Ormolu Mantel Clocks

Reloj inglés de sobremesa bracket, con caja de madera de nogal de nogal ebonizada, y exterior chapado ébano y aplicaciones ornamentales de bronce en relieve y bulto redondo. Presen...

Are antique French Louis XV ormolu mantel clock of Hannibal and Scipio signed Amant. This rare and unusual clock, in extremely fine condition an...

A very impressive gilded ormolu Louis XVI style clock garniture, the clock and candelabra being supported by winged cherubs, scrolling swags and foliage and classical mask...

A superb early antique French ormolu and Sèvres style porcelain clock. It is made of exquisite ormolu (finely gilded bronze) mounted with very finely painted Sèvres style porcelain, ...

Exceptional 19th century French mantel clock from the Napoleon III period, executed in refined Louis XVI style and combining richly contrasting materials including patinated bronze, ...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

An impressive late 19th century French gilded ormolu and patinated bronze mantel clock. Having three putti mounted to the top each playing musical instruments. The clock having an ei...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

A very good quality French 19th century gilded ormolu and pink Sevres porcelain mantel clock. Having monopodia supports, a putti supporti...

A fine quality empire ormolu-mounted patinated bronze and rouge royale marble mantel clock. The patinated bronze figures depicting cupid and psyche. Attributed to Pierre-Victor Ledure...

Gilt bronze eagle and marble ball clock. France, circa 1900.

Charles X "The Serpent and The Eagle" Ormolu Clock, circa 1830, the circular dial with strike on bell movement, signed "Charles a Paris", surmounted by the serpent and the eagle from...

A stunning and high quality French 19th century Louis XV. st. ormolu, patinated bronze and Rouge Griotte marble clock. The clock is raised b...

This ormolu clock is an exemplary work by the famous French 19th century metalworker and foundry-owner, Ferdiand Barbedienne. Working with a design made by the acclaimed onamentalist, Louis-Constant...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

A very fine and substantial ormolu clock by the clockmaker Vincenti. Stunning Rococo balloon form of sweeping acanthus swags, scrolls and floral flourishes. To the top of a beautiful...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

Louis XVI Style Ormolu and Alabaster Portico Mantel Clock, late 19th century, the circular enamel dial, with strike on bell movement, surmounted by an urn and supported by four flute...

Measures: H: 25 1/2 in / 64.7 cm ; W: 22 1/4 in / 56.5 cm ; D: 9 1/2 in / 24.2 cm An exceptional quality three-piece clock set designed in a grand neoclassical. The set is compri...

An exceptional quality three-piece clock set designed in a grand neoclassical style by 'Domange Rollin Rue de Bretagne Paris'. France. The set is comprised of a central clock and tw...

An exceptional French gilt bronze mantel clock marketed by Tiffany & Co, with classical cast gilt figures of a boy and girl reading on each side of the clock, a central raised panel ...

A very impressive fine quality late 19th Century French gilded ormolu and Champleve enamel mantle clock. Having a seated cherub above the clock face, and a...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

An impressive French 19th century Neoclassical Lyre-form clock with jeweled pendulum. Amazing quality white and yellow marble 19th century French Lyre-Form clock mounted all over with gilt bronze...

A French Charles X period gilt bronze figural mantel clock circa 1825. Saint-Nicolas-d'Aliermont and Paris, c. 1825. The sculptural group represents an allegory of navigation or Hop...

The central circular dial surmounted by two love birds, the lower section with two cherubs on either side, and decorated with garlands of flowers and scrolling features throughout.

Antique Neoclassical Louis XVI gilt bronze and malachite clock French, late 18th Century Measures: Height 56cm, width 35cm, depth 12cm Crafted from gilt bronze and a later malac...

French Directoire period ormolu and patinated bronze mantel clock signed Maniere a Paris. A magnificent antique French Directoire mantel clock in patinated bronze and finest ormolu signed Maniere a Paris for Charles-Guillaume Maniere who was working in the Rue...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

A magnificent turn of the late 19th / early 20th century French three piece mantel set, retailed by the renowned Bailey Banks and Biddle, with movement by Samuel Marti of Paris. The stunning antique...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

Precioso reloj de sobremesa francés, Imperio, siglo XIX, en bronce dorado al mercurio y malaquita. Movimiento mediante maquinaria París de suspensión de hilo, con soneria sobre camp...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

This remarkable French mantel clock is a work of exceptional quality, created during the Restoration or Charles X period, circa 1820 to 1830. While it retains the architectural balan...

A superb and substantial ormolu clock from a design by the 18th century bronze founder Robert Osmond and made by the famous Compagnie des Bronze of Bruss...

This extremely rare swinging portico clock by Béchot Paris, in an ormolu case of exquisite quality, finely cast and gilded with its original burnished and chased finish, this clock i...

A beautiful original antique French clock modelled in the Louis XVI style as two charming cherubs carrying the clock on laurel wreaths. The pendulum with applied musical motifs, swin...

Magnificent 19th century French mantel clock garniture in the Napoleon III style, comprising a finely sculpted mantel clock and a matching pair of large candelabra. Executed circa 18...

Napoleon III period neoclassical malachite and gilt bronze clock set by Picard French, late 19th century Measures: Clock: Height 72cm, width 46cm, depth 27cm Candelabra: Height 78...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

Gilt bronze three-piece clock set by Raingo Frères and Henri Picard This exceptional 19th century clock set comprises of three pieces crafted from gilt bronze: a central mantel cl...

French Napoleon III ormolu and porcelain sided mantel clock in four glass form. The clock has fine jewelled porcelain panels on three sides including the full size dial. The porcelai...

A fine Louis XVI-style large gilt-bronze and greige Rococo marble figural mantel clock is surmounted by three dore bronze putti figures hanging floral adornments among clouds with lo...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

French Charles X patinated bronze, ormolu and black marble clock with bust of Apollo. Very well proportioned clock with a fine bronze taken from the classical marble of Apollo. The bronze was created by the feted Paris bronziers of Choiselat and Gallien who also made some of the fine bronze clocks of "Jason and the Golden fleece...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

Rococo style gilt bronze mantel clock with Sèvres style porcelain plaques French, late 19th Century Measures: Height 45cm, width 32cm, depth 15cm This fine mantel clock is a cha...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

French Empire Ormolu and marble vert mantel clock of Cupid whispering. Wonderful original fire gilded mercury ormolu. The quality of the casting and chasing is superb, from the indiv...

A very good quality late 19th century French Louis XVI style gilded ormolu mantel clock. Having a broken arch pediment with a twin handled urn to the centre. The inset champlevé enam...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Impressive mahogany longcase clock with gilt and sculpted decorative bronze elements such as fantastic animals, diamond-shaped patterns, scrollwork, and foliage. This floor clock is ...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...