Revival Clocks

A striking and high-quality Neo-Gothic Vienna regulator wall clock, dating to the late 19th century and featuring a rare three-train movement with quarter-hour strike on two gongs. ...

Rare and great folk-art workmanship mantel clock for the collectors and enthousiasts. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest, Folk Art table clock of this design and subject matter and with such amazing natural organic details. This small church or chapel-like 'clockhouse' is entirely handcrafted out of all kinds of wood, but the most eye-catching is ofcourse the organic root wood. Each piece is like an abstract sculpture and depending on how you see things, they may look like one thing to you, but like something completely different to the next person. Because of all the natural materials that were used this small church has a stunning organic look and feel, but what really takes it to another level is the bell striking mechanism. Every six hours the church bell will ring many times, the door on the left will open at every 'strike', revealing the original monk sculpture inside (as shown in the attached video in this listing). With the hand carved crucifix on the right side being made of the same color and materials, it totally blends in with the entire organic design of this Christian antique. Over the many decades this good size and rare antique clock has also grown the most amazing patina and with the natural beauty and unique artisanship that it radiates people will want to stop and study its uniqueness. This work-of-art-table-clock comes with a single day clock mechanism, protected from dust by the original 'back door'. It runs and strikes perfectly and comes with an antique key for winding it. Apart from a few minor imperfections, this rare antique is in excellent condition, which makes it perfect for lovers of unique and rare clocks in general and for Black Forest and Christian Folk Art collectors in particular. Mind you, our fair price for this sizable antique cuckoo clock...

Antique Rococo Revival grandfather clock featuring an exceptionally ornate hand-carved wooden case with rich sculptural detailing. The design is dominated by flowing acanthus leaves,...

Exceptional Italian grandfather clock in the French Rococo Revival style, dating to the early 20th century, masterfully crafted from richly stained wood and adorned with highly elabo...

Stunning and perfect running Gothic architectural design bronze wall clock, from circa 1880. If you like rare antiques in general and one of a kind clocks in particular then this handcrafted specimen for wall mounting could be the perfect addition to your collection or Gothic (inspired) interior. This fine quality antique...

PRESENTING A STUNNING Mid 19th Century French Slate & Bronze Mantel Clock by Marti with pair of slate and bronze candelabra’s as garnitures. This ‘large’ mantle clock, was made circ...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

Stunning clock for the collectors of rare and truly stylish Gothic antiques. Gothic wall clocks are a rare find and this more than three feet tall specimen probably is the best an...

This is a Neoclassical Style Carriage/Table Clock. It depicts a gilt brass rectangular box case with Greek temple like front adorned with two Corinthian columns with a frieze above i...

This fine clock has much to recommend it. The bronze mounts are gilt ; the green marble is Verde Antico ; the glass panels are bevelled; the pendulum is gilt and engine-turned. It is...

Tall case Amsterdam clock. Signed Pieter Verlaer, Dutch, circa 1840-1860. walnut and burled walnut. Clock has an amazing dial with three ships that mov...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

A striking Egyptian Revival clock, circa 1860 features a finely crafted black marble case engraved with Egyptian hieroglyphics. Richly decorated with impressive bronze Egyptian-inspi...

Jacques Duval Brasseur, Table Clock in Bronze, Agate and Gemstone

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

A very fine early regency longcase clock with quarter striking complication, by William Moon of Holborn Bars. The eight-day movement with shaped plates and five turned pillars, has a...

Spectacular & pure Gothic design clock for the collectors of truly unique and stylish antiques. A particularly striking example of the Gothic Revival, this French skeleton clock by ...

This elegant antique Italian longcase clock is a refined decorative piece, distinguished by its richly detailed marquetry case and ornate bronze mounts. Unlike traditional tall grand...

This impressive and finely cast gilt-bronze mantel clock is a superb example of the 19th-century French Rococo revival, after the celebrated designs of the bronzier Robert Osmond. Bo...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

There are clocks that politely tick in the corner… and then there are clocks that look as though they were appointed by decree of the Empire itself. This superb 19th-century French ...

Large antique (late 19th century) French figurative clock from the Greek Revival period depicting the goddess, Selene, after the original sculpture by Auguste Moreau (French, 1834-19...

Gilt bronze eagle and marble ball clock. France, circa 1900.

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

Antique mantel clock was retailed by J.E. Caldwell & Co., an opulent and highly prestigious luxury jeweler and silversmith founded in Philadelphia in 1839. While the dial is sig...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

Small Gothic table clock with gilt bronze (or possibly golden) pocket watch by John Worboys of London, 1780-1810. We know too little about antique ...

A desk clock in the shape of an Egyptian obelisk made by LeCoultre with an 8 day movement in the base, a crisp silvered dial and gilded numerals and batons set beneath a perspex obelisk. The black lacquered base has gilt mounts that continue the theme and repeat on all four sides. This is an extremely handsome small clock ideal as a gift or use as a desk clock, the dial is visible through the obelisk, the fine fully jewelled LeCoultre eight day movement is wound from the base, dating from the 1960's this mid century clock...

