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Ross Pittman

A. Ross Pittman, Summer Home
Located in New York, NY
This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to
Category

1930s American Modern Landscape Prints

Materials

Woodcut

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Willow Border
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963) WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category

1910s Other Art Style Landscape Prints

Materials

Woodcut

PROVINCETOWN FISHING NETS Signed Lithograph, Cape Cod Fisherman, Blue Sky, Sand
By Chaim Gross
Located in Union City, NJ
PROVINCETOWN FISHING NETS is a limited edition lithograph by the American artist/sculptor Chaim Gross. PROVINCETOWN FISHING NETS was printed using traditional lithography methods on...
Category

1970s Contemporary Landscape Prints

Materials

Lithograph

Hendrik Glintenkamp, (Farmyard)
By Hendrik Glintenkamp
Located in New York, NY
More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...
Category

1920s American Modern Landscape Prints

Materials

Woodcut

Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 9...
Category

1970s Modern Figurative Prints

Materials

Engraving

Portrait of Otto Freundlich (Bildnis Otto Freundlich)
By Otto Dix
Located in New York, NY
1923 Signed in pencil, l.r. Lithograph on laid paper with original colophon (Edition of 125) 15 x 10 inches This work is offered by CLAMP in New York City.
Category

1920s Modern Prints and Multiples

Materials

Laid Paper, Lithograph

"Couple in the Field, " James Brade Sword, Hunter on Farm Landscape
By James Brade Sword
Located in New York, NY
James Brade Sword (1839 - 1915) Couple in the Field Oil on canvas 16 x 20 inches Signed lower left After a childhood in Macao, China, James Brade Sword started out in life, after hi...
Category

Late 19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

The Sketching Lesson, Oil on Canvasboard, Rockport, Massachusetts, Boston School
By Marguerite Stuber Pearson
Located in Grand Rapids, MI
Marguerite Stuber Pearson (American, 1898 - 1978) Signed: M. S. Pierson (Lower, Left) " The Sketching Lesson " Titled on verso (Rockport, MA. - Universalism Church can be seen in,...
Category

Mid-20th Century Landscape Paintings

Materials

Canvas, Oil

The Olives, Santa Monica Canyon - Gift by the Artist to Mary Pickford
By Arthur Millier
Located in Soquel, CA
Beautiful, simple rural scene from the early 1920s by listed British-American artist Arthur Millier (1893-1975). Signed by the artist, right corner below the image; titled lower cent...
Category

1920s American Impressionist Landscape Prints

Materials

Paper, Printer's Ink, Etching

"Pastoral Landscape, " William Hart, Hudson River School, Cloudy View with Cows
By William Hart
Located in New York, NY
William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Hart became known for serene, ...
Category

1870s Hudson River School Landscape Paintings

Materials

Canvas, Oil

'Delaware River Bridge' — 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream ...
Category

1920s Realist Figurative Prints

Materials

Etching

Albert Abramovitz, Mission, California
By Albert Abramovitz
Located in New York, NY
Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.
Category

1940s American Modern Figurative Prints

Materials

Woodcut

Height of Summer, by Gunnar Norrman
By Gunnar Norrman
Located in Palm Springs, CA
Medium: Drypoint Image Size: 8.5 x 6.5 inches Edition 15 Year: 1990 John Russell wrote in a review in the New York Times that "several of Norrman’s images could hang with drawings b...
Category

1980s Contemporary Still-life Prints

Materials

Drypoint

Old Master Print Heads of Two Apostles after Raphael
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Rochester, NY
Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 
Category

Early 19th Century Old Masters Figurative Prints

Materials

Paper

Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category

20th Century American Modern Landscape Prints

Materials

Etching

English School, 19th Cent. –An Interior View of the Porch ... Church St. Alphage
Located in Middletown, NY
An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...
Category

Early 19th Century English School Landscape Prints

Materials

Engraving, Handmade Paper

Mary Lightfoot, Street Scene in Taos
Located in New York, NY
Mary Lightfoot was born in Ravenna, Texas. She studied at the College of Industrial Arts in Denton and the North Texas State Teachers College prior to receiving a master of arts degr...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Lithograph

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Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.