Gilbert Rohde Dining Room Tables

A French Art Deco mahogany and cerejeira dining table, the circular crossbanded and molded edge top above a sphere and collar column with a turned and dished base. Inspired by a 1930...

Modern nightstand by Gilbert Rohde for Herman Miller circa 1930s. Featuring a recessed top, two shelves, and a black drawer. Fully ma...

A square dining or game table with an ash top, on folding steel legs. Model DTM.

Iconic Art Deco, Art Moderne vanity designed by Gilbert Rohde for Herman Miller, circa 1936. The vanity features a bank of three drawers, which supports a floating glass top surface,...

French Art Deco Extendable Oak Dining Table by Charles Dudouyt, 1930s A monumental Charles Dudouyt extendable dining table in solid oak with sculptural pedestal bases and pull-out e...

Art Deco dining table in walnut and briar, Restored and polished with shellac, Italian production in the 1920s. The table has two extensions and reaches, when open, the measure of 25...

Important American desk manufactured by Herman Miller, a kidney shaped desk designed by Gilbert Rohde circa 1941 for his Paldao line. This desk pack everything you need. Exotic pal...

Jules Leleu: A fine French Art Deco sunburst top dining / center table in palissander with a 4 legs pedestal base and bronze details. 2 original raw wood center leaves, length with ...

A wonderful Mid-Century Modern Herman Miller round pedestal table having a white laminate top and trim around the outer edge and supported by a bla...

A modern “Paldao” Game Table designed by Gilbert Rohde for Herman Miller, 1940s. Burl wood in contrasting colors and tapered wooden legs wrapped in muted green leatherette adorned wi...

Unusual original dining or desk table by George Nelson for Herman Miller, mid century Dimensions are 72.04" x 40.15" x 28.15" (height) This dining table was designed by George Nels...

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...