Robert Indiana Art

Artist: Robert Indiana (1928-2018) Title: Anne (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 77/150, plus proofs Size: 24 x 20 inches Condition: Good Inscri...

Artist: Robert Indiana, American (1928 - ) Title: Picasso from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 ...

Artist: Robert Indiana, American (1928 - 2018) Title: The Calumet from the American Dream Portfolio Year: 1961 (1997) Medium: Serigraph Edition Size: 395 Image Size: 15 x 13.75 inche...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VI Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 P...

Artist: Robert Indiana, American (1928 - 2018) Title: The Figure 5 from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint on wove paper Edition: 395 Image Size: 16.7...

Artist: Robert Indiana (1928-2018) Title: Gloster Heming (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 51/150, plus proofs Size: 24 x 20 inches Condition: G...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana (1928-2018) Title: Jenny Reefer (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 49/150, plus proofs Size: 24 x 20 inches Condition: Goo...

Artist: Robert Indiana (1928-2018) Title: Indiana in Lewiston Year: 1991 Medium: Silkscreen on wove paper Edition: 150, plus proofs Size: 46.5 x 26.75 inches Condition: Excellent Ins...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana (1928-2018) Title: Gertrude Stein (Sheehan 97) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 57/150, plus proofs Size: 24 x 20 inches Condition: G...

Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

Artist: Robert Indiana, American (1928 - ) Title: Lillian Russell from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numb...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 5...

Artist: Robert Indiana, American (1928 - ) Title: The American Dream: High Ball Redball Manifest Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: ...

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

Artist: Robert Indiana (1928-2018) Title: Anthony Comstock (Sheehan 102) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 9/150, plus proofs Size: 24 x 20 inches Condition:...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana, American (1928 - 2018) Title: The Beware Danger from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition: 395 Image Size: 14 x 14 inche...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24" x 20" , 60.9 cm x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with...

"When the Word is LOVE (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portf...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF I - X Year: 1990 Medium: 10 Screenprints on Saunders Watercolor paper, each signed and numbered in pencil ...

Artist: Robert Indiana, American (1928 - ) Title: Henrietta M. (Henrietta Muir Edwards) from Mother of Us All Series Year: 1977 Medium: Lithograph on Arches, signed and numbered in p...

Artist: Robert Indiana Title: Indiana in Lewiston Medium: Silkscreen on wove paper Date: 1991 Edition: 150 Sheet Size: 46 1/2" x 26 3/4" Signed: Hand signed in pencil

Artist: Robert Indiana, American (1928 - 2018) Title: Parrot from the American Dream Portfolio Year: 1967 (1997) Medium: Screenprint (unsigned) Edition Size: 395 Image Size: 16.5 x 1...

Artist: Robert Indiana, American (1928 - 2018) Title: 4 Square from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition Size: 395 (unnumbered) Image Size: 14 x...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Robert Indiana Title: The Hartley Elegies - KvF X Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 50 Paper Size: 60 x 60 inches Printer: Bob Blanto...

Artist: Robert Indiana, American (1928 - 2018) Title: Indianapolis Museum of Art Year: 1970 Medium: Silkscreen Poster Size: 35 x 25 in. (88.9 x 63.5 cm)

Artist: Robert Indiana Title: Angel More Year: 1977 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 150 Paper Size: 24 x 20 inches Printer: Fernand Mourlo...

Robert Indiana LOVE Red, Blue & White, 2018 Painted Polystone 6 x 6 x 2 in Ed. 204 of 500 Includes a certificate of authenticity and the original box. Perfect Condition

Artist: Robert Indiana Title: The American Gas Works Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Frame Size: 27" x 23" Sheet Size: 22" x 17" Image Size: 1...

"To Draw a Straight Line (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the por...

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Robert Indiana Santa Fe Opera 1976 Silkscreen in colors Hand signed in pencil 37.5 x 27 inches

Artist: Robert Indiana Title: Black Diamond American Dream #2 Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 9 7/8" x 9 7/8...

Paper Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Image Size: 17 x 13.5 inches ( 43.18 x 34.29 cm ) Framed: No Condition: A: Mint Additional Details: Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The Mississippi River ...

Artist: Robert Indiana Title: Polygon: Square Portfolio: The American Dream Year: 1997 Edition: 76/395 Medium: Original serigraph Framed Size: 24 1/2" x 23 1/2" Image Size: 15 1/8" x...

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: 76/395 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: 28...

Artist: Robert Indiana (American, 1928-2018) Title: "Polygon: Square (Four)" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper...

Screenprint in colors on Schoellers Parole paper, edited in 1968 Limited edition 125 copies , Edited by Domberger, Germany signed and dated in pencil by artist in lower right corner...

Artist: Robert Indiana Title: Yield Brother #2 Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size:...

Artist: Robert Indiana Title: God is Lily of the Valley Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 17" x 13 3/8" Signat...

Signed, dated and numbered in pencil Serigraph 24 x 19.5 inches

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait 1969" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry pap...

Tilt from The American Dream Portfolio By Robert Indiana 19" x 16" Limited Edition Trial Proof

Artist: Robert Indiana Title: Mississippi Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 16 1/8" x 14" Signature: Unsigned

Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Jenny Reefer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Gertrude S." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Jo the Loiterer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: Angel More Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x ...

Artist: Robert Indiana Medium: Original serigraph Title: The President Portfolio: The American Dream Year: 1997 Edition: 61/395 Image Size: approx. 9 7/8...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Artist: Robert Indiana (American, 1928-2018) Title: "The Calumet" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper Limited edition: 395, (there were also 30 artist's proofs) Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA Sheet size: 22" x 16.75" Image size: 15.07" x 14" Condition: In excellent condition Notes: Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued. Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering. This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA. "The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...

Artist: Robert Indiana Title: Spring (Silver), from Four Seasons of Hope Medium: Serigraph Date: 2012 Edition: 55/125 Frame Size: 41" x 35 1/4" Sheet Size: 35" x 29 1/2" Image Size: ...

Artist: Robert Indiana Title: Autumn (Silver), from Four Seasons of Hope Medium: Serigraph Date: 2012 Edition: 55/125 Frame Size: 41" x 35 1/4" Sheet Size: 35" x 29 1/2" Image Size: ...

Artist: Robert Indiana Title: Summer (Silver), from Four Seasons of Hope Medium: Serigraph Date: 2012 Edition: 55/125 Frame Size: 41" x 35 1/4" Sheet Size: 35" x 29 1/2" Image Size: ...