Using an innovative technique he called “rough collage,” Benny Andrews created vivid portraits of everyday people that mixed painting with pieces of clothing and other textural materials.
Andrews grew up in a family of sharecroppers in rural Georgia, his creativity nurtured by his father, who was a self-taught artist, and his mother, who believed in the importance of education. He was the first in his family to complete high school and attended Fort Valley State College on a 4-H Club scholarship. Andrews was limited by the lack of art courses available to him at Fort Valley, and in 1950 he enlisted in the Air Force and served in the Korean War. On the G.I. Bill, he studied at the School of the Art Institute of Chicago (SAIC). While fellow students focused on Abstract Expressionism, Andrews developed his own expressive style; one of his earliest portraits was of the janitors at SAIC. After he graduated in 1958, he moved to New York. Andrews’s first solo show was in 1960 at Paul Kessler Gallery in Provincetown, Massachusetts.
Visibility and social justice were at the forefront of Benny Andrews’s paintings, which meditated on scenes of daily life, drawing on memories of the artist’s childhood in the South. His subjects included his family members as well as other artists, such as Alice Neel, Norman Lewis and Howardena Pindell.
A longtime educator, including for three decades at New York’s Queens College, Andrews avidly promoted opportunities for Black artists, such as cofounding with Clifford R. Joseph the Black Emergency Cultural Coalition in 1969, which advocated for inclusion in museum exhibitions. One of his final works —completed between 2004 and 2006 — was the Migrant Series in which he retraced the forced relocation of Indigenous people on the Trail of Tears, the Dust Bowl migration and the displacement of Hurricane Katrina survivors.
Andrews’s work has continued to garner acclaim after his death in 2006, with posthumous exhibitions including “Benny Andrews: Portraits, a Real Person Before the Eyes” at Michael Rosenfeld Gallery in New York in 2020.
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Rollo Mixed Media Artwork, Contemporary, Signed, 1971, Framed, 24x15"
By Benny Andrews
Located in New York, NY
Benny Andrews was an African-American artist, activist and educator. Born in Plainview, Georgia, Andrews earned a BFA in painting from the School of the Art Institute of Chicago in 1...
Foil
Upim Mixed Media Artwork, Watercolor and Gouache on Paper, 1971
By Benny Andrews
Located in New York, NY
Benny Andrews was an African-American artist, activist and educator. Born in Plainview, Georgia, Andrews earned a BFA in painting from the School of the Art Institute of Chicago in 1...
Foil
$688
H 25.79 in W 22.05 in
Jo Haran, Orchid Scene, Original Floral Painting, Affordable Art
By Jo Haran
Located in Deddington, GB
Orchid Scene [2021] Original Flowers Gouache, watercolour ink and gesso. Image size: H:63 cm x W:53.5 cm Complete Size of Unframed Work: H:65.5 cm x W:56 cm x D:0.01cm Sold Unframed ...
Gesso, Paper, Mixed Media, Watercolor, Gouache
Trees Mixed Media Painting
By Henry Moore
Located in London, GB
This mixed media painting by Henry Moore is a unique artwork created in 1980 using layers of watercolour, charcoal and gouache on paper. Moore has adopted his usual style to create t...
Paper, Charcoal, Mixed Media, Gouache
$576
H 22.05 in W 16.15 in
Jo Haran, Pink Haze, Original Floral Painting, Contemporary Art, Affordable Art
By Jo Haran
Located in Deddington, GB
Jo Haran Pink Haze Original Floral Painting Watercolour, Gouache and Gesso on paper Image Size: 53.5 cm x 38cm Sheet/Canvas Size: 56 cm x 41 cm Sold Unframed Free Shipping Please note that in situ images are purely an indication of how a piece may look. Pink Haze is an original watercolour painting by Jo Haran. I created contrast and tension between the dark inky soft focus background and the light hitting the studied flowers. I love to use gesso to describe the delicacy and translucent quality of petals. ‘There are always flowers for those who want to see them” – Henri Matisse. I have been painting flowers for over 20 years as an artist and as a senior textile designer selling prints to clients internationally including Valentino, Leonard, Paul and Joe...
Gesso, Paper, Watercolor, Gouache
$645
H 20.28 in W 26.78 in
Jo Haran, Floral Burst In Glass Vase, Floral Art, Original Still Life Painting
By Jo Haran
Located in Deddington, GB
Jo Haran Floral Burst In Glass Vase Original Floral Painting Watercolour, Gouache and Gesso on paper Image Size: H 49cm x W 65cm Paper Size: H 51.5cm x W 68cm Sold Unframed Please ...
