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Lilian Westcott Hale

"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale
"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale

"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale

By Lilian Westcott Hale

Located in New York, NY

Lilian Westcott Hale Portrait of a Lady (Study for Harriet Blake), circa 1910 Oil on canvas 40 1/4 x 30 1/4 inches Provenance Mystic Fine Arts, July 2, 1998, Lot 69 Private Collecti...

Category

1910s American Impressionist Figurative Paintings

Materials

Canvas, Oil

Book of Verses
Book of Verses

Book of Verses

By Lilian Westcott Hale

Located in Bryn Mawr, PA

Book of Verses, 1924 Charcoal on paper 29 x 23 inches (73.7 x 58.4 cm) Framed dimensions: 33 3/8 x 27 5/8 inches Signed upper right: Lilian Westcott Hale Provenance The artist; Vose...

Category

1920s American Impressionist Figurative Drawings and Watercolors

Materials

Paper, Charcoal

Study of Ruth
Study of Ruth

Study of Ruth

By Lilian Westcott Hale

Located in Bryn Mawr, PA

Study of Ruth, c. 1925 Charcoal and sepia ink on paper 22 1/4 x 27 3/4 inches (56.5 x 70.5 cm) Signed upper center: Lillian Westcott Hale Lilian Westcott Hale showed an exceptional ...

Category

1920s American Impressionist Figurative Drawings and Watercolors

Materials

Paper, Charcoal, Ink

"Portrait of a Girl, " attrib. to Edmund Tarbell, graphite, portrait, 1900-1910
"Portrait of a Girl, " attrib. to Edmund Tarbell, graphite, portrait, 1900-1910

"Portrait of a Girl, " attrib. to Edmund Tarbell, graphite, portrait, 1900-1910

Located in Wiscasset, ME

Luis Mora, Marguerite Stuber Pearson and Lilian Westcott Hale. With financial backing from Lilla Cabot Perry, painter and affluent Brahmin, The Guild of Boston Artists opened in 1914.

Category

Early 1900s Impressionist Portrait Drawings and Watercolors

Materials

Graphite

Recent Sales

"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale, Painting
"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale, Painting

"Portrait of a Lady (Study for Harriet Blake)" Lilian Westcott Hale, Painting

By Lilian Westcott Hale

Located in New York, NY

Lilian Westcott Hale Portrait of a Lady (Study for Harriet Blake) Oil on canvas 40 ¼ x 30 ¼ inches A leading American Impressionist working at the turn of the twentieth century, Li...

Category

1920s Impressionist Figurative Paintings

Materials

Canvas, Oil

Venetian Canal Oil Painting, Impressionist, Late 19th Century, Signed

Venetian Canal Oil Painting, Impressionist, Late 19th Century, Signed

By George Loftus Noyes

Located in New York, NY

Other prominent Boston artists working at the Fenway Studios in that period include Marion Boyd Allen, Lilla Cabot Perry, Joseph Decamp, Philip Hale, Lilian Westcott Hale, Charles Ho...

Category

Late 19th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

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A Close Look at Impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.