Warp And Weft

Stock Number: J2116 Origin: Khotan, East Turkestan (Xinjiang) Period: circa 1930s Technique: Hand-Knotted (Asymmetrical / Jufti Knot on Cotton Warp) Materials: 100% Hand-Spun Woo...

Despite having so many different references and influences as regards the designs, the carpets of Eastern Turkestan constitute together a typology with univocal and well-defined char...

. • Artisanal Construction: Both the warp and weft are made of fine hand-spun wool, ensuring a flexible, soft structure that drapes beautifully in any room. • Natural Characteristics...

Handwoven using traditional flat-weave techniques-where warp and weft threads are interlaced without pile -the rug is both durable and lightweight.

Origin: Kirsehir, Anatiolia, Turkey Pile: 100% wool Warp and weft: 100% Wool Design: Double niche Prayer rug Age: Vintage, 1970´s Condition: Very good, patina Colors: Red, Brown, Bei...

The foundation is all wool; warps may be grey or brown, although late pieces, including examples bearing the Islamic equivalents of 20th-century dates, usually have uniform ivory war...

Hand-knotted in 18th century probably between Afghanistan and Persia this rug measuring 270 × 209 cm (8' 10" × 6' 10") has a woolen fleece over a cotton warp and weft, and is thought...

Made with a soft wool pile and a sturdy cotton warp and weft, this rug is the result of meticulous workmanship that combines quality and durability.

A modern box of wonders, its essential shape discreetly fits into any environment. A skilful tangle of weft and warp, alternated with wooden strips and brass elements, hides four do...

A late 19th C. Ikat panel with silk warp and cotton weft. IN rather good condition except one small patch..

The central field is in cream twill, with a silk warp and weft. Scotland exported this type of stole, directly inspired by the ‘Mode à l’antique’ style, throughout Europe.

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

Production method: hand-knotted Design: Loribaft trees of life Length: 6.9 ft / 208 cm Width: 5 ft / 150 cm Color: Blue, Brick Material: 100% highland virgin wool, hand-spun Age: New...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

The even wear and visible warp-and-weft construction add a sense of history and handcraft.

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

Origin: Yahyali, Anatiolia, Turkey Pile: 100% wool Warp and weft: 100% Wool Design: Double niche prayer rug Condition: Very good, patina Colors: Orange, Blue, Beige Shape: Rectangula...

This Swedish Rug Flat-weave was woven in wool over cotton warp and weft by Karin Jonsson (KJ) between 1950 and 1970 measuring 222 × 168 cm (7' 3" × 5' 6").

This extremely soft and warm in hand coverlet or oversized shawl has an arabesque floral and leaf border design with a center motif of trees, adorned with woodland birds and animals ...

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

The double ikat (both warp and weft) effect gives it a slightly blurred effect.

Design: 20 Dots Collection: Naturals by Djoharian Design Pile Materials: 2/3 finest Tibetan Wool, 1/3 real natural silk Size: area rug, circa 8 x 5.6 ft / 240 x 170 cm Underfloor hea...

Handwoven in wool, the surface reveals a tight weave structure with delicate vertical striations, achieved by skillful use of tonal variations in the warp and weft. This understated ...

Hand-knotted with soft wool on wool warp and weft. Oushak Marby rug Turkey 9.6 x 8.0 ft / 294 x 243 cm.

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

While the overall impression is neutral, the subtle shifts in the warp and weft introduce hints of pale taupe and soft gray color rugs, lending depth and organic variation to the sur...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

She begins by designing colour studies on the computer, then translates them into weaving drafts, specifying each warp and weft thread’s colour. Once the loom is meticulously prepare...

The hand knotted weave ensures that each knot is distinct and securely tied to the warp and weft, contributing to the overall structural integrity of the piece.

The use of cotton for both warp and weft provides a uniquely supple drape and a low, dense pile that speaks to its utility and longevity.

About the fabric: The warp and weft of an idea A satin with an elegant woolen hang, whose performance gives it a highly practical character.

About the fabric: The warp and weft of an idea A satin with an elegant woolen hang, whose performance gives it a highly practical character.

About the fabric: The warp and weft of an idea A velvet jacquard that pays a visual and tactile homage to the tiger’s coat.

About the fabric: The warp and weft of an idea A velvet jacquard that pays a visual and tactile homage to the tiger’s coat.

Constructed entirely of sheep’s wool—from pile to warp and weft—the rug showcases a tightly knotted, low-shear surface that enhances its durability while preserving the organic textu...

Design: Kohinoor Collection: New Persian by Djoharian Design Pile Materials: 15% wool, 85% real silk Size: area rug, circa 4 x 6 ft / 183 x 122 cm Underfloor heating: Suitable ...

The literal construction involves interlacing warp and weft strands to create a cohesive textile product.

silk-on-silk carpet – circa 1970 Period: Circa 1970 Material: Silk on silk (velvet pile and silk warp and weft) Dimensions: 215 × 140 cm This sumptuous rug, woven entirely in silk...

Bench was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. The warp and weft of an idea About fabric:...

It is made of face yarn that is Egyptian wool with bamboo silk inlays, and the warp and weft are 100% Egyptian cotton. The pile height is about 5mm and the net weight is approximatel...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Executed in 100% hand-loomed New Zealand wool, 'Wabisabi' is the result of a deliberate embrace of imperfection, adjusting warp and weft to create visual textures and rhythms that in...

Made entirely by hand, it takes four days to prepare and dye the wool, while the making of the actual rug takes eight days - each individual warp and weft is being manual. Germ...

Made entirely by hand, it takes four days to prepare and dye the wool, while the making of the actual rug takes eight days - each individual warp and weft is being manual. Germ...

Measuring 186 × 120 cm, this rug is woven entirely from fine wool, including both the pile and the foundational structure (warp and weft). The choice of high-quality wool lends the r...