Salvador Dalí Art

ARTIST: Salvador Dali TITLE: Eight Mortal Sins Sloth MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 22/125 MEASUREMENTS: 17.75" x 12" YEAR: 1966 FRAMED...

Salvador Dalí­ Pegasus from The Mythology suite, 1960-1964 Etching and engraving with color aquatint. Hand Signed lower right Numbered 31/150 Image size: 52 x 61 cm Sheet size: 55...

Salvador Dali - Tristan Wounded - Original Etching Dimensions: 45 x 33 cm Edition: 4/125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Drypoint etching on paper, edited in 1973. Limited edition, numbered as 73/150 in lower left corner. Signed in pencil by artist lower right corner. Plate size: 40 x 32 cm Paper size...

Salvador Dali (1904-1989) - Vieux Faust (Old Faust) Drypoint etching with roulette from 1969. The edition 4/95. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierre Ar...

Artist: Salvador Dali Title: Philip (Knighting of Sir Galahad) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: E.A. Frame Size...

Salvador Dali - Sator, from "Faust" Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 K / Michler & Lopsinger 305 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael. Salvador Dali and Gala. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States. Gala was legally divorced from her husband in 1932. In 1934 Dali and Gala were married in a civil ceremony...

Salvador Dali (1904-1989) - Figure in Chains Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrgruen. Refe...

Salvador Dali - The Drawers - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Salvador Dali - The Queen with Silk Tunic - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Salvador Dali - Brother Ogrin, The Hermit - Original Etching Dimensions: 45 x 33 cm Edition: 4/125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 63/150 lower left. Sheet size: 29.875 x 22.1...

Salvador Dali (1904-1989) - Final Apotheosis Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 38 x 28 cm. Publisher: Editeuropa Anslat/Bergrgruen. Refe...

Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 (from the rare Suite) Catalogue raisonné: Michler-Löpsinger 778-...

Salvador Dali Saint Mathew from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 c...

Salvador Dali - The Arrival of Iseult - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Mixed-media incorporating heliogravure and hand-colored drypoint etching on Arches paper, edited in 1963. Limited edition of 150 copies, numbered 71/150 in lower left corner. Hand-si...

Vénus au joueur d'orgue (M. & L. 484c) Etching with stencil printed in colours, 1971, signed and inscribed out of 50 in pencil, in Roman numerals . printed by Atelier Rigal, Pari...

Salvador Dali - Baubo (Woman Riding a Sow), from Faust Embossed signature (from the standard book edition of 731) Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 B / Michler ...

Salvador Dali - The Grand Inquisitor - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - ...

Drypoint on Japon nacré paper, 1963-65. Signed by Dalí in pencil, lower right, and numbered XXXI/C in pencil, lower left. From the Mythology series. Published by Editions Argillet,...

ARTIST: Salvador Dali TITLE: Eight Mortal Sins Pride MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 22/125 MEASUREMENTS: 17.75" x 12" YEAR: 1966 FRAMED...

ARTIST: Salvador Dali TITLE: Eight Mortal Sins Lust MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 22/125 MEASUREMENTS: 17.75" x 12" YEAR: 1966 FRAMED:...

Lithograph in colors on Japon nacré paper From the Les Songes Drolatiques de Pantagruel series Printed by Carpentier Pencil signed lower right This lit...

Salvador Dali (1904-1989) - The Inferno, Canto 34 - Apparition de Dite Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Referenc...

The Judgement of Paris ( Three Graces ) is an original limited edition Epreuve d'Artiste ( EA ) etching on Rives BFK by Salvador Dali from the Mythology Suite. ( ref: Field 63-3.I / Michler & Lopsinger 123 ). Salvador Dalí’s mythology...

Salvador Dali A plate, from Les Songes drolatiques de Pantagruel, 1973 Lithograph on Japanese paper Hand signed lower right Numbered 72/250 Printed by Grapholith Published by Carpe...

ARTIST: Salvador Dali TITLE: Eight Mortal Sins Gluttony MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 22/125 MEASUREMENTS: 17.75" x 12" YEAR: 1966 FRA...

