwear fashions. Contemporary designers certainly find inspiration in 1960s and 1970s coats by Pierre Cardin, Yves Saint Laurent and Bonnie Cashin, but unisex options abound in modern creations that take both function and style into account. Find what inspires you in the full range of vintage and designer coats and outerwear available for sale on 1stDibs.