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Barbara Latham Prints and Multiples

American, 1896-1989
Beginning her career as a commercial artist, Barbara Latham travelled to Taos in 1925 seeking material for a greeting card. Serendipitously, she also found her life partner, Howard Cook, who was similarly looking for ideas for illustrations. Perhaps both were fueled in their quest by the tales of their mutual teacher, Andrew Dasburg, who knew of the energy and stimulation of this artist community. Observing local people and customs, Latham created genre scenes that offer a window into this now-vanished time and place. Her lively illustrations for numerous children’s books are a significant contribution to that graphic art in the mid-20th century. Born in Walpole, Massachusetts, Latham’s student days included Norwich Art School and Pratt Institute in Brooklyn; but it was contact with the charismatic Dasburg at the Art Students League in Woodstock that opened her world and her view of art. Getting work with companies like Norcross Publishing and Forum magazine, she eventually made her way to Taos. Among all the spirited young artists gathered there, she met Howard Cook, who was designing illustrations for Willa Cather’s Death Comes to the Archbishop. The two married in Santa Fe and began a nomadic life together. The young couple made their way to Paris, a likely destination for modernist artists. Upon receiving a Guggenheim to study fresco painting in 1932, Cook, along with Latham, took an alternative direction and headed to Taxco, Mexico. At this time, Mexican muralists, such as Diego Rivera, were capturing the attention of progressive artists. During the Depression, both Cook and Latham aligned themselves with a populist ideal. Latham contributed work, such as Fording the Stream and Bear Family, to the American Artists Group, which was founded to produce original prints at affordable prices. When Latham settled in Taos, she was committed to an art of and for the people. Rather than a romanticized re-creation, her choice of subjects was based in common everyday activities, favoring those which brought people together. Providing a livelihood, Latham’s illustrations for children’s books reflected her heartfelt belief in the availability of art for all, and her style of open brushwork contributed to a modernist transformation of this graphic art. After World War II, Latham experimented with Surrealism and abstraction. Many of her painted genre scenes of the fifties simplify forms in order to intensify the interplay of color and shapes. With minimal background, figures are elegantly drawn to an essence, which seems to both capture their actions and take them out of time. Riders on horses have the same linear classicism of Parthenon sculptures, and the brilliance of figure groupings separate them from the background like a frieze. Latham and Cook had a long-lived marriage, which was grounded in keeping their creative life separate. Latham even confessed that she did not recognize some of her husband’s work upon exhibition. In 1976, the couple moved to Santa Fe, which became their final home. ©David Cook Galleries, LLC
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Artist: Barbara Latham
Bear Family — 1937 Original Wood Engraving
Bear Family — 1937 Original Wood Engraving

Bear Family — 1937 Original Wood Engraving

By Barbara Latham

Located in Myrtle Beach, SC

Barbara Latham, 'Bear Family', wood engraving, edition not stated, 1937. Signed in the block, lower left. Dated in the block, lower right. A fine, richly-inked impression, on cream w...

Category

1930s American Modern Barbara Latham Prints and Multiples

Materials

Woodcut

Barbara Latham 1950s Modernist Linocut “Saturday Morning, Taos Plaza”
Barbara Latham 1950s Modernist Linocut “Saturday Morning, Taos Plaza”

Barbara Latham 1950s Modernist Linocut “Saturday Morning, Taos Plaza”

By Barbara Latham

Located in Denver, CO

A vibrant celebration of Taos life and culture, Saturday Morning (Market, Taos Plaza, New Mexico) is a striking 1950s modernist linocut print by acclaimed New Mexico artist Barbara L...

Category

Mid-20th Century American Modern Barbara Latham Prints and Multiples

Materials

Linocut

Our Mexican Kitchen — 1932 Signed Wood Engraving, Woman Artist
Our Mexican Kitchen — 1932 Signed Wood Engraving, Woman Artist

Our Mexican Kitchen — 1932 Signed Wood Engraving, Woman Artist

By Barbara Latham

Located in Myrtle Beach, SC

Barbara Latham, 'Our Mexican Kitchen', wood engraving, edition not stated but small, 1932. Signed and titled in pencil. A fine richly-inked impression, on tan wove paper, with full m...

Category

1930s American Modern Barbara Latham Prints and Multiples

Materials

Woodcut

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Previously Available Items
Fording the Stream — 1936 Southwest Regionalist Wood Engraving
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Bear Family

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Barbara Latham prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Barbara Latham prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Barbara Latham in linocut and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Barbara Latham prints and multiples, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Lawrence Wilbur, Louis Conrad Rosenberg, and Samuel Chamberlain. Barbara Latham prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $795 and tops out at $795, while the average work can sell for $795.