Coloured lithograph on Arches paper. Limited edition, numbered as 103/250. Signed in pencil by artist. Paper size: 65 x 48 cm Framed size: 74.5 x 87.5 cm very good condition Biblio...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes ...

Salvador Dalí (1904-1989) Le Corbeau et Le Renard, from Le Bestiaire de La Fontaine (Field 74-1C; M&L 656) Etching with drypoint and pochoir printed in colours, 1974 signed in pencil...

Salvador Dali (1904-1989) - Prunier hâtif (Hurrying Plum-tree) Lithograph with drypoint etching from 1969. The E.A. on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand signe...

Salvador Dali (1904-1989) - The Paradise, Canto 19 - The Language of the Bird Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. R...

ARTIST: Salvador Dali TITLE: Salom, Herod, and The Head of John The Baptist Original Drawing in "The Secret Life of Salvador Dali" Book MEDIUM: Original Drawing SIGNED: Hand Signe...

Artist: Salvador Dali (1904–1989) Title: Eye Watches from Peephole (Œil regardant par le trou de serrure) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (37.78 x 28.58 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Cercle du Livre Precieux, Paris Printer: Haasen, Boileau and Cappelle, Paris Catalogue raisonne references: Field, Albert, and Salvador Dali. The Official Catalog of the Graphic Works of Salvador Dali. S. Dali Archives, 1996, illustration 67-4; Michler, Ralf, et al. Salvador Dali: Catalogue Raisonne of Prints. Prestel, 1994, illustrations 174–187 Notes: Excerpted from the folio (translated from French), Dali illustre Casanova was realized at the expense of the Cercle du Livre Precieux by Haasen, Boileau and Cappelle for the print of engravings and by Viglino, art printer for the text, under the direction of Claude Talon. The draw has been completed, April 14, 1967. Justification of the draw—a single example on Japon nacre, to which were added V original watercolors and V inked copper plates, as well as a suite of engraved lines on silk, a suite on papier de Rives, and a color suite of the XIV illustrations, numbered I. II examples on Japon nacre, including II original watercolors, II inked copper plates, a silk suite of engraved lines, and a color suite of illustrations, numbered II and III. V examples on Japon nacre, including an original watercolor, an inked copper plate, a silk suite of engraved lines, and a color suite of illustrations, numbered IV to VIII. XVII examples on velin pur chiffon de Rives, to which were added a silk suite of engraved lines and a color suite of illustrations, numbered IX to XXV. CCCLXV examples on velin pur chiffon de Rives, numbered XXVI to CCCXC. In addition, some examples marked H.C. were produced for the publisher and his friends. Additional notes: This exquisite engraving in colors by Salvador Dali (1904–1989), titled Œil regardant par le trou de serrure (Eye Watches from Peephole), from the folio Dali illustre Casanova (Dali Illustrates Casanova), originates from the 1967 edition published by Cercle du Livre Précieux, Paris, and printed by Haasen, Boileau and Cappelle, Paris. The composition exemplifies Dali’s extraordinary command of classical engraving combined with his visionary Surrealist imagination, where symbolic imagery, meticulous draftsmanship, and psychological suggestion converge in an evocative interpretation of the literary world of Giacomo Casanova. In Œil regardant par le trou de serrure (Eye Watches from Peephole), Dali transforms the human eye and the intimate act of looking through a concealed opening into an enigmatic meditation on voyeurism, curiosity, secrecy, and forbidden desire. The eye, one of the most powerful recurring symbols within Surrealist art, evokes perception, consciousness, and the mysteries of the subconscious mind, while the peephole introduces associations with concealed observation, erotic intrigue, and the tension between revelation and concealment. These themes resonate with Casanova’s celebrated memoirs, whose accounts of romance, seduction, and clandestine encounters provided Dali with a rich imaginative framework for exploring the complexities of human desire. Through his characteristic combination of technical precision, provocative symbolism, and imaginative ambiguity, Dali transforms the simple act of observation into a psychologically charged exploration of temptation, intimacy, and the mysteries of human experience. Dali illustre Casanova (Dali Illustrates Casanova), published in Paris in 1967 by Cercle du Livre Précieux, represents a distinguished collaboration between Salvador Dali’s visionary Surrealist imagination and the literary legacy of Giacomo Casanova, the celebrated eighteenth-century Venetian adventurer, writer, and chronicler of European society. Conceived within the tradition of the French livre d’artiste, the publication unites original graphic works, literary narrative, and exceptional craftsmanship in a refined edition intended for collectors of fine art and illustrated literature. Casanova’s memoirs, renowned for their vivid accounts of romance, intrigue, travel, aristocratic society, and the complexities of human desire, provided Dali with a