Revival Clocks

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

Le Roy & Fils (French 1785), Baroque Revival parcel gilt bronze mounted and mixed marble mantel clock, mid-19th century, having a foliate finial, domed hood with plaque reading "1640...

A good quality late 19th Century French Pink marble and gilded ormolu mounts, of a sun burst and swags above the Lyre. A white enamel clock face wit...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

Attributed to Emile Herbert, French, 1828-1893. Comprising a central clock and a pair of flanking lidded vases, the clock on a red and black marble base with Pharaoh busts...

An early 19th century French eight day silk-suspension, striking clock, contained in ormolu case mounted with vases and urns of flowers with well-cast b...

Antique French Egyptian Revival Clock. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

A large and exceptional antique French ormolu clock, designed in the style of the sculptor Léon Messagé and bearing the foundry mark of Jollet et Cie. Executed in finely gilded bronz...

There are clocks that politely tick in the corner… and then there are clocks that look as though they were appointed by decree of the Empire itself. This superb 19th-century French ...

Louis XV style gilt bronze mounted tortoiseshell bracket clock by Gros French, circa 1860 Measures: Clock height 90cm, width 52cm, depth 30cm Bracket height 44cm, width 55cm, dept...

A superb gilt bronze and Sienna marble clock depicting Urania (muse of astronomy).

A highly decorative and beautifully modelled French gilt-bronze mantel clock, of elegant Louis XV Rococo revival design, surmounted by an exceptionally charming putto. Set within the...

This fine clock has much to recommend it. The bronze mounts are gilt ; the green marble is Verde Antico ; the glass panels are bevelled ; the pendulum is gilt and engine-turned. It i...

Here we offer you the chance to own a unique piece of history circa 1787. Here is a turret clock face and most of the movement reclaimed from rosendal palace in sweden. 'rosendal p...

An elegant French mantel clock/pendule, made of gilt bronze. The whole in Louis XV style. The clock is made in France 1880-1890. Fine bronze case with typical asymmetric floral motifs in Rococo style. The dial is enameled, at the Roman number VI is a small damage on the enamel. The clock is in good condition and workin order, it have the original gilding. The clockwork have a 8-day movement and strikes every half our on a bronze silver plated bell.

Unique French-Style Mantel Clock With Candelabras, Early 20th Century A unique French-style set with a mantel clock and two four-arm bras...

A one of a kind english twin fusee carriage clock by James Moore French. The eight day movement has a large English jewelled level escapement with compensated bimetallic balance. The movement is wound and set through a round glazed door at the back and can be regulated from the outside as the fast/slow arm extends through the back of the case with rack striking the hour and half hour on blued steel gong with trip repeat. The gilt dial is signed as is th back plate of the movement, the centre of the dial is engraved with foliate scroll work with a roman chapter and breguet style moon hands. The unusual case of case bronze in a rococo revival style is finely chased with fluted sides flanked by Cariatids with a swag of fruit and flowers strung between them, th handle is formed of two dolphins. James Moore French was born in 1781 in County Antrim, Ireland. He was the son of Dr Hugh French and Sarah (née Arundel) French who married his father in 1763 and died in 1783, two years after James’s birth. In 1784, the year after Sarah’s death, Dr Hugh French married a widow named Judith Woodward who was to raise the young James French as her own, alongside his own and his half siblings. As a young man, James French moved from Ireland to London, where he worked with a relative, Peter Moore...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

Clock Red fired enamel on guillochè, with columns in Neoclassico Salimbeni. Small gold-plated 925/1000 sterling silver table clock with translucent fired enamel on guillochè, with co...

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

This exquisite 19th century French Empire clock set embodies the grandeur and opulence of neoclassical design. Crafted with meticulous detail, the centerpiece features a figural cloc...

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

This beautiful desk timepiece is a rare strut clock, in the form of a gilded scallop shell, with an engine turned silvered roman dial set behind a bevelled glass with distinctive fle...

Elegant “tempietto” clock in white marble with gilded bronze finishes. The clock features a rectangular base, embellished with two columns and a temple top. The finish is embellished...

A William Shakespeare Gothic revival mantle clock, dating back to the mid-19th century, superb quality and is made from onyx and gilt bronze. The clock showcases reeded column suppor...

Clock in brass, "La Fontaine", France, circa 1900. In good condition, some were.

