French Clocks

Beautiful gilded bronze clock with lively decoration in the rococo style: flowers and foliage, putti Clock which is composed to be seen from all sides; dial with numbers in porcelai...

Charles X "The Serpent and The Eagle" Ormolu Clock, circa 1830, the circular dial with strike on bell movement, signed "Charles a Paris", surmounted by the serpent and the eagle from...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A beautiful and large scaled French 19th century Louis XVI st. Brèche Violette marble, ormolu and patinated bronze clock signed Balthazard. The clock is raised by a square Brèche Vio...

This delicate table clock features a central circular white dial with black Roman numerals and gilt detailing. The dial is signed 'E. DREYFOUS, To Their Majesties' and is mounted all...

An impressive early 19th Century French bronze 8-day striking Clock with silver dial surmounted by Spartacus, breaking his chains perched on rocks with quiver and shield raised on Sienna marble base mounted with military plaque...

French Empire mantle clock, elegant patinated bronze vase shaped case standing on a stepped ormolu base with turned feet, four pineapple fin...

Louis XVI Dore bronze mantle clock, Conrad Felsing, Berlin. A finely cast dore' bronze mantle clock with Sevres porcelain face and decorative pla...

This large and impressive late 19th-century French gilded ormolu cartel wall clock exemplifies the elegance of the Louis XVI style. Adorned with intricate detailing, it features a m...

Rococo style clock with Louis XV monogram, gilt and patinated bronze This Rococo-style clock in gilt and patinated bronze depicts a putto on a chariot drawn by a dragon. The circula...

A fabulous quality 19th Century French carved oak wall clock, the circular clock dial located at the centre with a decorative carved and moulded edge, surrounding the clock dial is ...

France, circa 1820-1830. A large-scale early 19th century bronze and gilt bronze mantel clock, the clocks hunting theme, featuring three different scenes. The bronze Diana...

An adorable and high quality French 19th century Louis XV/XVI st. patinated Bronze and Ormolu clock. This charming clock is supported on an oval Ormolu base raised by scrolled suppor...

This antique mantel clock features blue hands and a fully gilded rim. The heavily ornamented base on which the clock sits is also gilded. A beautiful girl in a dress with puffed slee...

A rare and very fine 19th century Napoleonic era Sevres Porcelain mantel clock, The richly chased ormolu gilt bronze body inset with 11 p...

A superb 19th century French Flame Mahogany Napoleon Empire Period Egyptian style Mantel Clock This clock was produced in the Fr...

The case Jean-Francois and/or Guillaume Deniere (French, 1820-1901); the mechanism (Samuel Marti et Cie (French, 1841- ), circa 1870, finely cast gilt bronze and marble mantel clock in the Louis XVI taste, surmounted by a ribbon tied quiver and torch, the case decorated with swirling florals, the enameled dial with polychrome floral swags and Arabic numerals, the base with bundled acanthus garlands. and rising on toupie feet. The dial marked "Deniere/Ft de Bronzes" and "Paris", the mechanism stamped "Jx/Deniere/A Paris/1565',"Juveneaux", and "Medaille Bronze/S Marti & Cie". Note: The Deniere (Derniere) firm was noted for their exceptional bronze casting, exhibiting at the Paris 1855 World Fair and having multiple royal commissions including the coronation coach...

Large decorated enameled porcelain doré bronze clock, floral elements, lion mask with filigree, swags and cherub face. Measures: 20" H x 14" W x 6" D.  

A figural gilt bronze French Empire clock, ‘Allegory to Triumph and Power’. A Roman emperor stands to the right of the central rectangular plinth housing the movement; atop the plint...

Antique French Bronze D'Oré and Carrara Marble Clock, Circa 1880.

Antique patinated bronze and onyx mantel clock by Mercié and Barbedienne French, Late 19th Century Height 113cm, width 58cm, depth 40cm Two renowned French makers, Antonin Mercié (...

A Fine Louis XVI-Style Gilt Bronze and White Marble Mantel Clock After a model by Étienne-Maurice Falconet The urn-form pendule à cercles t...

Maker: Léon Messagé (1842-1901) Origin: Paris, France Date: Early 20th century Size: 11 3/4 in x 9 in x 6 1/4 in. Signature: signed Messagé to the right side of the lion pelt...

This large mantel clock is an excellent piece of refined neoclassical design by the acclaimed Deniere et Fils firm. Deniere was one of the leading ...

Magnificent and superb quality French clock of gilt and patinated bronze, featuring two cherubs and signed Le Roy, Paris.

Napoleon III Gilt Bronze and Sevres Blue Ground Porcelain Mounted Clock, mid-19th century, the painted dial centered by Cupid, the movement strike on bell, surmounted by a footed bow...

This monumental 19th-century French mantel clock, crafted in the lavish Louis XIV style, is a commanding expression of regal elegance and technical refinement. Towering in presence, ...

Restauration Gilt Metal Figural Mantel Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated woman resting on a cushion, the rectangular b...

This fine French Verdi marble and bronze mantel clock, circa late 19th century, is a remarkable example of neoclassical artistry and precision timekeeping. The piece features a beaut...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

Louis XVI carved giltwood and painted mercury wheel barometer. Eight inch circular painted wood register dial with central rosette within the scale calibrated from 27-28-29 and ...

An Important Early 19th Century Gilt and Patinated Bronze Figural Mantle Clock By Andre-Antoine Ravrio and Mesnil Modeled with a large and beautiful gilt bronze figure of recumbent...

Louis XVI style clock in gilded bronze and porcelain: the base is very richly decorated: putti heads, flower garlands, knots and rosettes and porcelain plates decorated with golden s...