particularly fertile imaginative framework through which to explore his lifelong fascination with eroticism, symbolism, psychological transformation, and the irrational dimensions of human experience. Rather than approaching the literary subject through conventional illustration alone, Dali interprets the world of Casanova through his distinctive Surrealist vocabulary, transforming objects, figures, and symbolic motifs into enigmatic compositions that evoke the sensuality, theatricality, and psychological tensions of the narrative. Through its synthesis of eighteenth-century literary culture, Surrealist symbolism, original etching, and traditional French bookmaking, Dali illustre Casanova stands as an important expression of Dali’s engagement with the illustrated book and his ability to reinterpret historical literature through the imaginative possibilities of modern art. SALVADOR DALI (1904–1989) was a Spanish painter, draughtsman, printmaker, sculptor, designer, filmmaker, and writer whose astonishing technical virtuosity, theatrical imagination, and psychologically charged dream imagery established him as one of the most celebrated and recognizable artists of the twentieth century and one of the defining figures of the Surrealist movement. Born in Figueres in Catalonia, Spain, Dali demonstrated exceptional artistic talent at an early age and later studied at the Real Academia de Bellas Artes de San Fernando in Madrid, where he absorbed the traditions of Renaissance draftsmanship, Spanish Golden Age painting, and the radical visual innovations transforming modern European art. During this formative period he became aware of the revolutionary achievements of Pablo Picasso, whose Cubist experiments reshaped modern painting, while also engaging with the poetic symbolism of Joan Miro, the experimental photography of Man Ray, the conceptual provocations of Marcel Duchamp, the sculptural investigations of Alberto Giacometti and Alexander Calder, and the spiritual abstraction of Wassily Kandinsky. In the late 1920s Dali moved to Paris and joined the Surrealist circle led by Andre Breton, quickly distinguishing himself through his extraordinary technical skill and his ability to translate psychoanalytic ideas into unforgettable visual form. It was during this period that he developed the paranoiac-critical method, a process intended to access the subconscious through controlled irrational associations, enabling him to create images that shift between multiple interpretations and symbolic meanings. Through this method he produced some of the most iconic works of modern art, including The Persistence of Memory, The Great Masturbator, and Soft Construction with Boiled Beans, paintings that introduced imagery such as melting clocks, distorted landscapes, and dreamlike spaces rendered with the precision of Old Master painting. Throughout his prolific career Dali worked across painting, sculpture, printmaking, jewelry design, photography, theater, literature, and film, collaborating with figures such as Luis Bunuel on the landmark Surrealist film Un Chien Andalou, designing the dream sequence for Alfred Hitchcock’s film Spellbound, and even producing experimental animation with Walt Disney. Dali also became one of the twentieth century’s most prolific printmakers, producing extensive bodies of etchings, lithographs, and illustrated works that brought Surrealist imagery to collectors worldwide. His flamboyant public persona and instantly recognizable mustache made him a cultural icon, yet beneath the spectacle lay a disciplined artist deeply informed by art history, drawing inspiration from Renaissance and Baroque masters such as Leonardo da Vinci, Raphael, Velazquez, and Vermeer while pushing painting toward psychological and symbolic exploration. Dali’s imaginative universe influenced generations of artists across many disciplines, including Andy Warhol, Jeff Koons, Damien Hirst, Matthew Barney, and numerous contemporary painters, photographers, filmmakers, and designers exploring dream imagery, hyperrealism, symbolism, and the subconscious mind. Today his works are held in many of the world’s leading museum collections, including the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Salvador Dali Museum in St. Petersburg, Florida, the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate in London, and the Art Institute of Chicago. Salvador Dali’s paintings, sculptures, drawings, and graphic works remain among the most recognizable and widely collected works of twentieth century art, and the highest auction record for a painting by Salvador Dali is Portrait de Paul Eluard (1929), which sold for 21,671,500 GBP at Sotheby’s London on February 10, 2011, confirming his lasting importance in the international art market and the continuing demand for his visionary works among collectors worldwide. Salvador Dali Œil regardant par le trou de serrure (Eye Watches from Peephole), Salvador Dali Casanova, Dali illustre Casanova, Dali 1967 engraving, Salvador Dali color engraving, Dali Cercle du Livre Précieux Paris, Dali Haasen Boileau Cappelle, Dali vélin pur chiffon de Rives, Dali Surrealist print, Dali eye...

