Warp And Weft

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Inspiration for our ‘Lint’ design we found in the rectilinear pattern of a traditional tartan textile, made by weaving alternating strips of coloured threads, both in the warp and in...

Ersari Kapunuk Turkmenistan wool rug or entrance doorway decoration, Second half of the 19th century, wool pile, wool warp and wool weft, in red and earthtone colors, with long decor...

Kayseri style Prayer Saph rug, mid-20th century, Pakistan Signed by the weaver and finely woven in Pakistan, cotton warp, the weft and pile are wool. Prayer rug features three Mihra...

The weaving process employs traditional kilim techniques where the weft and warp are tightly interlaced, creating a durable, lightweight, and fully reversible rug.

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Hand loomed Dhurrie Manual weaving on a vertical or horizontal loom that plays with the intersection between weft and warp. Thin and light rugs that usually feature geometric patter...

Very interesting example of Swedish Röllakan measuring 294 x 196 cm linen warp and wool weft handmade with the flat weaving technique.

Yellow-green silk taffeta with pink shading (green warp and pink weft). Frac arched with false buttonhole facings embroidered with cannetilles, sequins and shimmering mika drawing co...

Irregularities — considered part of the charm by many rug collectors — were fairly common since natural materials vary from batch to batch and woolen warp or weft may stretch, especi...

Irregularities — considered part of the charm by many rug collectors — were fairly common since natural materials varied from batch to batch and woollen warp or weft may stretch, esp...

In the finest examples, not only the pile but even the foundation (wefts and warp fringes) are made of silk. Silk rugs are luxurious not only because of the fine texture and the refl...

Crafted from handspun wool dyed with vegetal and aniline pigments, the surface reveals a sophisticated interplay of texture and tone. The weft and warp are tightly packed, showcasing...

The weaving technique is called e-Kasuri, in this case a double ikat (Tate-Yoko Kasuri; both wefts and warps were pre-dyed to create a perfect pictorial pattern on the loom).

The weaving technique is called e-Kasuri, in this case a double ikat (Tate-Yoko Kasuri; both wefts and warps were pre-dyed to create a perfect pictorial pattern on the loom).

Small hand-knotted wall carpet in China with silk weft, warp and fleece, refined in workmanship and colors, reproduces a work by Wassily Kandinsky (Moscow 1866 – Neuilly-sur-Seine 19...

The distinguished double-ikat, in which both wefts and warps were pre-dyed with resistant paste to create a slightly blurry edges, was one of the most difficult techniques to master.

The distinguished weaving is double-ikat (called Tate-Yoko Kasuri in Japanese), in which both wefts and warps were pre-dyed with resistant paste to create a slightly blurry edges on ...

Very good condition and great colors. Warp is cotton, weft and embroidery is made of wool.

A pure silk ( silk warp and cotton weft ), ikat panel in rather good condition.

Its such an interesting jacquard silk feel material with the way that the weft and warp has been woven creating both matte and satin finishes to bring out a two-dimensional look.

Weaving Technique: Beauvais Tapestries are woven using the “low-warp” or “basse-lisse” technique. This technique involves stretching the warp vertically and weaving the weft horizont...

It is woven in two parts and sewn together. Tapestry is a weft-faced, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp ...