Table Clocks and Desk Clocks

An elegant French 19th century Louis XVI st. ormolu nine light chandelier. The chandelier is centered by an outstanding bottom acorn inverted finial amidst richly chased acanthus leaf patterns. Each S scrolled arm is decorated with fine acanthus leaves ending in striking floral candle cups and reeded twisted bobeches. The reeded straight central fut leads up to a large, attractive acanthus leaf canopy. With all original gilt throughout. Julien Le Roy (1686-1759) a renowned 18th Century Parisian...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

France, circa 1870 Gilded and patinated bronze, modern marble base. Signed « Fratin » on the bronze base This beautiful elephant clock was made in the 19th century by the Animalier ...

Clock with sculpture. Bronze, stone. Coupier Fila and Provart, Paris, France, late 19th century. Bronze sculpture depicting a boy sitting on a rock formation, raising one bare foot ...

A striking and most elegant French 19th century Louis XVI st. cobalt blue porcelain and ormolu clock. The clock is raised by a square ormolu base with cut corners with fine rosettes ...

FACTORY / HOUSE: Mappin & Webb STYLE / REFERENCE: Art Deco / Agate Stone Easel Desk Clock MOVEMENT / CALIBER: 15 Jewels Swiss Made / Eight Days / Manual W...

A French fire-gilt clock depicting a seated female figure - Urania, I presume, judging from the iconography. Empire Era, 1800-1815. The gilding sh...

An amazing piece dating to the early 19th century. This clock set is of the best quality, a true museum piece showcasing the expert bronze work that was done by the French at the turn...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

Marble clock designed by Arch. David Palterer. Size: cm. 10.5 x 6 x 26 H. Materials: Rosso Francia / Verde Alpi Designed by: David Palterer.

FACTORY / HOUSE: Bucherer Jewelers STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Stone and Nickel Finished Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 6 Inches X 6 Inche...

An elegant 19th century ormolu mounted marble 3 piece clock garniture. This clock set was made in France for Tiffany & Company in the late 19th century. The set comprised of a clock...

A charming miniature 19th century French gilt bronze patinated and Rouge marble clock cast with a blindfolded Cupid figure wielding a torch and drum...

FACTORY / HOUSE: J.W. Benson Jewelers to STYLE / REFERENCE: Desk METAL / MATERIAL: Gilt and Brass CIRCA / YEAR: 1920's DIMENSIONS / SIZE: Length 3 X Diameter 3 MOVEMENT / CALIBER: Manual Winding / 15 Jewels DIAL / HANDS: Original Bone with Gilt Minute Chapter / Blued Steel Hands ATTACHMENT / LENGTH: / Regular Length WARRANTY: 18 months on the movement LIFETIME SERVICE COMMITMENT This classic Art Deco Octagon Clock...

FACTORY / HOUSE: Shreve & Co. STYLE / REFERENCE: Table Clock METAL / MATERIAL: Nickle Brass Gilded Metal CIRCA / YEAR: 1930's DIMENTIONS / SIZE: 5 x 4 MOVEMENT / CALIBER: Manual Winding / 15 Jewels / 8 Days DIAL / HANDS: Silvered Dial with Applied Breguet Numerals...

FACTORY / HOUSE: Shreve & Co. STYLE / REFERENCE: Arts and Crafts Desk Clock MOVEMENT / CALIBER: 8 Day DIAL / HANDS: Silvered with Blued Steel Luminous Hands DIMENSIONS: 4 Inches X 4 ...

FACTORY / HOUSE: Shreve by Zenith STYLE / REFERENCE: Art Deco / Desk Clock METAL / MATERIAL: Stone and Gilt Bronze CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 5 Inches Tall MOVEMENT / C...

A highly unusual and rare Art Nouveau gilt bronze strut clock in the manner of Cole and Signed "Howell James and Co. to the Queen London & ...

Burr walnut and ormolu desk set signed Appay a Paris. A very smart Parisian turn of the 19th century desk set comprising a pair of inkwells with a pin drawer and an 8 day clock above...

Pair of 18th century Italian carved wood fragments with clock and barometer.

A striking and very high quality French 19th century Renaissance st. Rouge Griotte marble, patinated bronze, and ormolu garniture clock set. The clock at the center is raised by hand...

Marble clock designed by Arch. Elda Lippi Size: cm. 12 x 12 x 6 H. Materials: Bianco Carrara - Nero Marquina - Pietra serena - Pietra dorata.   

An important & rare silvered and gilt bronze 3-piece Chinoiserie clock garniture comprising a clock and two side pieces. The Pagoda form clock with 2 Chinese figures, one sitting pla...

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...