Revival Clocks

A fine mantle clock in black jasper dip, decorated by Bert Bentley with Sacrifice to the front. To one side, Polymnia; to the other, an unidentified female ...

Le Roy & Fils (French 1785), Baroque Revival parcel gilt bronze mounted and mixed marble mantel clock, mid-19th century, having a foliate finial, domed hood with plaque reading "1640...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Louis XV style gilt bronze mounted tortoiseshell bracket clock by Gros French, circa 1860 Measures: Clock height 90cm, width 52cm, depth 30cm Bracket height 44cm, width 55cm, dept...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

A desk clock in the shape of an Egyptian obelisk made by LeCoultre with an 8 day movement in the base, a crisp silvered dial and gilded numerals and batons set beneath a perspex obelisk. The black lacquered base has gilt mounts that continue the theme and repeat on all four sides. This is an extremely handsome small clock ideal as a gift or use as a desk clock, the dial is visible through the obelisk, the fine fully jewelled LeCoultre eight day movement is wound from the base, dating from the 1960's this mid century clock...

This magnificent clock set is signed ‘Le Roy’, most likely for Le Roy et fils. Founded in 1785, Le Roy et fils was an acclaimed French clock-making firm...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

This renowned clock maker, Bailey & Company out of Philadelphia are responsible for this stunning and rare set. Clock: 19.5" H x 11" W x 6"D Candelabras: 13.5" H x 10.5 W x 4" D

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

Delightful and rare Scheurich & Greulich Keramik horse figurine desk clock labeled S&G Keramik Germany. Both 'Ks' on the silver foil Keramik label has red rings indicating this is a ...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

A nice clock of the same period as Caldwell and with Chelsea works of Boston. With key.

Stylish French clock set in the Retour d'Egypt style based on French Empire clocks from the early 19th century. The clock set upon a good rectangular Sienna marble base on which are ...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

Exhibiting the fine design and craftsmanship of French clockmakers Raingo Frères (Raingo Brothers), this impressively large clock, measuring over 1 meter tall ( 3 feet +), is an example of the “Second Rococo” period beginning circa 1830, when the highly ornate "Cartel" style of the early 18th century came back into fashion. The clock is crowned at top center by the figure of a putto or cherub, holding in one hand a dove and the other a garland of flowers. This allegorical figure can represent innocence or purity, and was a popular subject for sculptors of the 19th century. The term "Cartel clock" comes from the French "Pendule à Cartel" meaning roughly "clock in a frame for the wall" - the word "Cartel" meaning in this context "decorative frame". These clocks were almost always made from gilt bronze (also known as "ormolu") and highly decorated. The clock is complete and includes a winding key, and will be checked by our specialist clockmaker to ensure it is functioning properly before shipping. Established in the early 1800s, Raingo Frères was one of the leading makers of precision clocks...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

A very good quality Regency period Mahogany Gothic influenced mantel clock, having delicate carved finials, cluster columns to the sides, the silvered dial with Roman numerals, a thr...

Our lovely gilt bronze mantel clock with movement by Raingo Freres of Paris features the finely sculpted figure of a beautiful female caring for a newborn chick. With original pen...

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

Table clock with Muse and writers. Blued and gilded bronze, Paris movement. France, 19th century. Perfectly working mechanism. Table clock in blued and gilt bronze with Paris mac...

Small table clock in gilt brass richly decorated with openwork scrollwork, acanthus leaves, flowers, and masks in multicolored enamel. The main faces...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

Our Greek Revival period mantel clock in bronze with Siena marble case after the original model by the celebrated French horologist, Pierre-César Honoré Po...

A good quality late 19th Century French Pink marble and gilded ormolu mounts, of a sun burst and swags above the Lyre. A white enamel clock face wit...

Here we offer you the chance to own a unique piece of history circa 1787. Here is a turret clock face and most of the movement reclaimed from rosendal palace in sweden. 'rosendal p...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

Rare and wonderful antique clock from the early 1800s. Marked: S. Devaulx, Paris. Having an impressive, stylish and sizable antique clock like this gracing your mantel piece or sid...

Table clock. Marble, bronze. Japy Freres; Boursier. Paris, France, circa 1849-1854. Machinery in perfect condition and working order. Table clock made of patinated and gilt bronze...

Antique "Commerce" Figural Mantel Clock by Ansonia Co. This late 19th Century "Commerce" figural mantel clock by Ansonia Co. with 8-day time and strike has a spring-driven movement ...

Clock Red fired enamel on guillochè, with columns in Neoclassico Salimbeni. Small gold-plated 925/1000 sterling silver table clock with translucent fired enamel on guillochè, with co...