Salvador Dalí­ Dan, from the series Twelve Tribes of Israel, 1973 Sheet size: 65 x 50 cm Hand signed lower right Numbered 31/195 lower left Printed by Atelier Rigal, Fontenay-aux-Ros...

Artist: Salvador Dali (1904–1989) Title: Pear and Nude Back (Poire et dos nu) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 ...

Artist: Salvador Dali (1904–1989) Title: Nude Couple, Large Serpent (Couple nu, grand serpent) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Pa...

Artist: Salvador Dali (1904–1989) Title: Ants, Nails and Flies on Nude (Fourmis, clous et mouches nus) Year: April 14, 1967 Medium: Engraving in colors on velin pur chiffon de Rives paper Paper Size: 14.875 x 11.25 inches (37.78 x 28.58 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed in the plate and unnumbered as issued Publisher: Cercle du Livre Precieux, Paris Printer: Haasen, Boileau and Cappelle, Paris Catalogue raisonne references: Field, Albert, and Salvador Dali. The Official Catalog of the Graphic Works of Salvador Dali. S. Dali Archives, 1996, illustration 67-4; Michler, Ralf, et al. Salvador Dali: Catalogue Raisonne of Prints. Prestel, 1994, illustrations 174–187 Notes: Excerpted from the folio (translated from French), Dali illustre Casanova was realized at the expense of the Cercle du Livre Precieux by Haasen, Boileau and Cappelle for the print of engravings and by Viglino, art printer for the text, under the direction of Claude Talon. The draw has been completed, April 14, 1967. Justification of the draw—a single example on Japon nacre, to which were added V original watercolors and V inked copper plates, as well as a suite of engraved lines on silk, a suite on papier de Rives, and a color suite of the XIV illustrations, numbered I. II examples on Japon nacre, including II original watercolors, II inked copper plates, a silk suite of engraved lines, and a color suite of illustrations, numbered II and III. V examples on Japon nacre, including an original watercolor, an inked copper plate, a silk suite of engraved lines, and a color suite of illustrations, numbered IV to VIII. XVII examples on velin pur chiffon de Rives, to which were added a silk suite of engraved lines and a color suite of illustrations, numbered IX to XXV. CCCLXV examples on velin pur chiffon de Rives, numbered XXVI to CCCXC. In addition, some examples marked H.C. were produced for the publisher and his friends. Additional notes: This exquisite engraving in colors by Salvador Dali (1904–1989), titled Fourmis, clous et mouches nus (Ants, Nails and Flies on Nude), from the folio Dali illustre Casanova (Dali Illustrates Casanova), originates from the 1967 edition published by Cercle du Livre Précieux, Paris, and printed by Haasen, Boileau and Cappelle, Paris. The composition exemplifies Dali’s extraordinary command of classical engraving and his visionary Surrealist imagination, bringing together the human figure, insects, and symbolic objects in a provocative exploration of desire, vulnerability, and mortality. Ants and flies, recurring motifs within Dali’s artistic vocabulary, evoke decay, anxiety, and the passage of time, while nails introduce associations with physical sensation and suffering. The juxtaposition of these elements against the nude figure creates a psychologically charged image that reflects the sensuality, eroticism, and intrigue of Casanova’s celebrated memoirs. Through meticulous draftsmanship and imaginative symbolism, Dali transforms familiar forms into an enigmatic meditation on human desire and the subconscious mind. Dali illustre Casanova (Dali Illustrates Casanova), published in Paris in 1967 by Cercle du Livre Précieux, represents a distinguished collaboration between Salvador Dali’s visionary Surrealist imagination and the literary legacy of Giacomo Casanova, the celebrated eighteenth-century Venetian adventurer, writer, and chronicler of European society. Conceived within the tradition of the French livre d’artiste, the publication unites original graphic works, literary narrative, and exceptional craftsmanship in a refined edition intended for collectors of fine art and illustrated literature. Casanova’s memoirs, renowned for their vivid accounts of romance, intrigue, travel, aristocratic society, and the complexities of human desire, provided Dali with a particularly fertile imaginative framework through which to explore his lifelong fascination with eroticism, symbolism, psychological transformation, and the irrational dimensions of human experience. Rather than approaching the literary subject through conventional illustration alone, Dali interprets the world of Casanova through his distinctive Surrealist vocabulary, transforming objects, figures, and symbolic motifs into enigmatic