Poggi Furniture

Folding chair with solid wood frame. Seat and backrest made of plywood. Prod. Poggi, Italy, 1952 Bibliography Exhibition catalog, Franco Albini & Franca Helg Design, April 30, 2009.

Designed by Franco Albini and Franca Helg and manufactured in Italy by Poggi in the late 1950s, the Luisa and Luisella chairs have become icons of Italian mid-century design. The fr...

Introducing a masterpiece of furniture design from the 1970s: the model SD57 chair designed by renowned Italian designer Marco Zanuso. This chair is a perfect combination of elegance...

Franco Albini and Franca Helg for Poggi, pedestal table, model 'TL30', walnut, lacquered steel, Italy, 1961 The TL30 pedestal table, designed by Franco Albini and Franca Helg for Po...

Franco Albini "T22" Desk for Poggi, wood, Italy, 1958 Designed in 1958, the “T22” desk is one of Franco Albini’s rarest and most sophisticated works for Poggi. Characterized by its ...

A true icon of style and good taste, Franco Albini's CR20 trolley perfectly embodies the language of the great Italian architect and designer, his "poetic rationalism." Characterized...

TN6 Coffee Tables by Franco Albini for Poggi, 1953, Set of 2

Iconic table designed by the great Italian maestro Franco Albini in the 50s. The model is TL2 better known as "Cavalletto" (in english "Trestle") since it reminds of lightness and wi...

Franco Albini "T22" Desks for Poggi, wood, Italy, 1958, set of 2 Designed in 1958, the “T22” desks are among the rarest and most refined creations by Franco Albini for Poggi. Define...

Italian modern brown leather and wood chairs by Marco Zanuso for Poggi, 1970s Set of four chairs with seat and backrest, padded and covered in brown leather. The structure, armrests ...

Italian modern black wood and fabric chairs Golem by Vico Magistretti for Poggi, 1970s Pair of chairs model Golem with rounded seat, covered in yellow fabric. The structure is in bla...

Lorenzo Andrei handcrafted Table Lamp Poggi Ugo Italy High quality Italian ceramic stunning terracotta craftsmanship 16.5 to socket x 8 diameter Preowned original vintage unrestored...

Franco Albini (1905-1977) lived in Milan where he stuied Architecture at the Politecnico. He started his career at Gio Ponti's studio, with whom he collaborated before getting in tou...

Franco Albini 832 “Luisa” armchair for Poggi, wood and leather, Italy, 1953 Originally designed in 1939 and refined through multiple iterations, the 832 “Luisa” armchair reached its...

Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...

This classic table, model 'TL22', was designed by the two Italian designers Franca Held and Franco Albini for Poggi in 1958. The shape is named after the so-called boat shape. The co...

The Golem chair, with a high backrest in lacquered wood, was born, as Magistretti states, from the desire to pay homage to the designer Mackintosh, after vis...

Large handmade ceramic vase, produced in Italy between the late 1940s and early 1950s by the prestigious ceramic factory CE AS of Albisola, Italy. The vase is hand-decorated on both ...

This set is composed by one chest of drawers and one cabinet. They were designed by Vico Magistretti and produced by Poggi, circa 1970. They can be used as a separate units or as a u...

Wooden structure painted in white polyurethane color. Black skai cover on the top (light defects at some corner). Large chest of drawers: cm 34,5h x 107w x 53,5d Small chest of dra...

This rare, beautifully crafted dining table made out of solid wood is lacquered black. The round top is made of rosewood veneered.

TL30 table with a round top in wood and a base in black lacquered metal, designed by Franco Albini and produced by Poggi in the 1950s. After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Cicognino coffee table entirely made in teak wood designed by Franco Albini in 1952 and firstly produced by the Italian company, Poggi Pavia from the 1950s. The Cicognino coffee t...

Walnut wood table model TL 58 designed by Marco Zanuso for Poggi Italy in 1974. Bibl.: Giuliana Gramigna Repertorio del Design Italiano1950-2000 Allemandi 2011 pag. 224 Some marks ...