Kaare Klint Bergere Chairs

Canvas safari easy chair by Kaare Klint for Rud Rasmussen with loose cushion.

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. With ottoman. Frame in solid ash. Model Safari chair, made by Rud Rasmussen.

Lovely pair ‘Safari’ model 4700 easy chairs by Kaare Klint for Rud Rasmussen, Denmark 1950s. This set features a frame made out of stained oak with leather straps. Frame in oak with ...

Iconic original safari chair by professor Kaare Klint. Designed 1927. This version dates to the 1960s and is executed in solid ash. Nice patina to the wood, and left unrestored. The ...

The Barcelona chairs were designed between 1927 and 1932 by Kaare Klint, who is considered to be the father of modern Danish furniture design. This chair was made by cabinetmaker R...

Danish architect and furniture designer Kaare Klint designed this safari chair for manufacturer Rud Rasmussen.  

Absolutely stunning pair of vintage "Safari" chairs in patinated light oxhide and solid stained ash. Designed by Kaare Klint in the 1930s and manufactured by cabinetmaker Rud. Rasmussen, Copenhagen. These chairs are from the 1950s and is still in their original condition and has never been refinished. The leather has no damages or cracks. Original cushions. Marked by maker. Kaare Klint’s Safari Chair is a refinement of the chairs brought on an African safari by an American cinematographer and his wife. Klint noticed them in the couple’s photos...

The legendary safari chair in cognac coloured leather on a very dark oak frame designed by the grandfather of Danish design, Kaare Klint, in 1933 for his long time collaborator Rud R...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern design The iconic "The Red Chair" by Kaare Klint, model KK 3758A. Designed in 1927, executed in the 1950s by Rud. Rasmus...

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. Straps maintained in the original patinated lea...

Kaare Klint for Rud Rasmussen. Pair of Safari chairs new upholstered with vintage aniline leather. New straps of butt hide leather. Frame in solid ash. Model Safari chair, made...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...