John Sanderson-Wells Art

Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

This stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

London: Thomas Bensley, 1805. Etching and engraving with hand coloring in watercolor, 10 1/4 x 8 inches (260 x 204 mm) the full sheet, margins trimmed. In very good condition with e...

London: Lovell Reeve & Co., 1891. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition wit...

John Nost Sartorius (London 1759-1828) A gentleman on horseback, 16 miles to London Signed and dated 1796 Oil on canvas Canvas Size - 25 x 30 in Framed Size - 32 x 37 in John Nost ...

Thomas Spencer (c.1740-1756) The Famous racehorse 'Flying Childers' held by a groom Oil on canvas Not Signed Canvas size 25 x 30 in Framed size 33 x 38 in Flying Childers was one of...

Philips van Kouwenbergh (1671-1729) A Peacock and Other Fowl in a Landscape Oil on canvas Canvas Size 37 3/8 x 45 7/8 in Framed Size 44 1/2 x 53 in Provenance With John Bennett Fine...

London: Kew Gardens, 1804. Mixed-method engraving (combining aquatint, stipple, line engraving, and mezzotint), printed in color a la poupée with hand-coloring in watercolor and gou...

La Tresse (Anais) Etching with stipple, October 1926 Signed in pencil lower right (see photo) Signed and dated in reverrse in the plate lower left Edition: 111, published by Conaghi,...

Dimensions: 36 1/4 x 28 1/2 in (92 x 72.5 cm) - Framed: 44 ¼ x 37 3/8 in (112.5 x 95 cm) English frame in carved and gilded wood, Louis XV style Provenance: Christie’s London – July...

Abraham Begeyn (1637–1697), Italianate Landscape with Ruins and Herdsmen This atmospheric and finely balanced landscape by Abraham Begeyn presents a sunlit ruin beside tranquil wate...