Hermès Furniture

A ceramic ashtray by Hermes, made in France in the latter half of the 20th century. These ashtrays have always been very collectable with the vintage models in particular. This one h...

Night Valet coat rack by Paul Dupré-Lafon (1900 - 1971) and Hermès. This creation has a unique removable shelf. Thierry Couvrat Desvergnes (1990) "Dupré...

Special Edition hand painted gold porcelain tray, titled "Cuir du Desert" (Desert Leather), by artist Francoise de la Perriere for Hermes. It is embellished with symbolic and decorat...

Table cards holders designed by Hermes. This is a very rare and unusual set of four table menu-card holders created in Paris France by the luxury house of Hermes, back in the 1960-1...

Black painted leather, oak interior. Impressed manufacturer's mark to underside ‘Hermès Paris’. 1955

1970's Wall compass by Hermès Bronze and wood Great quality France

A finely detailed Hermès Paris equestrian-themed letter opener, beautifully formed with a sculptural horse head handle and a long, tapered blade. Elegant, functional, and distinctly ...

Vintage midcentury Hermès natural lizard skin pocket agenda, France, 1960s.

Hermés Cartes A Nouer, Scarf Knotting How-To Card Set, New in Box, France. Vintage set. Never opened.

A fabulous vintage French silver plated magnifier created c.1960's for the "Cordage" range, a range of exceptional items for the home and office. Stamped Hermes, Paris and Made in F...

Beautiful vintage Hermès catchall with a relief Cornucopia design in the center surrounded by scale engraving. Lovely bronze patina emerging from the relief design. Beautiful accent ...

A ceramic ashtray by Hermès, crafted in France during the latter half of the 20th century. It epitomises the elegance and craftsmanship for which the renowned fashion house is celebr...

A vintage 20th Century Hermès Paris desk clock with a finely engraved gilt brass case decorated in an intricate crosshatched pattern. The square architectural form is raised on a ste...

A five-pieces desk set designed by Hermès Paris. This is a very rare desk-set created in Paris France by the luxury house of Hermès, during the art-deco period back in 1930. The fan...

Beautiful vintage Hermès equestrian bottle topper.  Large horse head atop a rounded pedestal. Hermès Paris stamped on outer rim. Stunning accent piec...

Hermes Paris Porcelain Ashtray Rectangular white porcelain ashtray with gold details on the edges. It features a central design of a horse in harness and gold and black decoration. I...

Vintage Hermes "Brandebourgs" multicolor square porcelain vide poche, change tray, or pocket emptier with braided rope motif / Made in France circa 1980s Original stamp at underside...

Hermes Equestrian Letter Opener, 1960s France. Sleek Hermès letter opener in solid metal. Hermès Paris stamped. Beautiful light patina on the silver and on the blade. This piece is a...

A refined vintage Hermès Paris desk accessory, made in France during the 1960s and designed in the maison’s iconic equestrian tradition. This elegant paper weight features a beautifu...

An elegant French sterling silver compact case by Hermès Paris, distinguished by its refined linear design, exceptional construction, and understated luxury characteristic of the cel...

This vintage Hermes magnifying glass/loupe is a beautiful personality piece that is ideal for a golf lover or vintage Hermes collector. Large g...

Pair of Small Wild Animal Ashtrays by Hermès This pair of small Hermès ashtrays features a square design with rounded corners. Each ashtray features a central illustration of a wild ...

A stylish pair of mid 20th Century French solid silver-gilt Hermès napkin rings. One crafted in gilt silver and the other in plain silver, each of circular form with simple borders. ...

A ceramic ashtray by Hermes, made in France in the latter half of the 20th century. These ashtrays have always been very collectable with the vintage models in particular. This one h...

Hermès Paris Vintage Silver Bracelet The bracelet features the iconic belt buckle shape, a recurring Hermès motif that directly references its equestrian heritage. Engraved with the ...

Pair of horse head bookends designed by Hermès made of bronze with a wooden base. France, CIRCA 1930.