compositions that evoke the sensuality, theatricality, and psychological tensions of the narrative. Through its synthesis of eighteenth-century literary culture, Surrealist symbolism, original etching, and traditional French bookmaking, Dali illustre Casanova stands as an important expression of Dali’s engagement with the illustrated book and his ability to reinterpret historical literature through the imaginative possibilities of modern art. SALVADOR DALI (1904–1989) was a Spanish painter, draughtsman, printmaker, sculptor, designer, filmmaker, and writer whose astonishing technical virtuosity, theatrical imagination, and psychologically charged dream imagery established him as one of the most celebrated and recognizable artists of the twentieth century and one of the defining figures of the Surrealist movement. Born in Figueres in Catalonia, Spain, Dali demonstrated exceptional artistic talent at an early age and later studied at the Real Academia de Bellas Artes de San Fernando in Madrid, where he absorbed the traditions of Renaissance draftsmanship, Spanish Golden Age painting, and the radical visual innovations transforming modern European art. During this formative period he became aware of the revolutionary achievements of Pablo Picasso, whose Cubist experiments reshaped modern painting, while also engaging with the poetic symbolism of Joan Miro, the experimental photography of Man Ray, the conceptual provocations of Marcel Duchamp, the sculptural investigations of Alberto Giacometti and Alexander Calder, and the spiritual abstraction of Wassily Kandinsky. In the late 1920s Dali moved to Paris and joined the Surrealist circle led by Andre Breton, quickly distinguishing himself through his extraordinary technical skill and his ability to translate psychoanalytic ideas into unforgettable visual form. It was during this period that he developed the paranoiac-critical method, a process intended to access the subconscious through controlled irrational associations, enabling him to create images that shift between multiple interpretations and symbolic meanings. Through this method he produced some of the most iconic works of modern art, including The Persistence of Memory, The Great Masturbator, and Soft Construction with Boiled Beans, paintings that introduced imagery such as melting clocks, distorted landscapes, and dreamlike spaces rendered with the precision of Old Master painting. Throughout his prolific career Dali worked across painting, sculpture, printmaking, jewelry design, photography, theater, literature, and film, collaborating with figures such as Luis Bunuel on the landmark Surrealist film Un Chien Andalou, designing the dream sequence for Alfred Hitchcock’s film Spellbound, and even producing experimental animation with Walt Disney. Dali also became one of the twentieth century’s most prolific printmakers, producing extensive bodies of etchings, lithographs, and illustrated works that brought Surrealist imagery to collectors worldwide. His flamboyant public persona and instantly recognizable mustache made him a cultural icon, yet beneath the spectacle lay a disciplined artist deeply informed by art history, drawing inspiration from Renaissance and Baroque masters such as Leonardo da Vinci, Raphael, Velazquez, and Vermeer while pushing painting toward psychological and symbolic exploration. Dali’s imaginative universe influenced generations of artists across many disciplines, including Andy Warhol, Jeff Koons, Damien Hirst, Matthew Barney, and numerous contemporary painters, photographers, filmmakers, and designers exploring dream imagery, hyperrealism, symbolism, and the subconscious mind. Today his works are held in many of the world’s leading museum collections, including the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Salvador Dali Museum in St. Petersburg, Florida, the Museum of Modern Art in New York, the Centre Pompidou in Paris, the Tate in London, and the Art Institute of Chicago. Salvador Dali’s paintings, sculptures, drawings, and graphic works remain among the most recognizable and widely collected works of twentieth century art, and the highest auction record for a painting by Salvador Dali is Portrait de Paul Eluard (1929), which sold for 21,671,500 GBP at Sotheby’s London on February 10, 2011, confirming his lasting importance in the international art market and the continuing demand for his visionary works among collectors worldwide. Salvador Dali Fourmis, clous et mouches nus (Ants, Nails and Flies on Nude), Salvador Dali Casanova, Dali illustre Casanova, Dali 1967 engraving, Salvador Dali color engraving, Dali Cercle du Livre Précieux Paris, Dali Haasen Boileau Cappelle, Dali vélin pur chiffon de Rives, Dali Surrealist print, Dali ants...

