Warp And Weft

Despite having so many different references and influences as regards the designs, the carpets of Eastern Turkestan constitute together a typology with univocal and well-defined char...

Handwoven using traditional flat-weave techniques-where warp and weft threads are interlaced without pile -the rug is both durable and lightweight.

Origin: Kirsehir, Anatiolia, Turkey Pile: 100% wool Warp and weft: 100% Wool Design: Double niche Prayer rug Age: Vintage, 1970´s Condition: Very good, patina Colors: Red, Brown, Bei...

A late 19th C. Ikat panel with silk warp and cotton weft. IN rather good condition except one small patch..

The foundation is all wool; warps may be grey or brown, although late pieces, including examples bearing the Islamic equivalents of 20th-century dates, usually have uniform ivory war...

A modern box of wonders, its essential shape discreetly fits into any environment. A skilful tangle of weft and warp, alternated with wooden strips and brass elements, hides four do...

Hand-knotted in 18th century probably between Afghanistan and Persia this rug measuring 270 × 209 cm (8' 10" × 6' 10") has a woolen fleece over a cotton warp and weft, and is thought...

Made with a soft wool pile and a sturdy cotton warp and weft, this rug is the result of meticulous workmanship that combines quality and durability.

The central field is in cream twill, with a silk warp and weft. Scotland exported this type of stole, directly inspired by the ‘Mode à l’antique’ style, throughout Europe.

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

Production method: hand-knotted Design: Loribaft trees of life Length: 6.9 ft / 208 cm Width: 5 ft / 150 cm Color: Blue, Brick Material: 100% highland virgin wool, hand-spun Age: New...

The even wear and visible warp-and-weft construction add a sense of history and handcraft.

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

Another distinctive element of the Landmark Collection is the "weaving" of the thin backrest band, which recalls the weaves in natural materials of the Mediterranean tradition. There...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

Origin: Yahyali, Anatiolia, Turkey Pile: 100% wool Warp and weft: 100% Wool Design: Double niche prayer rug Condition: Very good, patina Colors: Orange, Blue, Beige Shape: Rectangula...

This Swedish Rug Flat-weave was woven in wool over cotton warp and weft by Karin Jonsson (KJ) between 1950 and 1970 measuring 222 × 168 cm (7' 3" × 5' 6").

This extremely soft and warm in hand coverlet or oversized shawl has an arabesque floral and leaf border design with a center motif of trees, adorned with woodland birds and animals ...

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

Design: 20 Dots Collection: Naturals by Djoharian Design Pile Materials: 2/3 finest Tibetan Wool, 1/3 real natural silk Size: area rug, circa 8 x 5.6 ft / 240 x 170 cm Underfloor hea...

Handwoven in wool, the surface reveals a tight weave structure with delicate vertical striations, achieved by skillful use of tonal variations in the warp and weft. This understated ...

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

Hand-knotted with soft wool on wool warp and weft. Oushak Marby rug Turkey 9.6 x 8.0 ft / 294 x 243 cm.

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

While the overall impression is neutral, the subtle shifts in the warp and weft introduce hints of pale taupe and soft gray color rugs, lending depth and organic variation to the sur...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

The hand knotted weave ensures that each knot is distinct and securely tied to the warp and weft, contributing to the overall structural integrity of the piece.

The use of cotton for both warp and weft provides a uniquely supple drape and a low, dense pile that speaks to its utility and longevity.

Constructed entirely of sheep’s wool—from pile to warp and weft—the rug showcases a tightly knotted, low-shear surface that enhances its durability while preserving the organic textu...

About the fabric: The warp and weft of an idea A satin with an elegant woolen hang, whose performance gives it a highly practical character.

About the fabric: The warp and weft of an idea A satin with an elegant woolen hang, whose performance gives it a highly practical character.

About the fabric: The warp and weft of an idea A velvet jacquard that pays a visual and tactile homage to the tiger’s coat.

About the fabric: The warp and weft of an idea A velvet jacquard that pays a visual and tactile homage to the tiger’s coat.

Horizontal shredded panels reveal the natural warp and weft threads of the denim, creating a striking textured finish while maintaining the sculpted silhouette of each piece.

Design: Kohinoor Collection: New Persian by Djoharian Design Pile Materials: 15% wool, 85% real silk Size: area rug, circa 4 x 6 ft / 183 x 122 cm Underfloor heating: Suitable ...

The literal construction involves interlacing warp and weft strands to create a cohesive textile product.

silk-on-silk carpet – circa 1970 Period: Circa 1970 Material: Silk on silk (velvet pile and silk warp and weft) Dimensions: 215 × 140 cm This sumptuous rug, woven entirely in silk...

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

It is made of face yarn that is Egyptian wool with bamboo silk inlays, and the warp and weft are 100% Egyptian cotton. The pile height is about 5mm and the net weight is approximatel...

Made entirely by hand, it takes four days to prepare and dye the wool, while the making of the actual rug takes eight days - each individual warp and weft is being manual. Germ...

Made entirely by hand, it takes four days to prepare and dye the wool, while the making of the actual rug takes eight days - each individual warp and weft is being manual. Germ...