Hermes Paris Porcelain Ashtray The ashtray features an elegant and classic design, with a rectangular shape and slightly rounded edges. Its base is a soft grey colour, which contrast...

Vintage perfume bottle by Hermes. Estate and very fresh vintage Eau d'Hermes perfume bottle, made in Paris France by the fashion house of Hermes, back ...

Introducing the exquisite limited edition Hermes Fabric Cheval Pixel, a truly exceptional piece that encapsulates the essence of luxury, craftsmanship, and timeless beauty. Meticulou...

Beautiful vintage Hermès equestrian bottle topper. Horseshoe shape on top and "Hermès Paris" embossed on outer rim. Beautiful accent piece to elevate any bar, bar cart or dinner tabl...

This set comprises three exquisite dining chairs designed by the celebrated Italian designer Guido Faleschini during the 1980s, exclusively for Hermes. Faleschini's creations are kno...

Classic vintage Hermès tape dispenser in silver with a brass belt buckle detail. Hermès PARIS, Made In France stamped on outer rim. Dispenser has a lid whi...

A superb and scarcely found letter opener made in silvered bronze, the handle in the form of a horse. Dating to c.1960, the underside is fully marked "Hermes, Paris" together with ...

Rare silver-plated cigarette box with a gilt-plated deer head opening. It is in good condition and is signed on the side "HERMÈS PARIS / Made in France." There is also a hallmark. ...

Beautiful Hermès clothing brush. Made from rare Ebony Macassar wood, boar bristles and brass. This brush is meant to preserve the life and appearance o...

1990's Silver plated and purple leather vide poche by Hermès Great quality and condition Made in France

A stunning rare pair of solid / sterling silver cufflinks with an equestrian theme with full French hallmarks for sterling silver. On one terminal of the whip they are marked "Herme...

A fabulous vintage French silver plated bottle opener created c.1960's for the "Cordage" range, a range of exceptional items for the home and office. Stamped Hermes, Paris and Made ...

Very nice architect lamp by Anglepoise and Hermès Good vintage condition 1960's

Vintage enameled and gold plated lion head bangle bracelet with original box and ribbon by Hermès, circa 1990s. The bracelet is in very good vintage condition and measures 2.75"D (7...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A superb four-piece sideboard consisting of three cabinets (one of which with dark smoked glass doors) and one bank of drawers designed by Guido Faleschini for Hermes, France, circa ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Mid-20 century Modern glazed ceramic sinuous organic design bowl by french luxury brand Hermès Paris By: Hermès Paris Material: ceramic, paint, enamel Technique: pressed, molded, painted, hand-painted, glazed, enameled Dimensions: 9 in x 8 in x 3 in Date: mid-20th century Style: Organic Modern, Mid-Century Modern, Space Age, Scandinavian Modern Place of origin: France This sinuous organic bowl exemplifies Hermès' mid-20th century embrace of biomorphic Modernism. Molded from colored clay in warm earth tones of orange and brown, its sensuous curves evoke flowing, organic forms and the purity of line reflects Scandinavian inspiration. The marks under the base confirm the bowl's creation by the renowned luxury brand and its french origin. Hermès captured...

Made for the world renowned Hermes of Paris, contemporary artisans since 1837. The horse head handle is silver plated and hallmarked by Ravinet d'enfert and signed Hermes, Paris. T...

A set of 7 dinner spoons by Hermès. The HTS collection, Hermès Tout Simple, presents an ergonomic design and a new form of elegance born from the combination of mirror polish and dee...

Hermes Equestrian Letter Opener, 1960s France. Sleek Hermès letter opener with a detailed horse head handle in solid metal. Hermès Paris stamped. Beautiful light patina on the silver...

Chaîne d'Ancre Vase by Hermès Paris, set of 2. Pair of imposing silver-plated vases from the Mainson of Hermès Paris, decorated with the classic decor "Chaîne d'Ancre". Height...

Vintage Hermès, Paris, an elegant desk accessory. The paperweight is in the shape of a decimal ruler, silver-plate with detachable black leather tab. Made circa 1975, signed.

