As one of just two females and the only American member of the original French Impressionist circle, Mary Cassatt stands out for her ability to capture scenes of domestic life in her paintings that her male contemporaries often did not encounter.
Where other Impressionists indulged in sensual or sensational scenes of Parisian women, Cassatt’s unique perspective allowed her to create intimate, true-to-life renderings of her subjects. She pushed the radical art movement further to capture tender, fleeting instants shared by women as mothers, daughters, sisters and friends. Between 1860 and 1865, she studied at the Pennsylvania Academy of the Fine Arts in Philadelphia, and in December 1865, she sailed to Paris to study with the French painters Charles Chaplin and Jean-Léon Gérôme.
In 1868, Cassatt made her debut at the Paris Salon but returned to Philadelphia in 1870 with the onset of the Franco-Prussian war. However, by 1874 she had settled again in Paris, where she would live most of her adult life.
Just three years later, Cassatt met a man who would change the trajectory of her career forever: Edgar Degas. At his invitation, she joined a group that would become known as the Impressionists and, under his influence, developed a love for drawing and works on paper. Inspired by the "new painting," Cassatt abandoned her former academic manner and adopted Impressionism's high-keyed hues and modern subjects.
Best remembered for her intimate portrayals of women, children and the mother-child relationship, Cassatt was a vital contributor to the Impressionist circle. Today, her works can be found in important collections the world over, including the Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington D.C.) and Musée d'Orsay (Paris).
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(Biography provided by M.S. Rau)
Maternity : Mother and Child - Etching
By Mary Cassatt
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Etching, Aquatint
Mary Cassatt "By the Pond"
By Mary Cassatt
Located in Los Angeles, CA
Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...
Drypoint, Aquatint
$936
1960 original poster Mary Cassatt Peintres et graveurs Centre culturel américain
By Mary Cassatt
Located in PARIS, FR
The 1960 original exhibition poster by Mary Cassatt, titled "Peintres et graveurs au Centre culturel américain," is a striking piece of art that highlights the profound influence and...
Linen, Paper, Lithograph
BEFORE THE FIREPLACE. NO. 1.
By Mary Cassatt
Located in Portland, ME
Cassatt, Mary. BEFORE THE FIREPLACE. NO. 1. Breeskin 64. Soft-grpund etching and aquatint, c. 1882. State 2 (of 3) with the light tone added, and the profile still indistinct. Si...
Etching
$3,391
H 34.65 in W 55.12 in D 0.04 in
Figure By Window, Art print, Figures, Modern, Contemporary
By Graham Fransella
Located in Deddington, GB
Figure By Window is a hand made limited edition print by Graham Fransella, displaying a black figure on a orange background. ADDITIONAL INFORMATION: Figure By Window Graham Fransel...
Etching
$9,500
H 28 in W 44 in D 1 in
CHRISTO AND JEANNE-CLAUDE, VERPACKTE WEGE, 1983 - MIXED MEDIA
By Christo and Jeanne-Claude
Located in Pembroke Pines, FL
Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...
Board, Archival Paper, Lithograph
$800
H 12.5 in W 8.75 in
Untitled: Head of A Woman 2
By George Zachary Constant
Located in New York, NY
George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...
Drypoint, Etching
$3,875
H 24.38 in W 31.75 in D 0.75 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Etching, Engraving, Drypoint
$3,975
H 42.25 in W 26.5 in D 1.5 in
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Etching
$5,875
H 28.88 in W 37.25 in D 1.25 in
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Etching
$3,775
H 27 in W 32 in D 1.5 in
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Etching
$5,875
H 28.88 in W 37.25 in D 1.25 in
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Etching
$2,975
H 23.13 in W 33 in D 0.5 in
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Etching
$160Sale Price|20% Off
H 11.75 in W 24 in
Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
By Sharon Augusta Mitchell
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Drypoint, Etching, Aquatint
$1,900
H 10 in W 10 in D 1.75 in
Walled Off Hotel Boxed Set Assemblage w/original embossed receipt from Bethlehem
By Banksy
Located in New York, NY
Banksy (after) Walled Off Hotel Boxed Set Assemblage, 2018 Mixed Media assemblage: unique piece of concrete/cement wall with framed lithograph. Accompanied by original embossed rece...