Salvador Dali (1904-1989) - The Struggle Etching from 1974. The edition of 38/350. Dimensions of work: 56 x 38 cm. Hand signed. Publisher: Leblanc. Referencja: R. Michler, L.W...

Salvador Dali (1904-1989) - The Portico Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 28 x 38 cm. Publisher: Editeuropa Anslat/Bergrgruen. Reference...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes referred to as the Knights of the Roundtable Suite). Signed and numbered in pencil. (54/350) This image is sometimes referred to as "Visions of Camelot." Edition Size: 350. Paper Size: 22.5 x 18.8 in. Referenced in; The Official Catalog of the Graphic works of Salvador Dali" by Albert Field as 72-14 C. Published by S. Wajntraub, P. Moore, A. Lancel and J. Carpentier, Paris. Framed Provenance: Martin Lawrence Gallery...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Artist: Salvador Dali (1904–1989) Title: Untitled (Sans titre) Year: December 20, 1958 Medium: Engraving on papier d'Auvergne, filigrane au Tricorne, specialement fabrique feuille a ...

Salvador Dali Révérence du groseillier, from Flor Dali/Les fruits, 1969 Etching in colors on Rives BFK paper Sheet size 75 x 54 cm Hand signed lower right Edition 130 / 200 lower l...

Salvador Dali (1904-1989) - Reuben Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerland. Re...

Salvador Dali (1904-1989) - Vision of Paradise Etching from 1971. The edition of 265 on Arches paper. Dimensions of work: 28 x 38 cm. Publisher: Editeuropa Anslat/Bergrgruen. Re...

ARTIST: Salvador Dali TITLE: Tauramachi Surrealiste The Parrots MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: 149/150 MEASUREMENTS: ...

An original hand-signed Dali etching framed in a museum white-gold leaf frame with silk matting and silver bevel. Artist: Salvador Dali Title: Thou art all faire, my love: there is ...

Salvador Dali (1904-1989) Purgatory 13 - The Second Terrace Color woodcut on paper Printed signature 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFE...

Salvador Dali (1904-1989) Purgatory 19 - Dante's Dream Woodcut on paper Signature printed in the image 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10 in) ...

Salvador Dali (1904-1989) - The Divine Love of Gala Drypoint etching with stencil from 1973. F171/195 on BFK Rives paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Transworld...

ARTIST: Salvador Dali TITLE: Eight Mortal Sins Anger MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 22/125 MEASUREMENTS: 17.75" x 12" YEAR: 1966 FRAME...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Transfiguration" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Etching on Auvergne paper Limited edition: 90/10...

Salvador Dali (1904-1989) - Reuben Etching from 1973. The edition of 77/195. Dimensions of work: 65.5 x 50 cm. Hand signed. Publisher: Transworld Art, Fribourg, Switzerland. Re...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Piano in The Snow MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 25/150 MEASUREMENTS: 20" x 26" Y...

Salvador Dali (1904-1989) - Viviane and Lancelot on the Lake Drypoint etching from 1975. The edition of 89/249. Dimensions of sheet: 18.9 x 13.8 in (48 x 35 cm) Dimensions in fra...

Artist: Dali, Salvador Title: Mission Dolores Series: San Francisco Date: 1970 Medium: Drypoint with lithographed color Framed Dimensions: 33" x 27" Signature: Pencil signed E...