Naturalistic Art

A quiet, possibly morning, coastal or archipelago landscape under a clearing sky by Godfred Christensen (1845-1928) A tergo a note in Danish “Et lille Minde om Danmark fra Gerda Godf...

A large Swedish waterfall, Stora Sjöfallet in Gällivare, signed and dated Arth. Kriström 1921. Oil on canvas. Presented in a dark, carved wooden frame which is period and original. T...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Poppy No.5 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Details: Title: Tropical Hibiscus Garden Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 c...

A finely painted profile portrait of a Miniature Pinscher by Richardis Sörvik, executed during the early 20th century. Oil on panel. The present painting depicts a black and brown Mi...

Swedish winter landscape at dusk. The painting depicts a quiet winter landscape in the late afternoon and the setting sun, rendered in warm, softly atmospheric colors. Snow-covered ...

Summer Landscape with Red Farmhouse and Lake, ca. 1900. This idyllic summer landscape signed by Elias Erdtman (1862-1945) depicts a gently rolling countryside under a bright blue sky...

Coastal summer landscape with red cottage in the Swedish archipelago. Signed and dated "Erik Abrahamsson Storvik Aug 1900", oil on canvas. A coastal landscape depicting a traditional...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

About this work: Before he became the celebrated chronicler of Montmartre’s nightlife, Lautrec was surrounded by a different kind of spectacle. At his family’s estates, the young art...

Details: Title: Tropical Abundance VII Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 cm)...

Female Head Study signed with monogram and dated 1883 lower right by Axel Kulle (1846–1908). Oil on canvas laid down on panel. Original giltwood frame with relief ornamentation. The ...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

Firmado por el artista en la parte inferior El estado de la obra es bueno Se presenta sin enmarcar la pintura Medidas obra: 131 cm altura x 97 cm ancho ::::::::::::::::::::::::::...

"Tropical Abundance IIII" is a botanical painting triptych by Romina Milano where a dance of tropical flowers unfolds across colorful brushstrokes infused with raw emotion. Romina ...

Red Marine Flora is a vibrant marine-inspired abstract that celebrates the organic beauty of underwater plant life. Rich reds, corals, and earthy tones intertwine with cooler greens ...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

'Blattpflanzen I' (Leaf Plants) German chromolithograph, circa 1910. Key in German to the varieties at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (s...

This is an exclusive handprinted limited edition cyanotype. "Azure Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky, showing shades of blue. Details: + Tit...

In Poppies and Wildflower, Romina Milano presents a vibrant diptych where expressive florals evoke the intimacy of springtime. Blooming poppies and delicate wildflowers rise in rhyth...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

This is an original rare and extremely collectible first edition John James Audubon hand-colored royal octavo lithograph entitled "Great North Diver or Loon", No. 96, Plate 476, from...

Explorer in an Alpine Landscape - Early 20th Century Oil Painting Antique landscape painting by an unknown artist, likely early 20th century or late 19th century. Painting is unsign...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Title: Poppy Year: 2023 Location: Photographed in London, United Kingdom Edition: Limited to 15 Medium: Giclée print on Hahnemühle Photo Rag Baryta 308 gsm fine art paper Camera: Lar...

This artwork is composed of four individual panels that together create one continuous composition. Overall dimensions: 170 × 200 cm. At Escat Gallery we are committed to maintainin...

Inspired by the Flanders verdure from the early 17th century. The rapid development of new sciences such as botany inspired weavers to produce tapestries known as "verdures". These d...

This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...

