Elsa Schiaparelli Clothing

A striking piece from Schiaparelli's pre-collection 2019 This black satin double-breasted jacket commands attention with oversized glass crystal buttons that catch the light beautif...

A navy fine-knit wool cardigan labeled “Styled By Schiaparelli Paris,” circa late 1950s–early 1960s. Elsa Schiaparelli closed her Paris couture house in 1954; pieces carrying the “St...

Yummy soft Mink Shrug from Elsa Schiaparelli The lining is covered in Elsa's name Lining in great condition a few tiny flea bits no closure, slit pockets The fur does have some w...

Owned by a French expatriate and shoe-hoarder, these incomparable slingbacks were adored but have remained unworn in their original box for sixty years. Featuring a modest, wearable ...

Circa 1958 United States Pair of stockings by Elsa Schiaparelli in original box, as new, collector's item dating from the late 1950s in the United States. Pair of brown nylon stockin...

This RARE Schiaparelli attributed cocktail or day dress is composed of a pink silk Damask, with a floral print. The Label is missing from this dress and apparently tradectly lost w...

Schiaparelli Haute Couture Changeant Faille Jacket, 1938-39. "France gave me the inspiration: America gave me the approval" Elsa Schiapa...

"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...