Kelly Carmody More Art

This vintage 1950s-1960s oil painting titled 'Old Airfield in Capitola, California' beautifully captures a serene Northern California landscape. The scene depicts a lush countryside with vibrant trees, a charming white house with a green roof, a red tractor...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

White Sands New Mexico, Mid-Century Southwest Desert Landscape by Vannerson Gorgeous desert scene by award winning, self-taught artist Dr. Lucien C. Vannerson (American, 20th Centur...

Ora Coltman (American, 1858-1940) House in Hudson, OH Oil on canvas Signed lower left 22 x 26 inches 27.5 x 31.5 inches, framed 21 Aurora Street is locally known as the Isham-Beebe ...

Georgina Klitgaard Spanish Moss, Georgia Signed lower right Oil on artist's board 12 x 16 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to as...

Georgina Klitgaard Fodder Stacks, Bearsville Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign...

Vivid, modernist Mt. Hamilton landscape attributed to Luke Stamos (American, 20th century). Oil on canvas. Unsigned. Unframed. Image size: 18"H x 24"W. This art work is in the distinctive realistic style of Luke Stamos. We certify that the work is by the hand of Luke Stamos. Artists statement: "I was born in Chicago, and began studying art at the Chicago Art Institute at age 5. When my family moved to San Francisco in 1944, I became aware of California’s splendid outdoor life, and began to pursue a life-long hobby of hunting and fishing. While attending high school in Daly City...

Georgina Klitgaard Arroyo Seco, New Mexico Signed lower right Oil on canvas 28 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign a...

A beautiful wooded landscape scene with houses and trees. Painted on a masonite board. hand signed lower right. with framers label verso. Framed to 40 X 55 inches. 33 X 48 without the frame and mat. It is not dated. Lena Gurr (1897–1992), was an American woman artist who made paintings, prints, and drawings During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Born into a Russian-Jewish Yiddish speaking immigrant family, she was the wife of Joseph Biel, also Russian-Jewish and an artist of similar genre and sensibility. Gurr used Lena Gurr as her professional name. After marrying Joseph Biel she was sometimes referred to as Lena Gurr Biel. Biel had been born in Grodno, Poland (later absorbed into Russia) and had lived in England, France, and Australia before coming to New York. An artist, he specialized in landscape paintings and silkscreen printing as well as photography. He studied art at the Russian Academy in Paris. After immigrating to the United States, he studied under George Grosz at the Arts Students League. Gurr was born in Brooklyn and, apart from brief stays in Manhattan and in Paris, lived there her whole life. This painting bears the influence of Lyonel Feininger an influential German American artist. Gurr began studying art at a young age. In 1919 she studied painting and printmaking at the Educational Alliance Art School and between 1920 and 1922 she won a scholarship to attend the Art Students League where she took classes with John Sloan and Maurice Sterne. In 1926 and 1928 Gurr participated in group shows at the Whitney Studio Club in Greenwich Village and in 1928 she also participated in the 12th annual exhibition of the Society of Independent Artists at the Waldorf Roof in New York. (Reviewing this show, Helen Appleton Read, the critic for the Brooklyn Daily Eagle, said "I made three discoveries on my first visit, Thomas Nagel, Eugenie McEvoy and Lena Gurr with two figure compositions which have something of Marie Laurencin or Helene Perdriat quality of naive sophistication.") The Waldorf Roof was a set of rooms on the top floor of the Waldorf Astoria Hotel, one of which had glass sides and a glass roof. The rooms were used for concerts, dances, benefits, and exhibitions.From 1929 to 1931 Gurr took a leave of absence from her teaching position to travel in France with Joseph Biel, an artist whom she had met while studying at the Art Students League. They spent time in Nice and Mentone but mainly in Paris. During the early months of 1931, while she was still abroad, her work appeared in group exhibitions held at the R. H. Macy department store and the Opportunity Gallery (opened by Gifford Beal). In 1932 she participated in three shows: a solo exhibition at the Brooklyn Museum, an annual exhibition of the New York Society of Women Artists, ( Its first president was Marguerite Zorach. Founding members included Agnes Weinrich, Anne Goldthwaite...

Georgina Klitgaard Pueblo Indians, Taos, New Mexico Signed lower right Oil on canvas 18 x 24 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Artist: David Azuz, Israeli/French (1942 - 2014) Title: Boats in the Harbor Year: 1960 Medium: Oil on Canvas, signed l.l. and verso Size: 31 x 25.5 in. (78.74 x 64.77 cm) Frame Size:...