Morris and Co, In the style of, An Aesthetic Movement noir belge and red Marble gilded mantle or bracket clock with an important Gay Vicarino & Co French...

A large Gothic Revival oak barometer with blind trefoil carved pediment, a rare snail tail mercury thermometer flanked by turned and incised uprights with sunflower carvings. A small...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

FACTORY / HOUSE: Black Starr and Gorham STYLE / REFERENCE: Gothic Motif METAL / MATERIAL: Nickle Finished CIRCA: 1940s/ 50s MOVEMENT / CALIBER: High Grade 15 Jewels Swiss Made DIAL / HANDS: Silvered Roman / Filigree Hands DIMENSIONS: 16 Inches tall X 9 Inches Wide / 40cm X 23cm (box 17" X 11") ATTACHMENT: Wall Mount WARRANTY: 18 months on the movement. This is am impressive wall clock sold by one of the premier American jewelry houses. Remarkably it comes with its original box, in excellent condition. Black, Starr and Frost are considered America's oldest jewelry house. They merged with Gorham, one of America's oldest silver companies in 1929. Just in time for the Great Depression. This clock, or rather weather station as it is normally called, appears to have never been used. It was likely made in Switzerland of the finest materials some time mid century. Gothic in style while dating to later part of the Art Deco Era This would be an impressive piece in entry of an elegant old home. Or, conversely it would look great in an ultra modern entry...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

Beautiful and refined table clock in mercury-gilt bronze, with original gilding. The decoration presents the allegory of love, with Cupid sitting and leaning on the arch, while on th...

Clock in brass, "La Fontaine", France, circa 1900. In good condition, some were.

Gilt bronze eagle and marble ball clock. France, circa 1900.

A one of a kind english twin fusee carriage clock by James Moore French. The eight day movement has a large English jewelled level escapement with compensated bimetallic balance. The movement is wound and set through a round glazed door at the back and can be regulated from the outside as the fast/slow arm extends through the back of the case with rack striking the hour and half hour on blued steel gong with trip repeat. The gilt dial is signed as is th back plate of the movement, the centre of the dial is engraved with foliate scroll work with a roman chapter and breguet style moon hands. The unusual case of case bronze in a rococo revival style is finely chased with fluted sides flanked by Cariatids with a swag of fruit and flowers strung between them, th handle is formed of two dolphins. James Moore French was born in 1781 in County Antrim, Ireland. He was the son of Dr Hugh French and Sarah (née Arundel) French who married his father in 1763 and died in 1783, two years after James’s birth. In 1784, the year after Sarah’s death, Dr Hugh French married a widow named Judith Woodward who was to raise the young James French as her own, alongside his own and his half siblings. As a young man, James French moved from Ireland to London, where he worked with a relative, Peter Moore...

This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honore, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honore...

This beautiful desk timepiece is a rare strut clock, in the form of a gilded scallop shell, with an engine turned silvered roman dial set behind a bevelled glass with distinctive fle...

Dial signed H. Houdebine, Fabricant de Bronzes, Rue de Turenne 64, Paris and clockwork signed Japy Frères & Cie – Médaille d’Honneur A very fine neo-Greek style clock set made up of...

A fine quality neoclassical watch holder "porte montre" (in french) in patinated bronze featuring a classically draped Roman emperor sitting upon an outcr...

Clock and candelabra trim. Blued and gilded bronze, marble. Raingo Frères, Aaria, Clodion. Paris, France, second half of the 19th century. Working. The two candelabras follow a model highly appreciated in the 19th century of a bronze figure of a bacchante (a common figure in the procession of the classical god...

This fine French clock, in an arched verde antico marble case, is set with a bas relief panel depicting Homer. The declaiming blind poet carries his lyre, a young boy leading him. It...

An early 19th century French eight day silk-suspension, striking clock, contained in ormolu case mounted with vases and urns of flowers with well-cast b...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

An unusual late 19th Century French minature gilded ormolu and carved Onyx mantle clock, in the style of a Louis XVI longcase clock. Having an enamel clock face and classical mounts....

A fine quality French Empire style Baccarat hobnail cut lead crystal glass two handled vase clock with ormolu-mounts, having a white enamel clock face with roman numerals and raised ...

A superb gilt bronze and Sienna marble clock depicting Urania (muse of astronomy).

A highly rare and important Spanish damascene, "Egyptian Revival" iron, steel, gold, and silver inlaid clock, circa 1900 Exceptional quality, damascened in gold and silver inlay. Measures: 10" high x 16" wide x 9" deep. Definitely made by one of Placido Zuloaga...