Rare & fabulous Antique Napoleon lll clock garniture with incredible quality bronze sculptures. You will rarely see a clock garniture with bronzes of this quality and detail. The bearded thinker/philosopher on top of the marble clock is simply astonishing. His natural poisture, his hair, face and hands, but also his clothes, it is all of a quality and detail that only a master sculptor can achieve. And the patina also is just perfect. The philosopher is marked on the back and it reads 'BE x'. The two bronze female (classical maiden) sculptures are in fact two stunning candle holders and they too stand on beautifully shaped black marble bases with cartouches. These majestic candle holders are marked on the sides 'L.V.E. ROBERT' (Louis Valentin Elias Robert) and on the back they read 'AD x'. The black marble clock comes with a circular dial face with gilt Roman numerals and this clock has a well working movement. The movement is stamped 'DENIERE / A PARIS' and '2165'. On the bottom it reads A.Blacher and there also is a cachet with 'MEDAILLE D'OR / Paris / 1827'. If you like this one of a kind, clock set as much as we do then you will love our price. Especially, since perfect packing (in a custom made crate) and worldwide delivery from our store to your door in just 4 days are complimentary. Maximum clock height x width x depth: 22 x 17 x 8.5 inches. The large figure candle holders...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Morris and Co, In the style of, An Aesthetic Movement noir belge and red Marble gilded mantle or bracket clock with an important Gay Vicarino & Co French...

Wonderful clock for the collectors of truly stylish Gothic antiques, by W.H.Tooke, Paris. Finding this unique (Germany made) Gothic table clock again felt like a blessing. The overall design is remarkable, but the combination of the craftsmanship of the bronze components and the hand crafted and hand painted Gothic porcelain plaques is what takes this clock to the next level. Whenever you find a piece that is this good then you can rest assure that there is a maker's mark. This late 1800s work of beauty was made and marked by the prolific Parisian clock...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

A spectacular feat of engineering and artistry, this 19th-century skeleton clock was created by John Smith & Sons of Clerkenwell. The Clerkenwell Borough of Central London has fo...

Wall clock. Gilt bronze. France, 19th century. Gilt bronze wall clock of the type known as a "cartel" due to its shape, featuring Parisian movement and a white dial with Roman numer...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

Impressive mantel garniture composed of a central clock surmounted by a winged sphinx and flanked by two obelisks. The ensemble is richly decorated with Egyptian symbols engraved and...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

Refined gilded bronze clock with splendid gilding. The piece features classical decorations, typical of the period, with festoons and musical instruments. At the top, a guitar rests on a musician...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

Parmigiani Fleurier, 'Nubia' - an extremely fine and unique 18K pink gold pocket watch Swiss, Early 21st Century Measures: Height 9cm, width 6.5cm, depth 1.5cm Open: height 9.5cm,...

A striking late 20th-century Maitland-Smith mantel clock veneered in richly tessellated horn in dramatic tones of oxblood, aubergine, amber, and near-black, accented throughout with ...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

Egyptian Revival Grande Sonnerie clock from the Biedermeier period. It features animated workmen that swing an anvil, pump bellows while making a 'clac...

This clock set with a clock and two cassolettes was made by Paul Soyer around 1875. Paul Soyer (1832-1903) worked as a chaser in Paris from the 1850s. Gradually, he learned the technique of enamel to replace ornamental bronzes in furniture decoration. He opened a workshop as an engraver-enameller in 1861 and then collaborated with renowned enamelers and goldsmiths, such as Claudius Popelin, Charles Duron...

A good quality late 19th Century French Pink marble and gilded ormolu mounts, of a sun burst and swags above the Lyre. A white enamel clock face wit...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

A 19th century Neo-Egyptian style mantelpiece in green onyx, black marble and bronze. It consists of a clock topped with a sphinx bearing Egyptian writing and symbols. On either side...

Reverse painted electric clock with Roman numerals in green, gold, cream, and tortoise pattern. .

A large and exceptional antique French ormolu clock, designed in the style of the sculptor Léon Messagé and bearing the foundry mark of Jollet et Cie. Executed in finely gilded bronz...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Exhibiting the fine design and craftsmanship of French clockmakers Raingo Frères (Raingo Brothers), this impressively large clock, measuring over 1 meter tall ( 3 feet +), is an example of the “Second Rococo” period beginning circa 1830, when the highly ornate "Cartel" style of the early 18th century came back into fashion. The clock is crowned at top center by the figure of a putto or cherub, holding in one hand a dove and the other a garland of flowers. This allegorical figure can represent innocence or purity, and was a popular subject for sculptors of the 19th century. The term "Cartel clock" comes from the French "Pendule à Cartel" meaning roughly "clock in a frame for the wall" - the word "Cartel" meaning in this context "decorative frame". These clocks were almost always made from gilt bronze (also known as "ormolu") and highly decorated. The clock is complete and includes a winding key, and will be checked by our specialist clockmaker to ensure it is functioning properly before shipping. Established in the early 1800s, Raingo Frères was one of the leading makers of precision clocks...