Ormolu Mantel Clocks

Louis XVI ormolu-mounted Mantel Clock signed Julien Leroy A Paris France, 18th century A similar clock sold at Sothebys New York for $81,250 (Important ...

Very fine ormolu and Sèvres-style porcelain calendar mantel clock French, 19th Century Measures: Height 43cm, width 31cm, depth 16cm In a similar style to pieces by the famed and leading clockmaking firm of the late nineteenth century, Charles Oudin...

A French Sevres style cobalt blue lyre clock with finely cast ormolu sunburst and floral swagged mounts with jewelled bezel, pretty floral swa...

An ovoid gilt bronze urn adorned with cast swagged garlands, bows and acanthus leaves housing a white enamel clock face with Roman hours and Arabic minutes and marked ‘De La Fontaine...

Are antique French Louis XV ormolu mantel clock of Hannibal and Scipio signed Amant. This rare and unusual clock, in extremely fine condition an...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

A magnificent turn of the late 19th / early 20th century French three piece mantel set, retailed by the renowned Bailey Banks and Biddle, with movement by Samuel Marti of Paris. The stunning antique...

Very Large Ormolu Marble Regulator Calendar Mantle Clock Barbedienne French, Late 19th Century Height 121cm, width 64cm, depth 28cm Expertly produced in France during the final de...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

An extremely rare Louis XVI mantel clock 'a cremaillere', a movement driven by its own weight, where the moving drum barrel is running down an inclined whi...

An extremely high quality French mid 19th century Louis XVI st. signed 'Lepaute, Paris' ormolu clock. The clock with a superb chasing throughout has all of its original gilt. Raised ...

Antique French Ormolu and Sèvres Porcelain Clock ~ French - Circa 1850 ~ ~~ Excellent condition, fully overhauled ~~ A fine and early ormolu ...

A stunning antique French ormolu clock set, circa 1870, mounted with exquisite Sèvres style porcelain with Rose Pompadour pink ground. Pan...

A very impressive fine quality late 19th Century French gilded ormolu and Champleve enamel mantle clock. Having a seated cherub above the clock face, and a...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

Louis XVI Style Patinated and Gilt Bronze and White Marble Three Piece Clock Set, late 19th century, comprising a globe clock, with strike on bell timepiece movement, supported by th...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

Antique Parisian mantel clock and candelabra set by Denière et Fils French, 19th century Clock: Height 60cm, width 36cm, depth 19cm Candela...

A Fine Louis XVI-Style Gilt Bronze and White Marble Mantel Clock After a model by Étienne-Maurice Falconet The urn-form pendule à cercles t...

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

This large and impressive clock is by the renown French Bronzier Lemerle Charpentier & Cie. It features Classical maidens holding a large urn form case surmounted by Cupid with his ...

A superb example of neoclassical artistry, this antique Louis XVI style mantel clock was crafted in Italy circa 1834. Rich in symbolism and detail, the clock features a finely cast g...

A fine model of Chronos carrying off time. The superbly modelled and cast figure of Chronos with scythe in one hand and carrying the clock under his arm. Set on a fine marble base wi...

This large and impressive clock garniture set consists of a central clock and a pair of flanking vases. The three pieces are extremely finely decorated with painted cartouches of fly...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

Fine antique French Empire Ormolu mantel clock of a chariot drawn by two winged horses carrying the chariot with a female figure. Thi...

A Large Gilt-Bronze Four-Glass Mantel Regulator Calendar Clock. The architectural case composed of two columns supporting a stepped top. The front and back with bevel glazed doors. The enamel clock...

A fabulous over one hundred and sixty year old Parisian neoclassical style Bardiglio marble three piece mantel set. Born in Paris, France in the mid 19th century, featuring an an...

Antique 18th century Boulle bracket clock by Brezagez and Marchand French, circa 1740 Measures: Clock: Height 87cm, width 47cm, depth 21cm Bracket: Height 40cm, width 53cm, depth 24cm Total: Height 127cm This beautiful 18th century French bracket clock...

French Empire Ormolu mantel clock resting on four turned feet supporting an oval base with raised garland and zig-zag rope decoration...

An exquisite antique French ormolu clock mounted with Sevres style porcelain. Made in finely gilded bronze, sculptured as a large gadrooned and handled urn, draped with acanthus garl...

Louis XVI style ormolu and rouge griotte marble clock set French, 1867 Clock: height 67cm, width 46cm, depth 28cm Candelabra: height 81cm...