Solid wood hand-carved with rich rococo elements. Roman dial. Glazed. Clockwork should be checked for accuracy.

A fine quality neoclassical watch holder "porte montre" (in french) in patinated bronze featuring a classically draped Roman emperor sitting upon an outcr...

Table clock with Muse and writers. Blued and gilded bronze, Paris movement. France, 19th century. Perfectly working mechanism. Table clock in blued and gilt bronze with Paris mac...

A nice clock of the same period as Caldwell and with Chelsea works of Boston. With key.

This magnificent clock set is signed ‘Le Roy’, most likely for Le Roy et fils. Founded in 1785, Le Roy et fils was an acclaimed French clock-making firm...

FACTORY / HOUSE: Black Starr and Gorham STYLE / REFERENCE: Gothic Motif METAL / MATERIAL: Nickle Finished CIRCA: 1940s/ 50s MOVEMENT / CALIBER: High Grade 15 Jewels Swiss Made DIAL / HANDS: Silvered Roman / Filigree Hands DIMENSIONS: 16 Inches tall X 9 Inches Wide / 40cm X 23cm (box 17" X 11") ATTACHMENT: Wall Mount WARRANTY: 18 months on the movement. This is am impressive wall clock sold by one of the premier American jewelry houses. Remarkably it comes with its original box, in excellent condition. Black, Starr and Frost are considered America's oldest jewelry house. They merged with Gorham, one of America's oldest silver companies in 1929. Just in time for the Great Depression. This clock, or rather weather station as it is normally called, appears to have never been used. It was likely made in Switzerland of the finest materials some time mid century. Gothic in style while dating to later part of the Art Deco Era This would be an impressive piece in entry of an elegant old home. Or, conversely it would look great in an ultra modern entry...

Reverse painted electric clock with Roman numerals in green, gold, cream, and tortoise pattern. .

Refined gilded bronze clock with splendid gilding. The piece features classical decorations, typical of the period, with festoons and musical instruments. At the top, a guitar rests on a musician...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

Table clock, Aníbal Barca. Ormolu bronze, metal. France, 19th century. Table clock with Paris machinery and a case made of mercury-gilded bronze. in mercury-gilded bronze, with a rectangular base on four rectangular base on four legs (the front ones decorated with scrolls and decorated with scrolls and ending in claws), decorated with a series of mouldings in relief with vegetal and architectural elements. vegetal and architectural elements in relief. The dial The dial (metal with Roman numerals for the hours) is set within a square shape, on which sits the male figure that decorates the piece. A bearded man, dressed in armour (a muscular loriga or cuirass) and a cape fixed over one shoulder with a fibula, resting his left arm on the helmet holding a rolled-up document, and with his left hand document, and with his left hand he holds a Roman standard (another Roman standard (another is broken, under his foot). Note, to the right and next to a sword, a vase full of rings. vase full of rings. Hannibal Barca (247-183 BC) was a Carthaginian general and statesman who was well known for his Carthaginian general and statesman, well known for his the ancient Roman Empire. No He was often depicted as counting the rings of fallen Roman knights in the fallen Roman knights at the battle of Cannas (216 BC). , as can be seen in the sculpture by sculpture by Sébastien Slodtz (made in 1704, Louvre Museum, Paris), where he also carries a Roman banner. Roman standard. With these two elements (vase with rings and with rings and a banner) is also shown on a table clock...

19th Century Egyptian Revival green onyx and bronze garniture mantle clock with two obelisks, with the clock mounted and flanked by ormolu sphinxes and all parts of the set featuring...

This important silvered bronze, gilded bronze and white Statuary marble clock set was probably made around 1840-1844. The central group is depicting Mary of Burgundy on a falcon hunt...

A fine quality French Empire style Baccarat hobnail cut lead crystal glass two handled vase clock with ormolu-mounts, having a white enamel clock face with roman numerals and raised ...

Our lovely gilt bronze mantel clock with movement by Raingo Freres of Paris features the finely sculpted figure of a beautiful female caring for a newborn chick. With original pen...

This renowned clock maker, Bailey & Company out of Philadelphia are responsible for this stunning and rare set. Clock: 19.5" H x 11" W x 6"D Candelabras: 13.5" H x 10.5 W x 4" D

Stylish French clock set in the Retour d'Egypt style based on French Empire clocks from the early 19th century. The clock set upon a good rectangular Sienna marble base on which are ...