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Antique Peony Botanical Prints

Peony, English antique red flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Peony' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

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"Spirals" original lithograph
By Alexander Calder
Located in Henderson, NV
Medium: original lithograph. Printed in 1970 and published by Art In America. Size: 14 1/2 x 11 1/2 inches (365 x 293 mm). This lithograph was published as a folded sheet with a hori...
Category

1970s Abstract Prints and Multiples

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Arcate sideboard, in Canaletto walnut by Accardibuccheri Medulum for Medulum
By Mauro Accardi & Silvia Buccheri
Located in Meolo, Venezia
Il settimanale Arcate fa parte di una collezione esclusiva che include comodini e comò, ideata dal rinomato studio milanese Accardi Buccheri per il brand MEDULUM. La scocca, realizza...
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2010s Italian Wardrobes and Armoires

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Walnut

Art Deco Accent Table
Located in Westwood, NJ
An Art Deco accent table with a polished walnut finish top and base with a figured walnut veneer above a composite tapered radial pedestal base with gilt highlights and textured grou...
Category

21st Century and Contemporary Vietnamese Art Deco Side Tables

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Art Deco Accent Table
Art Deco Accent Table
$2,010 / item
H 22 in W 16 in D 16 in
SUR LA PLAGE, a BERNEVAL
By Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...
Category

1890s Impressionist Figurative Prints

Materials

Etching

Honesty, English antique mauve flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Honesty' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Pelargonium, English antique pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Pelargonium' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Double Red Campion, English antique pink flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Double Red Campion' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Conservatory Roses, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Conservatory Roses' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Early Tulip, English antique red flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Tacsonia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

19th Century Dutch Mahogany Pedestal or Plant Stand
Located in Delft, NL
19th century Dutch mahogany torchère or plant stand A mahogany tripod torchère or plant stand with round top measures 23.5 cm diagonal The stand is 93.7 cm high and the weight is...
Category

Antique 19th Century Dutch Pedestals

Materials

Wood

Paisaje con luz dorada
By Tomás Sánchez
Located in Miami, FL
Tomás Sánchez is a Cuban painter. Best known for his detailed and idealized nature scenes, his work is characterized by its contemporary interpretation of landscape painting. Sánchez...
Category

20th Century Contemporary Landscape Prints

Materials

Lithograph

"Tree in Winter" Delos Palmer Jr, Sketch of Tree 20th Century Impressionist Work
Located in New York, NY
Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a soc...
Category

Early 20th Century American Impressionist Figurative Paintings

Materials

Masonite, Oil

Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category

Early 1900s Naturalistic Still-life Prints

Materials

Lithograph

Tansy, English antique yellow flower botanical chromolithograph, 1895
By Frederick William Hulme
Located in Melbourne, Victoria
'Tansy' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...
Category

Late 19th Century Naturalistic Still-life Prints

Materials

Lithograph

Early 20th Century Georgian Mahogany Tripod Pedestal Plant Stand Brass Paw Feet
Located in Germantown, MD
An Early 20th Century Georgian Mahogany Tripod Pedestal Plant Stand with Brass Paw Feet in good condition. Measures 14.5" in diameter and stands 41" tall.
Category

Early 20th Century American Georgian Pedestals and Columns

Materials

Brass

"Petit-Montrouge" original etching
By Roger Grillon
Located in Henderson, NV
Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...
Category

1930s Prints and Multiples

Materials

Etching

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Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.