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Hanne Willmann

High Oak Tray Shelf by Hanne Willmann
Located in Geneve, CH
High oak tray shelf by Hanne Willmann Materials: metal, oak. Dimensions: D 40 x W 100 x H 201 cm
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak Tray Shelf by Hanne Willmann
High Oak Tray Shelf by Hanne Willmann
H 79.14 in W 39.38 in D 15.75 in
Low Walnut Tray Shelf by Hanne Willmann
Located in Geneve, CH
Low Walnut Tray shelf by Hanne Willmann. Materials: Metal, walnut. Dimensions: D 40 x W 100 x H
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Walnut Tray Shelf by Hanne Willmann
Low Walnut Tray Shelf by Hanne Willmann
H 31.89 in W 39.38 in D 15.75 in
High Walnut Tray Shelf by Hanne Willmann
Located in Geneve, CH
High walnut tray shelf by Hanne Willmann Materials: Metal, walnut. Dimensions: D 40 x W 100 x H
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut Tray Shelf by Hanne Willmann
High Walnut Tray Shelf by Hanne Willmann
H 79.14 in W 39.38 in D 15.75 in
Low Oak Tray Shelf by Hanne Willmann
Located in Geneve, CH
Low Oak Tray shelf by Hanne Willmann. Materials: Metal, oak. Dimensions: D 40 x W 100 x H 81 cm
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Oak Tray Shelf by Hanne Willmann
Low Oak Tray Shelf by Hanne Willmann
H 31.89 in W 39.38 in D 15.75 in
Low Black Oak Tray Shelf by Hanne Willmann
Located in Geneve, CH
Low black oak tray shelf by Hanne Willmann Materials: metal, oak. Dimensions: D 40 x W 100 x H 81
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Black Oak Tray Shelf by Hanne Willmann
Low Black Oak Tray Shelf by Hanne Willmann
H 31.89 in W 39.38 in D 15.75 in
High Black Oak Tray Shelf by Hanne Willmann
Located in Geneve, CH
High Black Oak Tray shelf by Hanne Willmann. Materials: Metal, oak. Dimensions: D 40 x W 100 x H
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Black Oak Tray Shelf by Hanne Willmann
High Black Oak Tray Shelf by Hanne Willmann
H 79.14 in W 39.38 in D 15.75 in
High Oak and Black Tray Shelf II by Hanne Willmann
Located in Geneve, CH
High Oak and black tray shelf II by Hanne Willmann Materials: Metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf V by Hanne Willmann
Located in Geneve, CH
High oak and black tray shelf V by Hanne Willmann Materials: Metal, oak. Dimensions: D 40 x W 100
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf i by Hanne Willmann
Located in Geneve, CH
High oak and black tray shelf I by Hanne Willmann Materials: metal, oak. Dimensions: D 40 x W 100
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf IV by Hanne Willmann
Located in Geneve, CH
High Oak and black tray shelf IV by Hanne Willmann. Materials: metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Walnut and Black Tray Shelf i by Hanne Willmann
Located in Geneve, CH
Low walnut and black tray shelf I by Hanne Willmann Materials: metal, walnut. Dimensions: D 40 x
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf III by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf III by Hanne Willmann. Materials: metal, walnut. Dimensions: D
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf IV by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf IV by Hanne Willmann. Materials: Metal, walnut. Dimensions: D 40
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf I by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf I by Hanne Willmann Materials: Metal, walnut. Dimensions: D 40 x
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf III by Hanne Willmann
Located in Geneve, CH
High oak and black tray shelf III by Hanne Willmann. Materials: metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf VI by Hanne Willmann
Located in Geneve, CH
High oak and black tray shelf VI by Hanne Willmann. Materials: Metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Oak and Black Tray Shelf II by Hanne Willmann
Located in Geneve, CH
Low Oak and Black Tray shelf II by Hanne Willmann. Materials: Metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf II by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf II by Hanne Willmann. Materials: metal, walnut. Dimensions: D 40
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Walnut and Black Tray Shelf II by Hanne Willmann
Located in Geneve, CH
Low walnut and black tray shelf II by Hanne Willmann Materials: metal, walnut. Dimensions: D 40 x
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf V by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf V by Hanne Willmann Materials: metal, walnut. Dimensions: D 40 x
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Oak and Black Tray Shelf i by Hanne Willmann
Located in Geneve, CH
Low oak and black tray shelf I by Hanne Willmann Materials: metal, oak. Dimensions: D 40 x W 100
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Low Oak and Black Tray Shelf i by Hanne Willmann
Low Oak and Black Tray Shelf i by Hanne Willmann
H 31.89 in W 39.38 in D 15.75 in
High Walnut and Black Tray Shelf VII by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf VII by Hanne Willmann. Materials: Metal, walnut. Dimensions: D
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Walnut and Black Tray Shelf VI by Hanne Willmann
Located in Geneve, CH
High walnut and black tray shelf VI by Hanne Willmann. Materials: metal, walnut. Dimensions: D 40
Category

2010s Danish Post-Modern Shelves

Materials

Metal

High Oak and Black Tray Shelf VII by Hanne Willmann
Located in Geneve, CH
High oak and black tray shelf VII by Hanne Willmann Materials: metal, oak. Dimensions: D 40 x W
Category

2010s Danish Post-Modern Shelves

Materials

Metal

Customizable Charpai Bench Designed by Hanne Willmann
By Schönbuch
Located in New York, NY
The Charpai daybed is a Minimalist, multifunctional interior highlight with a clear, contemporary feel. It is inspired by the traditional Indian charpoy, used for sitting or reclinin...
Category

2010s German Benches

Materials

Fabric, Wood

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Schonbuch Saro Glass Umbrella Stand Designed by Hanne Willmann
By Schönbuch
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The SARO umbrella Stand turns glass into something truly special. The hourglass-like shape and semi-transparent hues make it an eye-catching piece for entrance areas. It comes in a r...
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Hanne Willmann For Sale on 1stDibs

Find many varieties of an authentic hanne willmann available at 1stDibs. Each hanne willmann for sale was constructed with extraordinary care, often using wood, metal and oak. A well-made hanne willmann has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Schönbuch are consistently popular.

How Much is a Hanne Willmann?

Prices for a hanne willmann can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $2,110 and can go as high as $5,820, while the average can fetch as much as $3,895.

A Close Look at post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Finding the Right bookcases for You

As long as curious people have collected stories, we have needed a place to stow them away and preserve them. When auction houses and book dealers proliferated by the late 17th century, the bibliophile was born. And, of course, as with any treasured objects, a book lover’s volumes were suddenly worthy of a luxurious display — enter the bookcase. Americans of means during the 19th century took to amassing art as well as rare books, and antique bookcases of the era, rife with hand-carved decorative accents and architectural motifs, were ideal for displaying their handsome leather-bound wares.

Although our favorite titles may change over the years, the functionality and beauty of their home within our home is timeless. Whether you proudly shelve your books in regal mahogany or behind glass cabinet doors, a bookcase — or perhaps more than one — is essential to creating a cozy nook for any book lover. Even those who don’t covet the perfect home library can benefit from an attractive display case, as bookcases can easily double as charming étagères

Contemporary and customizable options make it easier for you to find the perfect bookcase for your style and stacks. If you don’t wish to fill your storage piece so that your collection is snug within its confines, incorporate extra space to allow for additional displays and decorative objects. And by introducing a striking dark wood Art Deco bookcase or low-profile mid-century modern design by Paul McCobb into your living room, your signed first editions won’t be the only items making a statement. 

Find your dream bookcase on 1stDibs now.