Philippe Bouix

In 1974, Roche Bobois opened its first showroom in the United States on Madison Avenue in New York City. The celebrated luxury French furniture brand is now in 50 countries with more than 200 stores.

The Roche Bobois story has origins in 1950, when entrepreneur Jacques Roche converted an old Paris theater into two contemporary furniture boutiques so that his sons could help usher stunning Bauhaus-inspired work out of the shops and into French homes nearby.

At another showroom called Au Beau Bois, also in the French capital city, the Chouchan family was simultaneously selling home furnishings. The families met later, when Philippe and François Roche convened with Patrick and Jean-Claude Chouchan at a furniture exhibition in Copenhagen in 1960 and afterward produced a catalog announcing their partnership.

Minimal and modernist Scandinavian design had gained prominence in the furniture industry by 1960, rendering designers such as Kaare Klint and Poul Henningsen marquee names — and Roche Bobois's principals had taken notice. Following a national advertising campaign in Elle magazine a year later, the Scandinavian furniture that the newly minted Roche Bobois was importing to Paris became a huge success. Early promotional material from the firm likely included the sleek modular wall units crafted in rosewood by Danish furniture maker Poul Cadovius. It didn’t take long for Roche Bobois to shift toward producing its own contemporary furniture line.

When the popularity of cable television took hold in more major American cities during the 1970s, sofas and other seating became integral to contemporary living-room decor. Roche Bobois’s newly launched Les Contemporains series positioned its own sofas front and center, and it also offered plush lounge chairs designed by Mario Bellini.

Bold works from the company during the decade included Marc Berthier’s Pop Art–colored tubular metal desks and chairs — the latter covered with braided fabric — as well as one of Roche Bobois’s most enduring and well-known pieces, the Mah Jong sectional sofa created by sculptor, painter and designer Hans Hopfer. Anchored by few central elements, this modular lounge sofa can be combined or stacked, giving the buyer total freedom over its appearance and the ability to maximize comfort.

Since its inception, Roche Bobois has worked with many internationally renowned architects and designers on its collections, among them Paola Navone and Vladimir Kagan. Even fashion designers such as Missoni and Emanuel Ungaro have made contributions to the company’s lineup.

In 2010, Roche Bobois marked its 50-year anniversary by debuting a partnership with French fashion designer Jean Paul Gaultier. A decade later, Roche Bobois teamed up with Portuguese artist Joana Vasconcelos, who designed a collection of organically shaped sofas as well as vibrant, colorful accent pillows and rugs.

Roche Bobois’s offerings over the years have included everything from mid-century modern armchairs to Art Deco case pieces to sculptural outdoor cocktail tables framed in metal wire — shop these classics now on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.