Hand-Crafted Building and Garden Elements

2070 Rare tall Japanese owl garden candle lantern supplied with antique chain for hanging.

This sculptural contemporary dining table is defined by its dramatically elongated elliptical top and singular curved pedestal base. The restrained geometry creates a strong architec...

This fireplace screen reflects 1970s artisanal metalwork, crafted in blackened wrought iron with an integrated protective wire mesh backing. The front frame features an applied wroug...

Title Vintage Gothic Revival Gold-Finish Wrought Iron Fireplace Fender and Tool Set, circa 1920s Description A dramatic Gothic Revival style fireplace fender and tool set, dating to approximately the 1940s, featuring substantial wrought iron construction, scrolling ornament, and a richly distressed gold-tone finish. The long fireplace fender is designed with an openwork crest of scrolling Gothic-inspired ironwork above a studded lower rail, creating a strong architectural presence across the hearth. Tall end posts are integrated into the design and support the accompanying fireplace tools. The set includes a poker, tongs, fork, and shovel, all coordinated with the decorative iron framework. The intentionally distressed finish gives the ensemble an aged, old-world appearance while highlighting the sculptural metalwork. A highly decorative and functional hearth accessory, ideal for a traditional, Gothic Revival, Tudor, English country, or collected interior. Period: Mid-20th Century Date: circa 1920s Style: Gothic Revival / Traditional Materials: Wrought iron Finish: Distressed gold-tone finish Included: Fender, poker, tongs, fork, and shovel Maker: Unmarked Condition Excellent original vintage condition with attractive age-appropriate patina and intentionally distressed finish. Minor surface wear is consistent with age and use. Dimensions Width: 47.5 in. Depth: 8 in. Height: 23 in. Suggested 1stDibs Keywords Gothic fireplace fender, wrought iron fireplace set, antique style fireplace tools, Gothic Revival hearth set, gold iron fireplace screen, vintage fireplace fender, fireplace tool set, traditional hearth accessories, wrought iron fender, Tudor style fireplace...

An early American farmhouse barn door salvaged from a property in rural Ohio. Hand-planed pine boards with visible pegs and square nails speak to its honest construction, while trace...

Wonderful Antique Bas Relief Fireplace Surround in Hand Carved Stone. This fireplace surround in carved stone is truly one of the best things we’ve seen. Dating back to the late 19t...

A C R O T E R I O N is pleased to offer this wonderful large Irish George III circa 1780 peat, turf, or kindling bucket of solid mahogany stave construction and round tapering form w...

This Indoor/Outdoor Side Table is beautifully constructed from solid wood and handmade tile in Ohio, USA. Tile tables were a mid-century icon and I felt they were missing in the mode...

A monumental Gainey Ceramics architectural planter, hand-crafted in California, showcasing the clean lines and understated elegance that have made Gainey one of the most respected na...

Japanese Large 24" Tall Patinated Bronze Temple Bell With A Resonating Sound Guaranteed to Please You The engarved double signature with patron notations, and pleasing natural gree...

A remarkably decorative and authentic original Jugendstil (Art Nouveau) fireplace screen, dating to the early 20th century, circa 1895–1915, showcasing the unmistakable organic elega...

Historic wrought-iron wall bracket (Ausleger), of the kind used as a tavern or trade sign. The arm is forged in open scrollwork: large C-scrolls and S-scrolls of iron, with applied a...

A rare fragment of late Gothic craftsmanship from 15th‑century France, this carved oak panel reveals the architectural poetry of medieval tracery. The design features intersecting po...

This stone Buddha was made on Sado Island in Niigata Prefecture. Sado Island is a special island with its own distinct history and culture, considered a rare place even within Japan,...

Wonderful and perfectly hand carved overdoor panel. This hand-carved wooden panel is a finely crafted decorative element, distinguished by its ba...

Brass Handle, Glory Lily A, Viya by Vikram Goyal Handle in brass. Handmade in India. The Glory Lily flower dances in paradox, embodying breathtaking beauty and potent power. A stri...

Pair of 19th-century French oak exterior doors with original painted surfaces and architectural detailing. Each door is constructed with a tall molded upper panel, a smaller central ...

Alligator by Bussoga – Modern Outdoor Furniture in Steel and Artisan Ceramic Tiles ‘Cocodril’ (Crocodile) is a sculptural furniture piece from the acclaimed Enrrajolats animal colle...

A magnificent pair of circa 1880 English garden urns in the form of tazzas, rising from heavy pedestals to install in the garden or patio. Cast from reconstituted stone (a concrete m...

A finely crafted and beautifully matched pair of antique Japanese patinated bronze jardinieres or cachepots, dating to the Meiji period (1868–1912), each bearing a Japanese signature...

Spanish Revival Wrought Iron Fireplace Screen Attributed to Addison Mizner Spanish Revival wrought iron fireplace screen attributed to Addison Mizner, featuring an extensive arrange...

Sculptural alabaster Art Deco period urn table lamp with neoclassical design, Italy, 1940s. This elegant carved alabaster neoclassical 'uplighter' urn lamp will be a nice addition pl...

A reproduction terracotta pot made on the island of Crete using traditional pottery techniques. Decorating the bulbous form are a series of parallel rings and a line of clay pieces ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Hand-crafted by Aaron Saxton in the United States. Produced for clients not wishing to purchase our doors directly and to provide their own existing door for adornment, or newly pu...

