Versailles Antique

Jean-Augustin Franquelin (1798–1839) with work at the Palace of Versailles, pupil of Jean-Baptiste Regnault. Frame 72.5 x 61.5 cm Canvas 61 x 50 cm Take into account that the colo...

Versailles style lantern of gilt bronze and crystal.

Note: The images of the Cabinet doré of Marie-Antoinette at The Palace of Versailles as well as the black and white photo of the original chandelier at Versailles are courtesy of Wik...

Louis Philippe, unknown to many, was the one primarily responsible for saving Versailles from falling into ruin, which is a debt owed to him by the entire world!

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

Abraham Roentgen’s son, David Roentgen (1743–1807), later took over the workshop and expanded it into one of Europe’s leading manufactories, supplying clients such as the French cour...

Vignettes of St Germain En Laye, Saint Cloud, Versailles and Fontainbleau. Unframed. Drawn by J.Dower.

The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charge...

Arrizoli-Clementel, Versailles Furnitures of the Royal Palace, 17th and 18th Centuries, ed.

Its luxurious and regal style is typical of grand interiors in Versailles or the Hôtel particulier residences of the Parisian elite.

Jean-Louis PREVOST (attributed to) (Nointel, 1745 – Paris, 1827) Flowers in a Glass, Resting on a Book Gouache on paper H. 38.5 cm; W. 30.5 cm Unsigned The biography of Jean-Louis P...

He was active in Paris and in Versailles. Jean-Baptiste Le Paon was at the 1925 exhibition “The French Landscape from Poussin to Corot” at the Petit Palais (number 179 : “Manoeuvres ...

Martinet also illustrated many plays and operas by Voltaire and others, as well as creating landscapes and scenes of Versailles and portraits of royalty and aristocrats.

Ouverture des Etats Géneral par Louis 16° à Versaille is an original Etching realized by an anonymous artist in the late 18th Century.

He lived in Brussels and Bruges in 1898 and 1899, then in 1900 moved to Gerberoy in the Oise, and later to Versailles. Le Sidaner's art falls oddly between that of the late Impressi...

Marie Antoinette was known to wear her own Bague de Firmament almost everyday, its opulence and beauty fitting for Versailles. Condition: Used (Very Good) Weight: 11.4 grams Size: M...

Extremely comfortable and versatile, it wouldn’t be out of place in a modern apartment or Versailles parlour and is sure to shine with understated elegance in any interior.

The Louis XIV style will also reach its peak when the royal court moved to Versailles in 1682.

As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal pr...

In late 1739-early 1740 the Sèvres porcelain factory opened in the Royal Château of Vincennes, 16 years later in 1756 the factory moved to the village of Sèvres located outside of Pa...

The main decoration of the walls of the Escalier de la Reine in Versailles (the Queen’s stairs) features Campan Vert and Campan grand Mélange.

Cole also engraved plates for ‘Views of the Several Parts of the Palace or Castle of Versailles’ (1725) for Overton. In 1736 Cole and William Henry Toms engraved the plates for archi...

A very fine gilt bronze, Louis XVI style chandelier, based on the one inside Maria Antoinette's bedroom in Versailles, France, circa 1920. 6 Lights Dimensions: Height 57", diameter ...

Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV ne...

Acier was born in 1736 at Versailles, he was trained as sculptor in Paris; the sculptor went to porcelain manufactory of Meissen in the year 1762: The artist created many excellent f...

In March 1902, the firm was authorized by the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand cabinet à bijoux.

Each signed by the artist "Rochette" In late 1739-early 1740 the Sèvres Porcelain factory opened in the Royal Château of Vincennes, 16 years later in 1756 the factory moved to th...

."** (likely denoting the original aristocratic owner), its subtle wear bearing witness to centuries of careful use **Condition & Provenance:** - **Remarkable preservation**...

Very fine Versailles style small lantern, of gilt bronze and crystal

In contrast to his contemporary Hyacinthe Rigaud (1659-1743), however, he was seldom patronized by the court of Versailles, and much of his clientele was made up of government offici...

Chromolithograph of carved and gilt wall panels from the Palace of Versailles ornaments. This print originates from 'l'Ornement Polychrome' by Auguste Racinet.

In late 1739 – early 1740 the Sèvres Porcelain Factory opened in the Royal Château of Vincennes, Sixteen years later in 1756 the factory moved to the village of Sèvres located outsid...

