Revival Clocks

A striking and high-quality Neo-Gothic Vienna regulator wall clock, dating to the late 19th century and featuring a rare three-train movement with quarter-hour strike on two gongs. ...

Stunning clock for the collectors of rare and truly stylish Gothic antiques. Gothic wall clocks are a rare find and this more than three feet tall specimen probably is the best an...

Stunning and perfect running Gothic architectural design bronze wall clock, from circa 1880. If you like rare antiques in general and one of a kind clocks in particular then this handcrafted specimen for wall mounting could be the perfect addition to your collection or Gothic (inspired) interior. This fine quality antique...

Rare and great folk-art workmanship mantel clock for the collectors and enthousiasts. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest, Folk Art table clock of this design and subject matter and with such amazing natural organic details. This small church or chapel-like 'clockhouse' is entirely handcrafted out of all kinds of wood, but the most eye-catching is ofcourse the organic root wood. Each piece is like an abstract sculpture and depending on how you see things, they may look like one thing to you, but like something completely different to the next person. Because of all the natural materials that were used this small church has a stunning organic look and feel, but what really takes it to another level is the bell striking mechanism. Every six hours the church bell will ring many times, the door on the left will open at every 'strike', revealing the original monk sculpture inside (as shown in the attached video in this listing). With the hand carved crucifix on the right side being made of the same color and materials, it totally blends in with the entire organic design of this Christian antique. Over the many decades this good size and rare antique clock has also grown the most amazing patina and with the natural beauty and unique artisanship that it radiates people will want to stop and study its uniqueness. This work-of-art-table-clock comes with a single day clock mechanism, protected from dust by the original 'back door'. It runs and strikes perfectly and comes with an antique key for winding it. Apart from a few minor imperfections, this rare antique is in excellent condition, which makes it perfect for lovers of unique and rare clocks in general and for Black Forest and Christian Folk Art collectors in particular. Mind you, our fair price for this sizable antique cuckoo clock...

Spectacular & pure Gothic design clock for the collectors of truly unique and stylish antiques. A particularly striking example of the Gothic Revival, this French skeleton clock by ...

Large antique (late 19th century) French figurative clock from the Greek Revival period depicting the goddess, Selene, after the original sculpture by Auguste Moreau (French, 1834-19...

Tall case Amsterdam clock. Signed Pieter Verlaer, Dutch, circa 1840-1860. walnut and burled walnut. Clock has an amazing dial with three ships that mov...

Exceptional Italian grandfather clock in the French Rococo Revival style, dating to the early 20th century, masterfully crafted from richly stained wood and adorned with highly elabo...

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

Antique mantel clock was retailed by J.E. Caldwell & Co., an opulent and highly prestigious luxury jeweler and silversmith founded in Philadelphia in 1839. While the dial is sig...

This elegant antique Italian longcase clock is a refined decorative piece, distinguished by its richly detailed marquetry case and ornate bronze mounts. Unlike traditional tall grand...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

Rare & fabulous Antique Napoleon lll clock garniture with incredible quality bronze sculptures. You will rarely see a clock garniture with bronzes of this quality and detail. The bearded thinker/philosopher on top of the marble clock is simply astonishing. His natural poisture, his hair, face and hands, but also his clothes, it is all of a quality and detail that only a master sculptor can achieve. And the patina also is just perfect. The philosopher is marked on the back and it reads 'BE x'. The two bronze female (classical maiden) sculptures are in fact two stunning candle holders and they too stand on beautifully shaped black marble bases with cartouches. These majestic candle holders are marked on the sides 'L.V.E. ROBERT' (Louis Valentin Elias Robert) and on the back they read 'AD x'. The black marble clock comes with a circular dial face with gilt Roman numerals and this clock has a well working movement. The movement is stamped 'DENIERE / A PARIS' and '2165'. On the bottom it reads A.Blacher and there also is a cachet with 'MEDAILLE D'OR / Paris / 1827'. If you like this one of a kind, clock set as much as we do then you will love our price. Especially, since perfect packing (in a custom made crate) and worldwide delivery from our store to your door in just 4 days are complimentary. Maximum clock height x width x depth: 22 x 17 x 8.5 inches. The large figure candle holders...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

This fine clock has much to recommend it. The bronze mounts are gilt ; the green marble is Verde Antico ; the glass panels are bevelled; the pendulum is gilt and engine-turned. It is...

A striking Egyptian Revival clock, circa 1860 features a finely crafted black marble case engraved with Egyptian hieroglyphics. Richly decorated with impressive bronze Egyptian-inspi...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Jacques Duval Brasseur, Table Clock in Bronze, Agate and Gemstone

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

A superb musical clock known as a “Symphonion,” crafted from richly carved solid walnut. Features a Lenzkirch clock movement with a half-hour chime on a spiral gong, housed in a ca...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

Wall clock. Gilt bronze. France, 19th century. Gilt bronze wall clock of the type known as a "cartel" due to its shape, featuring Parisian movement and a white dial with Roman numer...

