Marble Paintings

Sezione Aurea-C1 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 270 × 100 × 52 cm (106.3 × 39.3...

This mixed media contemporary abstract painting in a vivid blue colour is by Bulgarian-Canadian artist Ivo Stoyanov. Ivo Stoyanov’s work is bold and dynamic. Inspired by nature’s co...

Bold rectangles in vivid blue float on a ground of dove grey and black in this elegant painting by Ivo Stoyanov. Stoyanov's paintings have a fresco-like quality, the taut surface of ...

A soft haze of peach, gold, and pale blue drifts across the upper third of the canvas before settling into a wide, unbroken expanse of blue that deepens as it descends — from a lumin...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

A rare South American painting from the second half of the 17th century. This oil on marble portrait depicts a noble gentleman belonging to colonial high society, following the canon...

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm ) Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...

A quiet field of terracotta, bronze, and pale bone drifts across the canvas, its surface fractured by a fine network of cracks that catch the light like sun-baked earth. The composit...

Charcoal, smoke, and burnt umber gather in dense, weathered clouds across this large-scale canvas, thinning at the lower right into pale ash and bone. Fine white scratches cut throug...

With Somewhere, in a wide horizontal format, Emmanuelle Vroelant steps away from her usual references — Brittany, light, the material of everyday life — to summon a more narrative im...

Cloak and Dagger begins with a memory of the movie theatre. Emmanuelle Vroelant tells it simply: "Seeing The Three Musketeers and The Count of Monte Cristo at the cinema makes me wan...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Sand, ochre, and smoke move across this canvas in slow, overlapping bands, with a web of fine cracks spreading through the upper surface like a map of accumulated time. Where the pal...

The canvas is built from three panels, clearly delineated by fine vertical lines. Horizontal bands of beige, taupe and grey layer over one another like strata of mist, with no clear ...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

This canvas slept for twenty years in Emmanuelle Vroelant’s storage, from the time when she painted still lifes. Found again by chance, it suddenly “spoke” to her: she altered a few ...

“It takes a great deal of courage to remain serene and accept this stage of life. In our society, we struggle to see its beauty, but we can at least salute its dignity.” These words ...

A long, panoramic format stretches the canvas like a strip of dune seen very close up. The material, acrylic and marble powder, takes on a sandy, scraped, almost crumbly texture, in ...

"Underground Railroad" C. Whitehead’s book upset me, his extremely sober writing speaks of the unbearable suffering, of courage, of those slaves ...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

All the battles, the bloodshed for so many reasons.

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

I want to use vegetable fibres. I needed a large format to have freedom of action. I started with the flexibility and mixing of curves for the fulfillment of creative pleasure. And,...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship buildin...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

Funny Weather is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emo...

Sezione Aurea 2024-020 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gol...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Sezione Aurea 2024-017 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 89 × 56 × 4 cm (35 ×...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Sezione Aurea 2024-018 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 40 × 7 cm...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

Sezione Aurea 2024-006 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 37.5 × 11...

Sezione Aurea 78 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of oxidised black Palissandro marble and gold leaf, dimensions are 79 × 47 × 8...

Sezione Aurea 2024-001 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 56.5 × 26.5 × 12 cm ...

A long, panoramic format stretches the canvas like a strip of dune seen very close up. The material, acrylic and marble powder, takes on a sandy, scraped, almost crumbly texture, in ...

A pale, hazy sky settles over two soft headlands that lean toward each other, framing a quiet gap of blue-white light where sea meets horizon. Below, a still expanse of water gives w...

Sezione Aurea A12 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 57.5 × 33 × 11 cm (22.6 ×...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Punta 1 is a sculpture made of Black Palissandro marble by Italian contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble, dimensions are 113 × 78 × 37 ...

Cool slate blue anchors the left edge of this canvas, dissolving into warm bands of copper, rust, and glowing amber that shift and pool across the surface like light passing through ...

This painting is born of a true “visual, sensual encounter” between two sheets of paper “very different in their structure, their colour and their origin,” says Emmanuelle Vroelant....

Emmanuelle Vroelant wanted to paint "something strong" — and the canvas conveys that from the first glance. It rises vertically like a trunk in full growth, carried by a brilliant gr...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

For me frimas is a rather poetic term, this word evokes the frosted powder on the trees, the soft light of a pretty morning very early in winter. It is a feeling of freshness and pl...

With Zen Pebble, Emmanuelle Vroelant builds a space of withdrawal. « It's a dreamlike little Zen garden, where everything is calm and smiling, with a benevolent sun », she describes...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

This bold abstract composition in bold yellow-green, black and white by Ivo Stoyanov is a mixed media work on canvas. Stoyanov's paintings have a fresco-like quality, the taut surfac...

This mixed media contemporary abstract composition in a crimson colour is by a Canadian artist. The uniquely evocative work of Ivo Stoyanov illustrates his interpretation of nature’...

Kimono assembles shards of red, burnt orange and sienna, cut like fragments of heavy, torn silk, laid over a base of gold leaf that evokes a length of fabric or a wide obi. On the ri...

abstract "Traces" Traces left by torn-away posters, traces of cultural and political expressions.

Pawel Kontny (Polish-American, 1923–2002) Cosmos, Circa 1965 Mixed media with marble dust, gesso, and oil glaze on masonite Framed dimensions: 25½ × 28½ inches A striking example of...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

Coming back from summer, Emmanuelle Vroelant says she “still wanted to convey [her] joy of transparent water, the well-being of the sun, the light side of life in the garden, on the ...