This table is superb version of the famous royal example supplied by Jean-Henri Riesener in 1771 for Louis XVI and now on display at the Petit Trianon at Versailles. François Linke ...

It was marked by the regency of Philippe II, Duke of Orleans, for the young King Louis XV, and the return of the court from Versailles to Paris. This period saw a shift in political ...

His participation at the Paris 1878 Universal Exhibition was highly remarked with Louis XVI style decorative objects and a table, all made of bronze and considered as a «chasing mast...

He moved to the Paris region at a young age and completed a classical education at the Lycée Hoche in Versailles. Encouraged in his vocation by his father, himself an amateur painter...

During the Régence, court life moved away from Versailles and this artistic change became well established, first in the royal palace and then throughout French high society.

During the 18th century, French furniture production took inspiration primarily from the palace at Versailles, where Louis XVI polarized the ornate neoclassical style.

In 1902 the firm was authorised by the director of the Palace of Versailles to replicate Marie-Antoinette's celebrated Grand cabinet à bijoux.

Poidevin, born in Poittevin, spent his childhood in Versailles, where his father held the position of "Assistant Curator of the Crown's Furniture."

A fine French 19th-20th century Belle Époque gilt bronze "Versailles" style four light hanging lantern attributed to Baccarat, Paris, circa 1900.

Model number: F 2 Height: 5.51 in Designed by: MICHAEL VICTOR ACIER (1736 VERSAILLES - 1799 DRESDEN) The sculptor was born at Versailles / France.

The chair bears the signature of Mathieu Debauve (also known as Bauve), a master carpenter from Paris, who designed and produced furniture for the castle of Versailles during the sec...

Maurice Chabas (21 September 1862, Nantes – 11 December 1947, Versailles) was a French Symbolist painter. Chabas was a prolific artist, and debuted his work in 1885 at the Salon, whe...

Son of the cabinetmaker Antoine Gosselin, Adrien-Antoine Gosselin obtained his master's degree in 1772 and moved to Versailles, rue Duplessis. He worked for the high aristocracy and ...

In the Park by Louis Abel-Truchet (French 1857-1918) *see below signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: overall good a...

Froger" In late 1739 - early 1740 the Sèvres Porcelain Factory opened in the Royal Château of Vincennes, Sixteen years later in 1756 the factory moved to the village of Sèvres locat...

Louis XIV was especially fond of this color and ordered fireplaces made of this marble for the Palace of Versailles. Fireplaces in the Château de Fontainebleau, and the grand foyer o...

That same year, he received the second Prix de Rome for historical landscapes (won by Buttura in 1837, and Bénouville in 1845), beaten by the Versailles artist Lanoüe. To perfect his...

Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles. From the outset the king's clear aim was to produce Sevres Porcelain that ...

These chenets, unsigned as is typical of his output, exhibit his hallmark modeling style and are consistent with documented examples held in institutions such as the Louvre, the Chât...

The original model for this Chandelier was designed by Pierre Gouthière for Le Cabinet Doré in Marie-Antoinette’s private apartments at the Palace of Versailles, where it remains to ...

Later, the statue was given to Louis XIV in 1681 to decorate the Hall of Mirrors in the Palace of Versailles. Although more fragments were never found, the statue was later confiscat...

Il marmo “Sarrancolin Versailles” è modanato sul contorno. Interni in legno di quercia.

It is based on a noonday cannon commissioned by the Sun King, Louis XIV, for the gardens of Versaille. This miniature bronze cannon is set off at noon by the sun’s rays, which are ma...

Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles. From the outset the king's clear aim was to produce Sevres Porcelain that ...

Maurice Chabas (21 September 1862, Nantes – 11 December 1947, Versailles) was a French Symbolist painter. Chabas was a prolific artist, and debuted his work in 1885 at the Salon, whe...

The lantern is modeled off a lantern still situated in the Palais de Versailles, which was featured in Henry Havard's 19th century Ameublement dictionary that documents pieces in the...

Created in Ile-de-France, the region directly surrounding Paris and comprising various treasures such as the château of Versailles and the Saint-Denis Basilica, this lavabo (which wa...

A pair of this model is recorded in the 1836 Inventory of the Legendre de Lucay collection, and another pair is known to have been commissioned for Marie Antoinette's Salon des Noble...