Harry Bertoia Wall Decorations

Wonderful image by Harry Clarke Lithograph. Published C.1920 Unframed Free shipping

Eight vintage masks of a rogues' gallery framed in black plastic frames. Priced as a set.

Contemporary artist Melissa Strawser’s Bertoia Junior Dandelion Gong Print is a pulled Artist Proof, an original intaglio print using handmade Doug Zucco White Crow Printmaking Paper (Fleetwood, PA) with colored inks from a single bronze plate that just happens to be a singing Bertoia Gong...

J.N. Gerard French ceramic wall plate realised in the 1990s. Excellent original conditions, signed under the base Dimensions: 7 x 31 x 31cm.

This beautiful piece emerged from the graphic compendium Costumes civils, militaires et religieux, du Mexique civil, work of the renowned Italian artist Claudio Linati (1 February 1790 – 11 December 1832), written in French and printed in Brussels in 1828. This original and signed watercolor is the outcome of Linati’s artistic values and expert lithographic technique. In words of the author “I have chosen the most elegant gears, as well as the most bizarre, like the one on this plate, which may contrast by its severity with the alluring of the more feathery costume of the palencanas. (…) The basket carried by the woman is carefully made of woven cane. For a better characterization of the country, this young native female carries an anona, known among the Spaniards as pineapple due to its similarities with the pinecone”. This plate is the sole image of the style composition prevailing in Costumes civils, militaires et religieux, du Mexique civil consisting in precise details of costume and material culture, as can be recognized in the representation where even though the female figure is placed in the foreground, the focus of the image falls into gear: a blue checkered shawl and skirt.

This signed plate emerged from the graphic compendium entitled Costumes civils, militaires et réligieux du Mexique. In this work, Linati included not only picturesque representations of the common people, but also a few historical figures, meticulously commented on and chosen out of a commitment to the ideals of the independence and reform of Mexico. The frontispiece of the book, this plate is the only one that shows the subject from the torso up; by doing so, the image resembles the classical style in the busts of antiquity. The presence of the Emperor sets...

Large Framed Lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Created by Bonnie MacLeary, a Texas-born sculptor famed for her "Aspiration" and "Ouch" bronzes, two of several created in the 1920s, this classic Art Deco tile...

Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Rare Brussels Tapestry depicting The Life of Alexander the Great Titled-La Bataille D'Arbeles Inricatelly woven wool and silk with a surround depicting the Trophies of War

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...