1950's Stitched leather boxe by Paul Dupré-Lafon for Hermès Good original vintage condition

Introducing the exquisite limited edition Hermes Fabric Spirographie, a truly exceptional piece that encapsulates the essence of luxury, craftsmanship, and timeless beauty. Meticulou...

A Mid 20th century boxed Silver gilt Hermes hand mirror Marked Paris Date Circa 1950. This charming and elegant Hermes hand-mirror has a pivoting bevel ...

A refined addition to your home bar, and the perfect gift for any collector of vintage Hermés. Manufactured for Hermés for Schlumberger, this stainless steel pocket knife features tw...

Introducing the exquisite limited edition Hermes Fabric Zebrures, a truly exceptional piece that encapsulates the essence of luxury, craftsmanship, and timeless beauty. Meticulously ...

Introducing the exquisite limited edition Hermes Fabric Feuillage Vague, a truly exceptional piece that encapsulates the essence of luxury, craftsmanship, and timeless beauty. Meticu...

Introducing the exquisite limited edition Hermes Fabric Equator Imprime pillow, a truly exceptional piece that encapsulates the essence of luxury, craftsmanship, and timeless beauty....

A true gem of a smoking set; of course could be used for many other uses, it makes a wonderful table display. Made from solid French silver having...

Hermès "Poste et Cavalerie" Silk Scarf by Joachim Metz in Museum Acrylic Shadow Box, 1986 An exceptional vintage Hermès Paris "Poste et Cavalerie" silk carré, designed by renowned French artist Joachim Metz and first issued in 1986. Beautifully presented in a custom museum-style floating acrylic shadow box, this iconic Hermès scarf has been professionally mounted to preserve the integrity of the silk while allowing the signature hand-rolled edges to remain fully visible. Inspired by the rich traditions of French military cavalry, Poste et Cavalerie celebrates the decorative regalia of mounted officers. According to the Hermès Fall–Winter 1987–1988 Seasonal Scarf Booklet, the central composition combines an 1814 Hussar sabretache—a richly ornamented flat leather pouch traditionally suspended beside a cavalry saber—with the epaulette of an Imperial Guard lancer. Surrounding these historic elements are finely rendered military tassels, braids, harness ornaments, and ceremonial insignia representing cavalry regiments from the reign of Louis XIV through the First French Empire. This example is presented in one of the most sought-after Hermès palettes, featuring royal blue, ivory, and brilliant gold—a timeless colorway widely admired by collectors for its elegance and versatility. Professionally framed in a premium acrylic floating shadow box using museum-quality materials, the scarf is transformed into a sophisticated work of textile art while remaining fully protected. The contemporary presentation beautifully showcases the craftsmanship of the silk twill and makes it ready to hang in a living room, library, dressing room, office, or luxury boutique interior. Designer: Joachim Metz Title: Poste et Cavalerie House: Hermès Paris First Issued: 1986 Season: Featured in the Hermès Fall–Winter 1987–1988 Collection Origin: France Material: 100% Silk Twill Colorway: Royal Blue, Ivory, and Gold Presentation: Custom museum-grade acrylic floating shadow box frame Framed Dimensions: 40 in. × 40 in. Silk Dimensions: 35 in. × 35 in. Condition: Great vintage condition. The silk is beautifully preserved and professionally mounted. Frame displays only light wear consistent with age. A rare and highly decorative Hermès textile, combining French luxury, equestrian and military history, and museum-quality presentation. An outstanding addition for collectors of Hermès, fashion memorabilia, and refined interior design. Keywords: Hermès Poste et Cavalerie, Joachim Metz, framed Hermès scarf, Hermès wall...

About as stylish as they come to open your favourite bottle made by the creme de la creme of French designer retailer's, Hermes, Paris. The hefty golf ball handle is made from silve...

A highly collectable letter opener or paper knife made in gilded bronze and dating to c.1960; a scarce-find in the gold colour. The handle is in the form of a horse head, beautifu...