Gesso, Paper, Watercolor, Gouache
$1,000
H 13.75 in W 10.75 in
Forget the Destination, Monotype, Contemporary Abstract Art on Watercolor Paper
By a.muse
Located in New york, NY
Forget the Destination, 2023 by a.muse is a one-of-a-kind work on paper. The art is a visual poem on wanderlust, inviting viewers to embrace the unknown. For a traveler without a map...
Ink, Gouache, Rag Paper, Monotype
$341
H 8.19 in W 8.04 in D 0.04 in
Spring, Papercut and gouache artwork, Animal, Figurative, Polish artist
By Marianna Oklejak
Located in Warsaw, PL
Cheerful artwork on paper by Polish award-winning artist Marianna Oklejak. Artwork is made out of paper cuts and gouache. MARIANNA OKLEJAK (b. 1981) – Polish illustrator and graph...
Paper, Gouache
"Istanbul Rising" abstract, mixed media collage - framed
By Linda Ganjian
Located in New York, NY
12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framed in a black shadowbox frame. Linda Ganjian's artwork captivates with it...
Foil
$341
H 9.81 in W 7.56 in D 0.04 in
A Bat-Woman Papercut and gouache artwork, Super Hero, Figurative, Wonder Woman
By Marianna Oklejak
Located in Warsaw, PL
Cheerful artwork on paper by Polish award-winning artist Marianna Oklejak. Artwork is made out of paper cuts and gouache. MARIANNA OKLEJAK (b. 1981) – Polish illustrator and graph...
Paper, Gouache
Fish in the Sea, Contemporary Mixed Media Painting, 24x18in, 2025
By a.muse
Located in New york, NY
Two translucent « diamond dust » fish shimmer on the waves surface in a 24 x18in contemporary work on rag paper by a.muse. Fish in the Sea, 2025 translates the rhythmic energy of wa...
Acrylic, Gouache, Rag Paper
$205
H 12 in W 12 in
Pink and Orange Snapdragons - Abstract Colorful Botanical Watercolor Painting
By Xiao Wen Xu
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is...
Paper, Watercolor, Gouache
$774
H 26.78 in W 20.87 in
Jo Haran, Petalled Grey, Original Floral Painting, Affordable Art
By Jo Haran
Located in Deddington, GB
Petalled Grey [2021] Original Flowers Watercolour, gouache and gesso Image size: H:65 cm x W:49.4 cm Complete Size of Unframed Work: H:68 cm x W:53 cm x D:0.01cm Sold Unframed Please...
Gesso, Paper, Mixed Media, Watercolor, Gouache
$817
H 27.17 in W 20.87 in
Jo Haran, Jewelled Posy, Original Floral Still Life Painting, Affordable Art
By Jo Haran
Located in Deddington, GB
Jewelled Posy [2021] Original Flowers Watercolour, gouache and gesso Image Size: H:65 cm x W:50 cm Paper Size: H:69 cm x W:53 cm x D:0.001cm Sold Unframed Please note that insitu ima...
Gesso, Paper, Mixed Media, Watercolor, Gouache
"The Reaper" Abstract Assemblage Figurative Painting
By Benny Andrews
Located in Houston, TX
Painting of an African American woman with short hair standing next to an abstract tree by southern artist Benny Andrews in 1975. Signed and dated in lower right corner. Hung in a decorative frame with a simple white mat. Dimensions Without Frame: H 29 in. x W 21 in. Artist Biography: Born in 1930, one of ten children in a Georgia farming family, Benny Andrews grew up desperately poor. After serving in the U.S. Air Force, he studied at the Art Institute of Chicago on the G.I. Bill. He differed from his fellow students, mostly Abstract Expressionists, by going off to jazz clubs to draw. In 1958, he moved to New York, where his artist friends included Red Grooms, Bob Thompson and the Soyer brothers. For two years (1982-84), he served as director of the Visual Art Program for the National Endowment for the Arts, after which he returned to full-time painting. Two kinds of influence coexist in Andrews's art. The first is an exuberant regionalism that takes into account the lives of the poor; Andrews sees a precedent in the work of Thomas Hart Benton. The second is the narrative impulse of much African-American painting...
Mixed Media, Watercolor