Yuan Dynasty

. Attributed to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion

to the Yuan dynasty (1279-1368) or earlier, the terracotta jar is richly aged with visible erosion to

to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion to

. Attributed to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion

to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion to

. Attributed to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion

to the Yuan dynasty (1271-1368) or earlier, the terracotta jar is richly aged with visible erosion to

piece. Period : Southern Song-Yuan Dynasty(12th-14th century) Type : Jar Medium : White ware Size

ornamental use. Period : Southern Song Dynasty - Yuan Dynasty Type : Celadon Medium : Longquan ware

amidst flames. This piece reflects a similar style to Yuan dynasty Yuhuchunping dragon vases, while

. SOLD SEPARATELY Period of Southern Song to Yuan Dynasty. The ceramic vessels were created primarily

image from the 24 paragons of filial piety Confucian stories written by Guo Jujing during the Yuan

on the base. Period : Northern Song-Yuan Dynasty(12th-14th century) Type : Ewer Medium : Qingbai

Chinese porcelain, dating back to the Yuan Dynasty (1271–1368) and becoming more prominent during the Ming

the manner of Yuan dynasty, and circa 1720. Each turquoise colored lidded vase / urn is made of

. He wears a long, draped hat extending to the shoulders, a style reminiscent of the Yuan dynasty

distinct rounded back support that curve into the armrest. Likely originated in the nomadic Yuan dynasty

, he is dressed in thick robes, his hair arranged in typical early song or Yuan dynasty style and he is

restrained elegance. Period : Yuan-Ming Dynasty Type : Celadon Medium : Longquan ware Size : 20.5 cm(Height

, might have originated already in the Han dynasty, though they were not represented in art until the Yuan

the Mongol-led Yuan dynasty. This dynasty has been described as "one of the greatest eras of orderly

The hollyhock-rim dish is a classical Chinese form that first appeared in the Song and Yuan

The hollyhock-rim dish is a classical Chinese form dating back to the Song and Yuan dynasties. Its

the Yuan dynasty (1279–1368) and was used as a surface for reclining, playing games, and gathering for

to the Yuan dynasty or early Ming period (14th–15th century), each cast with an integral mandorla—a

Yuan dynasty (1271–1368). It is known for its translucent quality and the pale blue-green glaze that

–1279) and continuing into the Yuan dynasty (1271–1368). It is known for its translucent quality and the

) and blue-and-white ware (青花瓷) traditions of the Yuan and Ming dynasties.

by Marjorie´s fondness for Yuan Dynasty Chinese Blue and White Porcelain. Chain drop measures

early Ming or later Yuan Dynasty, circa 1400 or earlier. The bowl is well potted with a fairly thick

Romance of the Western Chamber, a famous Chinese play written by Wang Shifu (王实甫, 1260-1336) in Yuan

Consisting of a large baluster vase (H: 14.25") with arrow handles and a near pair of smaller baluster vases with mythical beast loop handles. The large vase, of yuhuchunping form, ...

Wang Shifu (王实甫, 1260-1336) in Yuan dynasty (1271-1368): On his way to the capital to take civil

early as the Yuan dynasty, it was also known as a 'gorgolet' (from the Portuguese 'gorgoletta'). The

period, showcasing the craftsmanship and aesthetic preferences of the time. Period : Yuan-Ming Dynasty

(960–1279) and continuing into the Yuan dynasty (1271–1368). It is known for its translucent quality

in Yuan Dynasty, and it continued to this day. These stones were highly priced for their form and

, documented in "Illustrated Catalogue of Celadon Wares" Period : Southern Song Dynasty - Yuan Dynasty Type

is estimated to be from the Yuan dynasty to the middle of the Ming dynasty (approximately the 13th

in China began as early as the 13th century in Yuan Dynasty, and it continued to this day. These

is indeed well known as a remedy of the traditional Chinese medicine since the Yuan dynasty (1271

-bori originated under the influence of Chinese carved lacquer (Tsuishu) from the Song and Yuan

in Yuan Dynasty, and it continued to this day. They are considered containing the spirit of nature

prototype of the design of a single fish among tape-grass is likely a common design on Song and Yuan dynasty

as early as the 13th century in Yuan Dynasty, and it continued to this day. These stones were highly

depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese

in Yuan Dynasty, and it continued to this day. These stones were highly priced for their form and

stones among the literati in China began as early as the 13th century in Yuan Dynasty, and it continued

-colored stoneware body. These bowls reflect the influence of Chinese Song and Yuan dynasty ceramics

genealogy, imperial dynasty chart, Chinese imperial succession, Qing dynasty, Ming dynasty, Yuan dynasty

Song and Yuan dynasty China, later arriving in Japan during the Muromachi period through traveling Zen

Jin to Yuan dynasty period (12th to 14th century). It strongly reflects the Cizhou kiln tradition

era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271

the Han people surname Yuan (?) as a part of systematic Sinicization. Towards the end of the dynasty

leaves. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer

Krahl, Chinese Ceramics in the Topkapi Sarat Museum Instanbul Yuan and Ming Dynasty Porcelains, London

–Ming Archaism in Qing Dynasty Ceramics During the Qing dynasty, the deliberate revival of Yuan and