Whistler Lithograph

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER

Portrait of the Artist Joseph Pennell a lithograph by James Abbott McNeill Whistler (American, 1834

Duane Bryers, American (1911 - 2012) - Lonesome Train Whistle, Year: Circa 1979, Medium

Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London

Artist: George Deem, American (1932 - 2008) Title: Bruna Sevini and Whistler's Mother Year: 1979

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow

Bad Hare Day (Whistler's Mother) is a lithograph on paper, initialed 'BD' lower right, 9 x 9 inches

Whistler, James A. M. VITRE: THE CANAL, BRITTANY. Levy 65, Spink 63. Lithograph, 1893. One of 32

Whistler, James A. M. DRURY LANE RAGS. Way 21. lithograph, 1888. Edition of only 15. Signed with

JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124

James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to

Gants de Suede (Suede Gloves) Lithograph, 1890 Signed in the stone with the butterfly signature

Reading Lithograph, 1879 and 1887 Signed in the stone with the Butterfly (see photo) A proof laid

Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State

superb Neoclassical lithograph by Whistler.

JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903) THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03

Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186. Transfer lithograph, 1897

superb Neoclassical lithograph by Whistler.

Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only

Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi

Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6

Whistler had hoped to achieve in his first group of Lyme Regis lithographs. He wrote to T.R. Way that he

." Elizabeth Robins Pennell, Whistler, the Master of the Lithograph. During his first stay in Paris in the

Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime

Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked

; Neue Lagerliste 122: James McNeill Whistler – Etchings and Lithographs, sale catalogue, C.G. Boerner

Chromolithograph of a Hoary Marmot by John J. Audubon, c. 1870. Octavo edition published by J.T. Bowen. Matted in an ivory 4-ply conservation mat. Image size: 6 x 8 1/2 inches; o...

” was one of the first lithographs that Whistler made after his acrimonious break with his London

Original lithograph printed in black ink on antique laid paper. Signed on the stone with the

Artist: (after) James Abbott McNeill Whistler (American, 1834-1903) Titles: "Lithograph No. I

ED RUSCHA (1937-Present) 1975 Lithograph in colors on Arches wove paper, signed in graphite, dated

Ed Ruscha, lithograph, signed 137/200. Dated 1975. "America whistles", on woven paper, signed and

Artist: Ruscha, Edward Title: America Whistles Date: 1975 Medium: Lithograph on Arches

A gorgeous lithograph by renowned British wildlife artist Basil Ede, in major collections around

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: America Whistles, from

included, see additional picture Excellent condition A beautiful example of Whistler's portraits of

Signed with the "Butterfly" in the stone, left center Edition: An edition of 3000 impressions, with the blind stamp of The Studio, London lower left Published in: The Studio 6,...

James Abbott McNeill Whistler (1834-1903), Vitré: the Canal, lithograph, 1893. Reference: Chicago

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER

"The Smith's Yard" is an original lithograph by James Abbott MacNeill Whistler. It depicts a

Bad Hare Day (Whistler's Mother) is a lithograph on paper, initialed 'BD' lower right, 9 x 9 inches

Bad Hare Day is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered

Hand-coloured lithographed plates, heightened with gum arabic. Framed and glazed. Overall 62 x

Whistler, James A. M. THE DRAPED FIGURE SEATED. Spink 72, Way 46, Levy 74. Lithograph, 1893. From

Whistler, James A. M. OLD BATTERSEA BRIDGE. Spink 18, Way 12, Levy 24. Lithograph, 1879 and 1887

La Robe Rouge. (The Red Dress.) 1894. Lithograph. Way catalog 68, Levy catalog 96, Tedeschi

lithographs. Franklin had two daughters by Whistler: Ione (born circa 1877) and Maud McNeill Whistler

Afternoon Tea. 1897. Lithograph. Way 147; Levy 224; Tedeschi, Stratis and Spink 173. 7 1/2 x 6

Nude Model Reclining. 1893. Transfer lithograph with stumping. Way 47, Levy 75, Tedeschi, Stratis

Nursemaids: les bonnes de Luxembourg. 1894. Lithograph. Way 84; Levy 79; Tedeschi, Stratis and

Edition of 3000 impressions, with the blind stamp of The Studio, London Published in: The Studio 8, No. 39 (15 June 1896) Printed by Way Stone polished out in 1903 Refere...