A substantial and highly decorative French mantel clock dating to the late 19th century, circa 1890, fitted with a mechanical movement by the renowned French maker Japy Frères. The imposing architectural case is richly modelled in the Baroque Revival taste, with elaborate scrolling foliage, floral ornament, pierced decorative sections and an impressive classical female mask forming the upper crest. The lower section is centred by a heraldic shield surrounded by elaborate scrolling ornament. The case is made from a gilt copper-alloy metal, most likely bronze or brass. The original gilded surface has considerably mellowed with age, leaving a warm darker bronze-gold tone and attractive natural patina throughout. The exact alloy has not been analytically tested. The circular dial combines a decorative metal centre with Roman numeral hour markers and retains its antique character. Both the original front glass and the glazed rear door are present. The French two-train movement bears the Japy Frères medallion. Japy Frères was one of the most important French manufacturers of clock movements during the 19th century. The clock was tested and is currently running. The original pendulum is included; no winding key is supplied. Details: Dimensions: Height 50 cm (19.7 in.); Width 28 cm (11.0 in.); Depth 14 cm (5.5 in.) Weight - 7.5kg Condition: Very good antique condition overall. The case shows natural age-related patina, oxidation and considerable wear/loss to the original gilded surface, giving the metal its present darker bronze-gold appearance. No significant structural damage to the case has been observed. Original front and rear glass are preserved. The clock was tested and is running at the time of listing. Original pendulum included; winding key not included. As with any antique mechanical clock...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

A highly unusual and richly conceived three-piece clock garniture, probably French and dating from the late 19th century, comprising a substantial mantel clock and a pair of matching five-light candelabra. The ensemble is distinguished by an exceptionally coherent decorative program centered on griffins and fantastical chimerical creatures. Sculptural griffin forms flank the body of the clock, further griffin heads appear beneath the lateral platforms, while a prominent fantastical mask forms the central element of the lower case. The same imagery is repeated throughout the hand-decorated porcelain panels, creating a remarkable visual relationship between the sculptural mounts and the ceramic decoration. The clock is surmounted by a large polychrome porcelain vessel held within an elaborate gilt-metal mount and decorated in a vivid palette of deep raspberry, turquoise, violet, red and gold. Similar colors and fantastical creatures appear throughout the numerous inset porcelain plaques and on the central dial. Individual black Roman-numeral cartouches surround the dial, contributing to the highly architectural character of the composition. The pair of tall matching candelabra continue the same elaborate decorative vocabulary, with five-light arrangements, scrolling branches, architectural finials, polychrome porcelain elements and griffin-form supports. Stylistically, the garniture belongs to the eclectic Historicist vocabulary of the later 19th century, combining Neo-Gothic and Renaissance Revival elements with a more exotic Orientalist or Japonisant sensibility. The pronounced use of fantastical animals, vivid color and elaborate architectural metalwork distinguishes the ensemble considerably from more conventional porcelain-mounted French clock garnitures of the period. Of particular interest, inspection of the porcelain components revealed at least three concealed handwritten inscriptions apparently reading “Gallé” on reverse or interior surfaces. These inscriptions are hidden once the components are assembled and appear to have served a workshop or production-related purpose. The inscriptions are recorded exactly as observed. No definitive documentary attribution to Émile Gallé or the Maison Gallé has presently been established, and any such attribution remains preliminary. Their repetition on several separate porcelain components is nevertheless noteworthy and merits further research. The garniture is exceptionally substantial in construction. The clock alone weighs approximately 10 kg, while each candelabrum weighs approximately 4 kg. The mechanical movement was tested continuously for approximately 24 hours prior to listing. During this test, the clock remained in operation and the striking mechanism functioned correctly. The movement was therefore found to be in good working order at the time of testing. As with any antique mechanical clock...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

This impressive and finely cast gilt-bronze mantel clock is a superb example of the 19th-century French Rococo revival, after the celebrated designs of the bronzier Robert Osmond. Bo...

A magnificent floor-standing pendulum clock, characterized by extraordinary decorative elegance and rich ornamentation. The case, with its sinuous and refined lines, stands out for ...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Le Roy & Fils (French 1785), Baroque Revival parcel gilt bronze mounted and mixed marble mantel clock, mid-19th century, having a foliate finial, domed hood with plaque reading "1640...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

A spectacular feat of engineering and artistry, this 19th-century skeleton clock was created by John Smith & Sons of Clerkenwell. The Clerkenwell Borough of Central London has fo...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

This is a Neoclassical Style Carriage/Table Clock. It depicts a gilt brass rectangular box case with Greek temple like front adorned with two Corinthian columns with a frieze above i...

A highly decorative mid-19th century French figural mantel clock, likely dating to circa 1845–1860, featuring an elaborate Rococo Revival composition with abundant floral ornament, s...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

A nice clock of the same period as Caldwell and with Chelsea works of Boston. With key.

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

This beautiful desk timepiece is a rare strut clock, in the form of a gilded scallop shell, with an engine turned silvered roman dial set behind a bevelled glass with distinctive fle...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A desk clock in the shape of an Egyptian obelisk made by LeCoultre with an 8 day movement in the base, a crisp silvered dial and gilded numerals and batons set beneath a perspex obelisk. The black lacquered base has gilt mounts that continue the theme and repeat on all four sides. This is an extremely handsome small clock ideal as a gift or use as a desk clock, the dial is visible through the obelisk, the fine fully jewelled LeCoultre eight day movement is wound from the base, dating from the 1960's this mid century clock...

This fine French Verdi marble and bronze mantel clock, circa late 19th century, is a remarkable example of neoclassical artistry and precision timekeeping. The piece features a beaut...

Reverse painted electric clock with Roman numerals in green, gold, cream, and tortoise pattern. .

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...