A Fine Late 19th Century French Le Roy and Fils Ormolu Mantel Clock The ornate case in the Louis XVI style with finely cast and chased ornament, a tribute to the art of the bronzier...

A fine and early ormolu (finely gilded bronze) and Sèvres-style porcelain clock by the renowned maker Achille Brocot, retailed by the illustrious London firm of Charles Frodsham & Co...

Neoclassical Gilt-Bronze and Polychrome Enamel Mantel Clock By Denière et Fils (French, 1804–1903) Picard, Henri (French, fl. 1831–1864) Height: 45cm, width56cm, depth: 25cm This...

A fine and stunning original antique French boudoir clock. It is beautifully made of ormolu (finely gilded bronze), very well modelled and chased, and mounted with exquisite Sèvres s...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Depicting a young woman seated at a table holding a book and looking at a celestial globe, above the central dial signed 'Gaston Jolly Paris' and flanked by two busts.

France, circa 1820-1830. A large-scale early 19th century bronze and gilt bronze mantel clock, the clocks hunting theme, featuring three different scenes. The bronze Diana...

Elegant mid-19th century French mantel clock, finely crafted with gilt-bronze ormolu mounts and exquisite hand-painted Sèvres porcelain panels. The clock is adorned with striking bro...

An Exceptional French Japonisme Ormolu and Champlevé Enamel Five-Piece Clock Set, In the Manner of Edouard Lièvre, circa 1870, Paris. This extraordinary French Japonisme clock set, ...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

Dimensions - H: 16 in W: 7 1/2 in D: 4 1/4 in This exceptional 19th-century French Empire-style bronze ormolu clock, crafted by the renowned Parisian clockmaker Etienne Maxant and r...

A Louis XVI Style Gilt and Patinated Bronze and Marble Clock Garniture, Comprising a 'Pendule à Cercles Tournants' Modelled with the Three Graces and a Pair of Cherub Four-Light Cand...

An exceptional and very high quality French 19th century Louis XV st. ormolu clock. The clock is raised by most elegant scroll acanthus leaves centering a beautiful foliate reserve. ...

An extraordinary example of Empire period craftsmanship, this grand French mantel clock was created circa 1815 by the esteemed sculptor and clockmaker Albert Ernest. It exemplifies t...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

French Empire Patinated Bronze and Ormolu Mantel Clock Patinated bronze and ormolu mantel clock housed in an oval ribbed case with raised plinth with fine engine turned band and res...

This ormolu (gilt bronze) mantel clock is a stunning piece of design, which features beautiful neoclassical style low-relief decorations and three-dimensional sculptures. The clock takes the form of a tall rectangular case with a circular white enamel dial near its top. This dial features black Roman Numerals and the maker’s signature, ‘Robin/ à Paris’. The dial is displayed behind a glass lens within a foliate bezel. The case is decorated in its upper corners with rosettes, and in the lower section with a stylised depiction of a swan. The case is topped by a sculpture of a wreath, propped up on a roll of paper or parchment. To the left of the case, there is a full-length statue of a man who wears a classical robe and holds a mirror. A lyre leans against the right side of the case. The clock is set on a wide rectangular base which is decorated with a low-relief scene taken from the classical myth of Dido and Aeneas...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...

Charles X Style ormolu and malachite mantel clock with horse and jockey French, 19th Century Height 56cm, width 34cm, depth 14cm. This exceptional piece is a fine ormolu-mounted and malachite mantel clock, with a movement made and stamped by Leroy and Pailly, dating to c.1840. Made in the Charles X style, this work exhibits the timeless combination of gilt-bronze and malachite to great effect, mounting the fine 19th century movement within a later malachite addition, surmounted in turn by a superb statue of horse and jockey. Further gilt elements decorate the case and the base. Exemplifying some of the best in antique clock making, and finished with a rare and impressive equestrian sculpture, it is the perfect collector's piece for those with a love of either horses, antique timepieces...

A Fine quality French 19th century gilded ormolu and white marble mantel clock in the Louis XVI style. Having a two handled urn to the top with flowers and garlands draping down to t...

A rosewood and ormolu mounted bracket clock. With an eight day twin fusee movement, signed Adams of Lombard Street on the 5 inch silvered dial and movement back plate. Striking on a ...

An exceptional antique French Louis XV style clock set, circa 1870. Beautifully made in ormolu (finely gilded Bronze Dore), patinated bronze and Rouge Griotte Marble. The clock is mo...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...