Strapless Tops

Venerated French designer Hubert de Givenchy (1927–2018) made a splash with his first collection of mix-and-match separates in 1952, which launched his namesake fashion house, the clean lines and refined silhouettes of the pieces offering a contrast to the more structured shapes then dominating postwar women’s fashion. His roster of clients would eventually include Grace Kelly, Elizabeth Taylor and Jacqueline Kennedy Onassis, all of whom were drawn to the designer’s architecturally and materially simple dresses, handbags, shoes and other pieces that combined sensual femininity with elegance.

At the age of 17, Givenchy left his hometown of Beauvais, France, for Paris. There he studied drawing at the École Nationale Supérieure des Beaux-Arts and apprenticed for the houses of Jacques Fath, Robert Piguet, Lucien Lelong and Elsa Schiaparelli.

Givenchy earned his first high praise for the 1952 Bettina blouse, an embroidered, ruffle-sleeve linen shirt named for his publicist and model Bettina Graziani. The Givenchy label soon developed a following of fashion icons around the world, most notably Audrey Hepburn, who would serve as Givenchy’s muse for decades after they met in 1953. The couturier created pieces for many of her films, such as the iconic little black dress in Breakfast at Tiffany’s (1961), as well as her personal life, including her wedding dress for her 1969 marriage to Andrea Dotti.

Givenchy formed a close friendship with his idol and mentor, Spanish designer Cristóbal Balenciaga, with whom he’d popularize such pieces as the sack dress, choosing looser forms over tailored ones. Throughout the decades, Givenchy expanded his empire to include fragrances, menswear, accessories and beauty lines.

In 1988, his house was acquired by luxury conglomerate LVMH. After Givenchy retired from fashion in 1995, he became an antiques expert, working with Christie’s and the Louvre, among other institutions. The brand then saw an impressive succession of head designers and artistic directors: John Galliano was the first to arrive, followed by Alexander McQueen, Julien Macdonald, Riccardo Tisci, Clare Waight Keller and Matthew M. Williams.

Today, the Givenchy brand, with its timeless fashions, continues to be a favorite of A-listers, including Cate Blanchett, Erykah Badu, Lady Gaga and Ariana Grande.

On 1stDibs, browse a collection of vintage Givenchy evening dresses, handbags, necklaces and other clothing and accessories today.

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

The term “blouse” may commonly refer to women’s clothing, but it has been used to refer to men’s garments at different points in history. The word originates from the term once used to describe the loose-fitting shirts that Frenchmen wore to work. Today, all kinds of vintage and designer blouses remain popular for everyday wear.

Designers made blouses more feminine in the early 1900s by embellishing them with embroidery and lace collars. The Gibson Girl blouse — named for a widely influential pen-and-ink drawing by American illustrator Charles Dana Gibson — added pleats, tucks and puffed sleeves. This made the blouse more stylish and fitted, which was appealing to women of all shapes and sizes.

Men’s white dress shirts informed the design of women’s blouses, including their buttons and collars. For women’s blouses, there are many more collar choices compared to men’s options. Popular styles include the Peter Pan, open spade and reversed collar.

Designers often make blouses from lightweight materials like silk and thin cotton. More affordable options are made with fabrics like polyester. While historically blouses were very plain, they can now be found in many vibrant prints and styles.

Through their evolution from workwear to everyday fashion, silk blouses are now a staple of modern style. Along with contemporary designs, vintage garments can sometimes be customized to fit any style.

Find a collection of vintage and designer blouses on 1stDibs.