Josef Albers Square

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972.

"Homage to the Square - Portfolio 2, Folder 24, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972.

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Artist: Josef Albers Title: Homage to the Square (double) from the Portfolio: Formulation: Articulation (Double Portfolio) Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol ...

Josef Albers Homage to the Square: Dedicated 1956 Silkscreen in brilliant Colors on Paper after Oil on Masonite, 1950-1956 From "Josef Albers - Paintings, Prints, Projects", 1956 Im...

JOSEF ALBERS (1888-1976) "EK Ii" from the series Homage to the Square 1970 Screenprint on Hahnemühle Buttenboard 55 x 55 cm 21.65 x 21.65 inches Number 31 of 125 Edition Keller, Star...

That same year, he and his wife established ‘The Josef and Anni Albers Foundation’, a non-profit organization aimed at furthering ‘the revelation and evocation of vision through art.’

Homage to the square after Josef Albers rug by Doris Leslie Blau.

Homage to the square after Josef Albers rug by Doris Leslie Blau.

“Blue No5” 3D sculpture / wall hanging decor in the style of Josef Albers “Homage to Square”.

Pair of Hollywood Regency high back dining or occasional chairs with vintage Josef Albers style square geometric upholstery. All original wood finish, upholstery shows wear.

The third has a shades-of-yellow squares on squares design in the style of Josef Albers.

This piece is a masterful textile interpretation of Josef Albers’ iconic "Homage to the Square" series, utilizing a sophisticated concentric composition to explore color theory and d...

Minimalist screenprint by American artist Barbara Lynch Zinkel, inspired by Josef Albers' iconic "Homage to the Square". Date: 1987 Medium: Screenprint, signed, numbered, dated and ...

Conceptual grounding: The nested squares in these works flirt with the familiar logic of Josef Albers’ Homage to the Square, but in Hallard’s hands, they are pushed toward a differen...

Conceptual grounding: The nested squares in these works flirt with the familiar logic of Josef Albers’ Homage to the Square, but in Hallard’s hands, they are pushed toward a differen...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

While the format recalls Josef Albers’s “Homage to the Square,” Yamada’s approach is markedly different—more tactile, with a painterly surface that emphasizes material presence over ...

Inspired by Henri Fitzwilliam-Lay’s love of Josef Albers’ “Homage to the Square”, the geometric needlepoint is by Hunt & Hope.

Other works are sourced from digital snapshots of eyes, which are designated as portraits of the sitter. The simple square image illustrates difference in light exposure, but also be...

He was drawn to Cleveland in 1970 because of its reputation at the time for having a rich environment for abstract art, as two of the chief proponents of Kinetic art and op art, Juli...

Other works are sourced from digital snapshots of eyes, which are designated as portraits of the sitter. The simple square image illustrates difference in light exposure, but also be...

"Malevich On My Mind" is a geometric abstraction in yellow and white gold leaf and oil on wood panel, part of a series of small 3-dimensional constructions and 2-dimensional painting...

"Gold Brick" is a geometric abstraction in yellow and white gold leaf and oil on wood panels, part of a series of small 3-dimensional constructions and 2-dimensional paintings by Cha...

Gibbs has successfully absorbed the tenets of the turn of the century Suprematist artists, the Geometric Abstractionists of the 1930s and 1940s, the Minimalists of the 1960s and '70s...

Gibbs has successfully absorbed the tenets of the turn of the century Suprematist artists, the Geometric Abstractionists of the 1930s and '40s, the Minimalists of the 1960s and '70s...

Title : Josef Albers, “White Line Squares” Medium: silkscreen / serigraph (after the original).

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Serigrafia originale a colori.

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Study to Homage to the Square Yes Sir, 1977 (n.8) Serigrafia d’après a colori, mm. 207x207.

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Renewed Hope, 1977 (n.5) Serigrafia d’après a colori, mm. 207x207.

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Grisaille and Patina, 1977 (n.6) Serigrafia d’après a colori, mm. 207x207.

In 1950 Josef Albers started with his series Homage to the Square.

A rare vintage silkscreen for Josef Albers’ exhibition at the Galerie Melki in Paris in 1973, depicting his most renowned series, “Homage to the Square,” in yellow.

A rare vintage silkscreen for Josef Albers’ exhibition at the Galerie Melki in Paris in 1973, depicting his most renowned series, “Homage to the Square,” in yellow and gray.

A luminous color screen print titled "Equivocal" on white wove paper by the Bauhaus master Josef Albers (1888-1976). This work is from the boxed portfolio of 10 screen prints, editio...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Artist: Josef Albers Title: Hommage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) F...

Artist: Josef Albers Title: Hommage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) F...

Artist: Josef Albers Title: Homage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) Fr...

Artist: Josef Albers Title: Homage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) Fr...

Artist: Josef Albers Title: Homage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) Fr...

Artist: Josef Albers Title: Homage to the Square Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 980/1000 Sheet Size: 15 x 20 inches (38.1 x 50.8cm) Fr...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...