Kaare Klint Sofas

1940s Kaare Klint Three Seater Sofa, with Mahogany Legs & Striped Wool Upholstery with Leather Trim. Usable condition as webbing been repla...

Kaare Klint for Rud Rasmussen, settee with ottoman model 4698, warm cognac leather and oak, Denmark, 1933, production 1970s. This iconic freestanding sofa and ottoman, designed by ...

Three-seater sofa with eight tapering mahogany legs. Sides, seat and back upholstered with striped savak wool presumably in the last 10-20 years with natura...

Stylish sofa upholstered in wool designed by MAA Kaare Klint for Rud Rasmussen cabinetmakers in 1940. Great original condition.

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Rare 3-seater sofa model no 5011 designed by Kaare Klint and manufactured by cabinetmaker Rud Rasmussens Snedkerier in...

- Suitable for new reupholstery - Good original condition with some signs of use.

Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair was also clearly visible in the famous Red Chair, designed in 1927 for the lecture hall at The Museum of Arts and Crafts (now Design Museum Denmark), but with its straight back deprived of all unnecessary decoration and its beautiful Niger leather, the Red Chair was far from an imitation. Other important works include The Propeller Stool (1927), The ‘Mix Chair’ designed in collaboration with his pupil Edvard Kindt-Larsen in 1930, the Safari Chair (1930), The Deck Chair (1939 and The Church Chair designed in 1936 for the Bethlehem Church in Copenhagen. Also noteworthy are Klint’s well-proportioned cabinets and wardrobes...

Kaare Klint & Rud Rasmussen snedkerier. A stunning pair of rare Kaare Klint Model no. 4118S two-seater box-shaped sofas with profiled cross legged mahogany frame. (Also called X-Bas...

Rare Kaare Klint Model 4118 two-seat box sofa with profiled cross legged mahogany frame. Made by Rud Rasmussen, Copenhagen, Denmark. Upholstered...

Kaare Klint for Rud.Rasmussen, sofa, model '4118', leather, mahogany, Denmark, design 1930, production 1981 Kaare Klint originally designed the present three-seat sofa, known as 411...

Kaare Klint freestanding two-seat sofas. Frame of mahogany. Sides, seat and back upholstered with fabric. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint sofa model 4118 for Rud.Rasmussen  in cognac leather and mahogany, Designed in Denmark circa 1930's. Kaare Klint originally designed this three-seat sofa, # 4118, for th...

Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...

Kaare Klint freestanding two-seat sofas on six-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with black horsehair. Executed by Rud. Rasmussen, Copenhagen.

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint 2 persons sofa with legs of mahogany. Seat, sides and back upholstered with light fabric. Executed by Rud. Rasmussen.

Kaare Klint for Rud Rasmussen, sofa model '5011', leather, mahogany, Denmark, design 1935, made 1960s Kaare Klint originally designed the present three-seat sofa, known as 5011, in ...

Kaare Klint. A three-seat sofa with mahogany legs, seat, sides and back with blue-, red- and whitestriped Greek Savak. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint for Rud.Rasmussen, sofa #4118, made with leather and mahogany, Denmark. Designed in 1930's, we cant pinpoint the exact production date of this sofa. Kaare Klint original...

Kaare Klint freestanding three-seat sofa on eight-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with patinated red leather. Model 4118. Executed by Rud. Ras...

The vintage design two-seater sofa model 5011 created by Kaare Klint. This iconic piece is crafted in original cognac leather and features a distinctive six-legged mahogany base. The...

KK 5011 - 3-seater sofa in mahogany and patinated niger leather. Designed in 1935. Designed by Kaare Klint and made by cabinetmaker Rud Rasmussen.

Kaare Klint freestanding two-seat sofa on six-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with patinated leather. Executed by Rud. Rasmussen, Copenhagen. ...

A majestic sofa having a sculptured body resting on eight (8) tapered mahogany legs, retaining the original red, navy and beige striped wool fabric. Desi...

Model KK 6090 - Reupholstered 3 seater sofa in Savak wool (colour: 41240) with natural leather piping. Mahogany legs. Kaare Klint / Rud. Rasmussen

This reupholstered Kaare Klint 4118 sofa is the centrepiece of our recent collaboration with Marthe Armitage Prints for London Design Festival 2023. ...

This is a KK48651 Addition Sofa made with a tan leather seat and walnut legs (or perhaps dark stained oak). The bench, designed by Hans Wegner and produced by Carl Hansen & Son in De...

This is a KK48650 Addition Sofa designed by Kaare Klint and produced by Carl Hansen & Son in Denmark. The sofa is made with a solid walnut legs and full grain grey seat/back. The sof...

Listed for sale is a KK6092 Two-Seater Sofa with a solid lacquered mahogany frame and striped fabric upholstery. The loveseat, designed by Kaare Klint and produced by Carl Hansen & S...

KK 5313 - 3-seater sofa in black Niger leather and legs in mahogany. Design 1935. Maker Rud. Rasmussen.

A two-seat model 5313 settee designed by Kaare Klint in 1935 and made by master cabinetmakers Rud Rasmussen in Denmark, between 1935-1945. The economy of line in this design is su...

Listed for sale is a KK48650 Addition Sofa designed by Kaare Klint and produced by Carl Hansen & Son in Denmark. The sofa is made with a solid oak frame and Thor black leather seat/b...