Concrete
$600
H 12.5 in W 9.5 in
Portrait de Rimbaud, 1962 Drypoint Etching by Jacques Villon
By Jacques Villon
Located in Long Island City, NY
Portrait de Rimbaud Jacques Villon French (1875–1963) Date: 1962 Drypoint Etching on thin laid paper, signed in the plate lower right Image Size: 9 x 6.5 inches Size: 12.5 x 9.5 in...
Drypoint, Etching
Sold
H 18.25 in W 15.75 in
"Heads of Elsie and Robert Cassatt" Mary Cassatt, Female, American Impressionist
By Mary Cassatt
Located in New York, NY
Mary Cassatt Heads of Elsie and Robert Cassatt, 1880 Initialed M.C on Van Gelder laid paper Drypoint on paper Plate: 4 7/8 x 3 7/8 inches Sheet: 10 3/4 x 7 1/4 inches Provenance Amb...
Paper, Drypoint
Maternity : Mother and Child - Etching
By Mary Cassatt
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Etching, Aquatint
Maternity : Mother and Child - Etching
By Mary Cassatt
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Etching, Aquatint
Maternity : Mother and Child - Etching
By Mary Cassatt
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Etching, Aquatint
Maternity : Mother and Child - Etching
By Mary Cassatt
Located in Paris, IDF
Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...
Etching, Aquatint
Sold
H 20 in W 16 in D 1 in
Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
By Mary Cassatt
Located in Plano, TX
Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
Watercolor, Drypoint
Preparing Bill for an Outing
By Mary Cassatt
Located in New York, NY
A very good impression of this extremely scarce soft-ground etching, with crisp, inky plate edges. Printed in dark brownish black on antique cream laid...
Color, Etching
Margot in a Floppy Bonnet Leaning against a Chair
By Mary Cassatt
Located in New York, NY
Superb, richly-inked impression of this extremely scarce drypoint. Printed in black on cream laid paper and signed in pencil by Cassatt. Second state (of 2).
Drypoint
Looking into the Hand Mirror, No.3.
By Mary Cassatt
Located in Plano, TX
Looking into the Hand Mirror, No.3. c. 1905. Drypoint. Breeskin 202+. 8 1/4 x 6 (sheet 10 1/2 x 7 1/8). Posthumous impression. Printed on antique laid paper...
Drypoint
Margot Wearing a Bonnet, No. 1.
By Mary Cassatt
Located in Plano, TX
Margot Wearing a Bonnet, No. 1. c. 1902. Drypoint printed in colors. Breeskin 179. 9 1/8 x 6 1/2 (sheet 15 x 11). Unsigned. A later printing on white wove paper with full margins. A...
Drypoint, Color
Sold
H 25.375 in W 21.75 in
"Margot Wearing a Bonnet (No. 5), " drypoint on laid paper by Mary Cassatt
By Mary Cassatt
Located in Milwaukee, WI
"Margot Wearing a Bonnet (No. 5)" is an original drypoint on laid paper by American modernist Mary Cassatt. It features a young girl lounging on a chair with a bonnet. The artist used delicate lines and cross-hatching to create this piece. The artist signed the piece lower right. It is from the second state. The piece is archivally framed with a silk mat and gold bevel accent. 6 3/4" x 5 1/2" image 14" x 9 3/4" paper 25 3/8" x 21 3/4" frame Mary Stevenson Cassatt was an American painter and printmaker. She lived much of her adult life in France, where she first befriended Edgar Degas and later exhibited among the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. She was described by Gustave Geffroy in 1894 as one of "les trois grandes dames" of Impressionism alongside Marie Bracquemond...
Laid Paper, Drypoint
Sara Smiling
By Mary Cassatt
Located in Washington, DC
Artist: Mary Cassatt Medium: Original drypoint etching Title: Sara Smiling Year: c. 1904 Framed Size: 16 x 20 inches Image Size: 6 3/8 x 9 1/4 inches Sheet Size: 11 x 15 1/8 inches R...
Drypoint, Etching