This pair of andirons, designed by Jacques Adnet in France during the 1930s, exemplifies the transition from traditional Art Deco to early French Modernism. The structure features a ...

Radial sunburst Entrance Door in walnut made to order by History Never Repeats LLC. Designed by Aaron Saxton and Maria Armada. Custom produced double doors are as shown 86" tall and...

A truly exceptional pair of monumental bronze sunburst doors, embodying the glamour, drama, and architectural confidence of prestigious Mid-Centu...

MID CENTURY DOOR HANDLES We have three of these sets of door handles available to purchase individually which include handles for each...

Stunning Gothic architectural door with strong iron hardware in original frame. This striking and all hand carved door was originally probably part of a church or monastery and the ...

A large, sculptural vintage Mid-Century modern Swiss Handkerchief or Elephant Ear planter designed by Willy Guhl for Eternit. Produced in a light weight reinforced cement, in good co...

A large, vintage Mid-Century modern Swiss biomorphic garden planter made of hand crafted light weight cement designed by Willy Guhl and produced by Eternit, in good condition. This s...

A solid teak outdoor dining table defined by a T-shaped trestle base, where mass and structure are treated with clarity and restraint. The composition is reduced to its essential ele...

Fantastic set of four French Chairs by Francois Carre with the signature sunburst seat and back. Two arm and two side chairs with slightly canted backs for comfortable lounging. Some...

Hard To Find Design - Extraordinary Craftsmanship Japanese huge over size owl with large ear feathers , 13 inches tall. Signed Japan on its base Please view our video This hands...

Spectacular set of 3 Prairie School with an Art Deco design windows from a disassembled bungalow in the Chicago area. C1920 still in the original wood frames with all the old peeling...

Large Hollywood Regency rectangular tall jardinière or drinks corner, Gold leaf, gilt iron, France, 1940s. This elegant tall plant stand is entirely made by hand. It features a leafe...

Personalize your design with our brass scallop shell knob. Made of cast brass faithfully recreates the natural characteristics of this seashell, this exquisite accessory adds a touch...

The Monolithic Dining Table by Sidani Design is conceived as an exploration of mass, balance, and material expression. Its composition brings t...

This contemporary sculptural coffee table is crafted from resin-reinforced fiberglass, a highly durable composite material valued for its strength, lightness, and resistance to outdo...

Charming Spanish library step chair crafted from wood, featuring a practical and ingenious folding design. When closed, the piece functions as a compact chair or stool. It can be ea...

Bring modern elegance to your space with this sculptural coffee table, featuring a distinctive bronze finish and an artistic textured base. Its contemporary design combines refined m...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Antique Folding Fire Screen in Patinated Brass 19th Century. A early to mid 19th century antique folding fire screen in nicely patinated brass. Wonderful honest and original piece -...

Very beautiful copper eagle weather vane with amazing verdigris patine . France circa 1880, weathered. Measurements include the wooden base. H:59cm W:55cm D:37cm

Material: Rosso Levanto Marble Dimensions: 36" W x 40" H x 8" D (2.5" Thickness) Style: Modern/ Minimalist Customization: Fully customizable dimensions and edge profiles available...

An antique English Victorian cast iron garden bench with scroll design, leaf décor, and centered motif on seat and backrest, in good condition. The seat is perforated, with a white p...

An antique French large three tier design half round garden plant stand, in good condition. This plant holder is made of white wire metal, 2-tier 6" in width and the top has a 7" rou...

Fantastic mid sixties enameled stove fireplace with screen and one stove pipe in sixties orange. Unsigned but in the style of Pre-Way stove with a tapere ...

Garden concrete planters in a classic style. Perfect urns for indoor or outdoor. Perfect sculptures that would make a fantastic centerpiece on a console or dining table as well as co...

Introducing a new product to the Brow collection: the round, low table ¡Ay! Brow. Brow was already a staple in Zachary A. Design’s line of products. The addition of this new brow-he...

An antique terracotta jar in grand scale ,with beautiful aged patina two side handles, the third one is missing. Good condition even though the ...

Modern and minimalist in design, this dreamy daybed creates the illusion of flotation that rotates a full 360 degrees. The solid metal base ensures stability and safety. This outdoor...

These door handles were designed by Otto Wagner for the Austrian Postal Savings Bank, built in 1906. These original sets offered here were replaced after World War II by newer ones (...

This whimsical hand-painted, hand-sculpted representation of a standing egret will add charm and character to your garden or interior. The bird and its base are made in one piece of ...

A charming set of four French mid-century modern painted iron patio and garden lounge armchairs finished in a whimsical Gumby green paint. Each chair is constructed with thick linear...

Impressive late 19th-century North American architectural fireplace mantel, circa 1905, constructed in solid fir and found in Vancouver, British Columbia. At approximately 8 feet wid...

Antique Handmade Unglazed Terracota Olive Jar or Vessel, Spain, 19th century- 1930s This eye-catching dark terracota jar or urn was designed to contain water and to keep it fresh. I...

These large scale antique stone bases were originally used as bases for columns in Spanish Colonial Guatemala. These are the largest we have ever had in stock. In very good condition...

Hand-hammered copper and brass tea kettle made in India from the early 20th century, very well hand-made with delicate craftsmanship, and highly colle...