A superb coastal landscape by C. Follini, signed, depicting fishermen and fisherwomen gathered along a windswept shoreline at low tide. Executed in oil on canvas and signed in the lower right corner, the painting is a remarkable example of late nineteenth- or early twentieth-century European marine painting, distinguished by its atmospheric light and expansive sense of space. The composition unfolds across a broad sandy beach where small groups of figures are engaged in the daily activities of a fishing community. Several boats rest on the shore while waves break gently along the coastline. Above, an immense sky filled with dramatic clouds dominates the scene, becoming the true protagonist of the composition. Through subtle tonal transitions and luminous passages of light, the artist masterfully captures the ever-changing atmosphere of the sea. Particularly striking is the treatment of the sky, which occupies a substantial portion of the canvas and lends the work a profound sense of openness and grandeur. Soft grays, silvery blues, warm creams, and muted ochres are orchestrated with remarkable sensitivity, creating a rich atmospheric effect reminiscent of the great traditions of Dutch, Belgian, and French marine painting. Rather than focusing on anecdotal detail, Follini emphasizes mood, weather, and the relationship between human activity and the natural environment. The small scale of the figures compared to the vast beach and sky reinforces the poetic dimension of the work, evoking both the beauty and the power of the coastal landscape. The artist's confident handling of paint is evident throughout the composition. Broad brushstrokes and subtle impasto passages animate the clouds, sea, and sand, while preserving a remarkable sense of unity. The restrained palette contributes to the painting's elegance and timeless appeal, making it both an important marine subject and a highly decorative work. Combining genre painting, maritime life, and atmospheric landscape, this composition embodies the enduring appeal of European coastal art. It would make a distinguished addition to a collection of marine paintings, maritime subjects, or nineteenth- and early twentieth-century European landscapes. A poetic and beautifully executed seascape celebrating the rhythms of coastal life beneath a magnificent sky. C. Follini, Marine Painting, Fishermen on Beach, Coastal Landscape, Oil on Canvas, Fishing Boats, Fisherfolk, Seascape Painting, Maritime Art, Beach Scene, European Marine Art, Atmospheric Landscape, Coastal Life, Ocean Painting, Marine Antique...

'Persian Cyclamen' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

'Blood Hound' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporti...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

Ivan Bergdahl (1929-2021) Sweden Sunset, Svolvær, Lofoten (Solnedgång, Svolvær, Lofoten) oil on board signed Ivan Bergdahl unframed: 25.5 x 37.5 cm (ca 10.04 x 14.76 inches) framed: 36.5 x 48 cm (ca 14.37 x 18.90 inches) Essay: Ivan Bergdahl, a renowned Swedish painter born in 1929, captures the essence of the Nordic landscape...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...

This is a Flemish style tapestry reproduction of the Jagaloon tapestries created to decorate the interiors of the royal Wawel Castle in Kraków, P...

'Shooting an African Buffalo' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, ...

This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 100x 125 cm and is part of an exclusive series of 10 prints, each hand-...

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

View across Lake Garda towards Monte Baldo, Italy. Signed H. Lund lower left, oil on canvas, circa 1900. The painting depicts a tranquil and atmospheric view across Lake Garda, with ...

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

A beautiful original oil painting by Swedish artist Per Julius (b.1951). Julius is best known for his beautiful depictions of the Scandinavian nature and t...

14.25 X 12.5 with frame. 8.75 X 7.25 without frame

This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...

Pair of small oil paintings (studies) by Oscar Julius Paulsen (1860-1932) depicting a plum branch, the other a cherry branch with fruit. Both have light backgrounds and are mounted i...

This finely observed oil study of breaking waves, signed W. v Gegerfelt, captures the restless movement of the sea as it rolls toward the shore in layered, green-toned swells. The co...

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

Mori Sōsen, 'Deer Beneath Falling Maple Leaves', color woodblock print after the artist's watercolor, 1899. Signed Sosen in black ink with the artist's seal in red, lower right. A su...

Musical Still Life. This atmospheric musical still life is arranged around a violin resting on a deep red drapery, illuminated by the glow of a burning candle. The candlelight falls ...

Details: Title: Birds of Paradise Medium: Acrylic Painting and India Ink on Watercolor Paper Size: Size: 40x55.2 Inches (100x140cm), each panel measures 40x28 Inches (100x70 cm) Year...

British painter (late 19th century) - Highland Cattle by a Lake. 102 x 77 cm (without frame) - 108 x 82 cm (with frame). Oil on canvas, in a gilded wood frame (not signed). The co...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Wa-Kawn, A Winnebago Chief, No. 83 (The Snake)", published by Rice, Rutter &...

Hibiscus Oasis is an original painting by Romina Milano that celebrates nature in full expansion. Exotic flowers rendered larger than life, pressing outward with color, movement, an...