Antique mantel clock from around 1850, France, fire-gilded. Fire-gilt and partially black-brown patinated bronze. Figurative attachment in the form of a poet leaning against a tre...

A most exquisite French mid-19th century Louis XVI st. ormolu, white Carrara marble and crystal clock. The clock is raised on a moulded oval white Carrara marble base supported by ri...

A small French vase clock of the highest quality. The clock is fitted within the body of an enamelled lidded vase. The body of the vase of silvered bronze & enamelled in deep blue. T...

A wonderful French Louis XV1 style striking figural ormolu-mounted white marble clock. The beautifully cast figures of Venus and Cupid are springi...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.  

A Model of Jean Henri Riesener (Received Master in 1768) executed in 1785. (inv. OA 5501 In Louvre Museum). 19th Century. This fine and sumptuous “Regulateur de Pendule” presents a fine amaranth. Of Sycamore oeuil de vermeuil, ebony and buis stringing marquetry. The base and the gaine are decorated with diamond shapes. The hours are inscribed in Roman numerals and the munutes in Arabic. It takes place in a magnificent gilt décor of three winged children playing with garlands on clouds. The regulateur is enriched with a delicate garniture of bronze. The dial and each panel are framed by an elegant frieze of palms and pearls. The top of the gaine is enhanced with a frieze of palms and ovums, foliages and garlands of flowers. Each corner is ornated with fleurons. The front of the gaine is embellished by an Apollo mask (Sun Symbol) and each side with laurel crowns. Under the mask the cartouche is decorated by a stylized vase of flowers. Foliated scrolls, flowers, garlands, cornucopias and musical instruments such as a harp (Apollo Reference) the cherubs are underlined by pearls, scrolls of Acanthus Leaves and garlands dawning out in foliages, framed with ropes until the lions feet. The feet rest on a base ornated with fleurons and foliages with buds of flowers ending in four conical feet with acanthus leaves. With André-Charles Boulle (1642–1732) and Charles Cressent (1685–1768), Riesener was arguably one of the three greatest French ébénistes of the 18th century. Eventually taking over the workshop after Oeben's death in 1763, and marrying his widow some four years later. He is renowned for completing the famous bureau du Roi...

Mahogany mantel clock in a break arch case with brass columns to either side, brass inlay to the front and surmounted by four brass finials. Beautifully d...

Royal fire-gilded mantel clock/Pendule Napoleon III, 1870, Paris, signed Lantier A fantastic masterwork of perfection with beautiful fire-gilded bron...

Art Deco pink marble mantle, desk or chapel clock with bronze details Beautiful design and perfectly working Art Deco clock with a chime. If...

A very large, rare and impressive original antique clock set. The bodies are stunning Japanese Imari Porcelain mounted with finely gilded bronze. Can...

A large and impressive French Louis Philippe portico clock with complications. The ebonized wood case richly embellished with gilded bronze mounts; the 5? silvered dial with roman nu...

This important glass-fronted French Empire great wheel skeleton clock has the remarkable ability to run with incredible accuracy for more than a week on a single winding. The large central wheel and the rare combination of the pin-wheel escapement and knife-edge suspension allow for a longer, more accurate running time than most clocks of the period. The clock is further distinguished by the inclusion of a concentric calendar dial and Roman numeral chapter ring set amidst a stunning floral halo of gilt bronze fretwork, all mounted on a bronze-wrapped marble base. In such fine, working condition, and with the inclusion of a period glass dome, this clock is exemplary of the finest French skeleton...

Belle Époque period gilt bronze and enamel clock set French, late 19th century Measures: Clock: Height 46cm, width 23cm, depth 15cm Vases: Height 29cm, diameter 11.5cm Candlestic...

An exquisite example of 19th-century French horology, this gilt bronze and crystal case regulator clock was crafted by the renowned Samuel Marti in France, 1873. This elegant timepie...

A beautifully detailed 19th century bronze dore clock with the figure of cupid on the top.

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

Luxury vintage stirrup desk / table clock Maquet Paris - Nice 8 Jours, France, 1940s Clock with Equestrian / Polo / Racing horse Motifs in the style of Hermes (exactly the same model but with hermes marks...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

This graceful gilt bronze striking clock is from France’s Directoire period. The clocks white enameled face has black Roman numerals and is framed with ...

Jean Mayodon (1893–1967) Cylindrical ceramic clock with enamel decoration depicting Leda and the Swan, surrounded by deer and tortoises in grisaille on a salmon and white background...

This stunning antique mantel clock is unusual for its serpentine design, featuring a gilt bronze, hanging snake head that acts as a clock hand. The 360 degree turning circular ena...

A 19th century novelty desk compendium in the form of a davy lamp housing an eight day timepiece and aneroid barometer and a thermometer surmounted by a glazed cylindrical chamber wi...

French Empire Mantel Clock Bergmiller Circa 1810 A radiant expression of French Empire luxury, this exceptional mantel clock by Bergmiller combines the artistry of mercury-gilt bron...

A fine Louis XVI-style large gilt-bronze and greige Rococo marble figural mantel clock is surmounted by three dore bronze putti figures hanging floral adornments among clouds with lo...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

French three-piece tortoiseshell and gilt bronze clock set French, late 19th century Clock: Height 55cm, width 26cm, depth 15cm Candelabra: Height 46cm, width 22cm, depth 20cm ...

A sculptural and richly worked example of French Art Deco metalcraft, this mantle clock is constructed entirely of hand-forged wrought iron, its arched, bell-shaped silhouette built ...