Mario Botta Charlotte

Swiss architect Mario Botta may be renowned for his impressive postmodern architecture projects such as the San Francisco Museum of Modern Art, but the chairs, lighting and other furniture he created reflect a mastery of geometrically rich forms and an elegant application of simple symmetry.

Born in Mendrisio, Switzerland, in 1943, Botta gained an interest in architecture at an early age. He apprenticed at the architectural firm Carloni and Camenisch and designed his first building — a two-family house at Morbis Superiore in Ticino — at age 16. During the early 1960s, Botta attended the Liceo Artistico in Milan and then studied at the University Institute of Architecture in Venice under art historian Giuseppe Mazzariol and influential Italian architect Carlo Scarpa.

While studying in Venice, Botta worked for Swiss-born French architect Le Corbusier — whose career spanned hundreds of architecture projects — and gained inspiration from Estonian-American architect Louis Kahn, who was known for his modern and brutalist architectural style. In 1969, Botta completed his studies and established his practice in Lugano, designing and building single-family homes.

Throughout the 1970s, Botta gained fame for his innovative, geometrical designs and deceptively simple forms, such as his first large-scale building project in 1977 — the Middle School in Morbio Inferiore, Switzerland. Botta later established himself as one of the masters of 1980s postmodern design in his architecture and his furniture. His postmodern ideas characterize the dining room tables and seating he designed for companies such as Alias, as well as his table lamps and floor lamps for Artemide.

Botta’s noteworthy architectural projects designed during the 1990s and 2000s include the Cymbalista Synagogue and Jewish Heritage Center in Tel Aviv, Israel; the Monastery of the Holy Apostles Saint Peter and Andrew in Lviv, Ukraine; and the Theater of Architecture in Mendrisio, in 2018.

On 1stDibs, discover a range of vintage Mario Botta lighting fixtures, seating, tables and decorative objects.

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.